Miembros del Grupo
Coordinador
Investigadores
Esther
Linares Bernabeu
Colaboradores
Claudia
Carbonell Fernández
Daylei
Fernández González.
Manuel
Zafra Soria
Líneas de Investigación
- Emociones y cultura popular
- Emociones y salud
- Lingüística, cognición y emoción
- Narrativas, autobiografía
- Razón práctica, cultura, identidad
- Sociopragmática de la mediación
- Ética, emociones, fenomenología
Palabras Clave
- Emociones
- Identidad
- Vínculos
Publicaciones Científicas desde 2018
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Autores: Clavero García, Sergio RamónRevista: IDEAS Y VALORESISSN: 0120-0062 Vol.71 N° 179 2022 págs. 256 - 259
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Autores: Linares Bernabeu, EstherTítulo: Análisis lingüístico de la conceptualización de estereotipos en el monólogo humorístico subversivoRevista: NORMASISSN: 2174-7245 Vol.12 N° 1 2022 págs. 22 - 33ResumenEl presente trabajo presenta un análisis lingüístico del género discursivo del monólogo humorístico y, más concretamente, de la capacidad que tienen las cómicas para, de forma consciente o no, conceptualizar determinados estereotipos. En este sentido, partimos de la hipótesis de que las cómicas emplean un tipo de humor subversivo para romper con determinados prejuicios y estereotipos impuestos por la sociedad patriarcal. En aras de comprobar esta suposición, el presente trabajo examina la conceptualización de estereotipos en un corpus de análisis que recoge 15 monólogos segmentados en 504 secuencias humorísticas y que han sido representados por 15 monologuistas españolas. Los resultados demuestran que la conceptualización de estos estereotipos puede darse tanto para desafiarlos y romper con determinadas ideas normativas, como para reforzarlos y, por ende, perpetuar el statu quo.
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Autores: Planes Pedreño, J. A.; García Martínez, Alberto Nahum; Pérez Morán, E.Revista: INTERNATIONAL JOURNAL OF COMMUNICATIONISSN: 1932-8036 Vol.16 2022 págs. 3443 - 3469ResumenThis article presents a quantitative and qualitative analysis of formal and semantic trends of the flashback in Netflix original drama series between 2013 and 2017. The purpose is to determine whether such temporal digressions are commonplace to develop a better understanding of the evolution of television storytelling in the streaming era. The method applied involves a scene-by-scene quantitative analysis of temporality in 33 pilot episodes, an original methodology in television narratology. This is followed by a theoretical definition of the five categories of flashback: delimited, expository, undefined, independent, and oneiric. Tables displaying the data support the results of the study. The subsequent discussion combines the data with a qualitative analysis to identify patterns in how Netflix dramas juxtapose the five categories of flashbacks. Three conclusions are offered: the prevalence of temporal disruptions; the wide variety of flashback categories appearing in Netflix drama series; and the formal simplicity using these tropes.
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Autores: González González, Ana MartaRevista: REVISTA DE ESTUDIOS KANTIANOSISSN: 2445-0669 Vol.7 N° 1 2022 págs. 105 - 124
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Autores: León Sanz, PilarRevista: EUROPEAN JOURNAL FOR THE HISTORY OF MEDICINE AND HEALTHISSN: 2666-7711 N° 79 2022 págs. 94 - 119ResumenThis paper analyses the contribution of the Catholic Church to Spanish hospitals for more than a century, from the last three decades of the nineteenth century to the 1980s, when the health system model changed and when the transfer of healthcare to Spain¿s Autonomous Communities was initiated. The refoundation of Catholic Church hospitals can be observed in the last thirty years of the nineteenth century, as the result of the confiscation of Church property that took place during this century. The new hospitals incorporated contemporary scientific innovations and medical specialisation. Over time, the Catholic Church ran a substantial number of hospitals (surgical, maternity, children¿s, psychiatric, shelters, etc.). This work of healthcare provision still continued into the early 1940s, when the Church hospitals were integrated into the national hospital system. Catholic Church hospitals accounted for 15 to 17 per cent of the total number of beds in the Spanish health system. The most common were surgical hospitals ¿ each with around 100 beds ¿ located in urban areas. The contribution of Catholic Church hospitals to psychiatric care was notable (30 per cent of all beds for this purpose in Spain). This study also analyses the ten-percentage point reduction in the number of beds and hospitals dependent on the Church that occurred in the 1980s.
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Autores: León-Sanz, R. (Autor de correspondencia); León Sanz, PilarTítulo: Modeling health data using machine learning techniques applied to financial management predictionsRevista: APPLIED SCIENCESISSN: 2076-3417 Vol.12 N° 23 2022 págs. 12148ResumenHealth management has steadily improved in performance and accuracy using IT technology. Hospitals and health institutions hold an enormous number of data in their software applications, which can be used with Big Data methodologies to extract useful information. One of the most challenging aspects of health institutional management is financial management; billing prediction is a key aspect to maintain a predictable service level for patients, avoiding unpleasant surprises and anticipating treasury management. Using patient data from public patient databases and applying a machine learning approach, this article offers a model that helps to make more precise and detailed financial plans.
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Autores: Pérez-Sobrino, P. (Autor de correspondencia); Semino, E.; Ibarretxe-Antuñano, I.; et al.Título: Acting like a hedgehog in times of pandemic: metaphorical creativity in the #reframecovid collectionRevista: METAPHOR AND SYMBOLISSN: 1092-6488 Vol.37 N° 2 2022 págs. 127 - 139ResumenThe need to provide novel but meaningful ways to reason and talk about an unprecedented crisis such as the Covid-19 pandemic has resulted in a surge of creative metaphoric expressions in a variety of communicative settings. In order to investigate novel ways of conceptualizing the pandemic, we consider the metaphors included in the #ReframeCovid collection, a crowdsourced dataset of metaphors for the pandemic that rely on nonwar frames. Its heterogeneous makeup of multilingual and multimodal examples (to date, over 550 examples - monomodal and multimodal in 30 languages) offers a unique opportunity to explore the ways in which metaphors have been used creatively to describe different aspects of the coronavirus pandemic. The patterns of metaphor creativity discussed in this paper include: creative realizations (verbal and visual) of wide-scope mappings, the use of one-off source domains, shifts in the valence of the source domain evoked, and the exploitation of source domains that are specific to particular discourse communities. The analysis of multimodal examples contributes to our understanding of the role of metaphor in sense-making and communication at a time of an extraordinary global crisis and will also provide new insights into metaphor creativity as a multidimensional phenomenon that integrates conceptual, discursive and cultural factors.
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Autores: Baena, Rosalía (Traductor); Alegría, Judith (Traductor)Revista: CUADERNOS DE BIOETICAISSN: 1132-1989 Vol.32 N° 105 2021 págs. 271 - 278
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Autores: Acedo, Nieves (Autor de correspondencia)Revista: DAIMON. REVISTA DE FILOSOFIAISSN: 1130-0507 N° 84 2021 págs. 131 - 145ResumenConsidering Aesthetics as linked to the appreciative nature of sensorial experience, this article uses the concept of intentionality of sensation to rescue Aesthetics from being confined into the scope of mere opinions. After introducing and defining the problem, the text focuses on the so- called secondary qualities, immediate object of the sensation. The hypothesis is that the weak epistemic content attributed to secondary qualities throughout history is responsible for the difficult assessment of aesthetic judgment. A reformulation of the kind of news we receive from these qualities is proposed reviewing John McDowell and Crispin Wright review of Lockean's secondary qualities, in dialogue with the Aristotelian theory of the proper sensible. The result of this review should influence the role we attribute, within the spectrum of disciplines, to Aesthetics and, secondarily, to Art.
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Autores: Zamora-Medina, R.; Rebolledo de la Calle, MartaRevista: REVISTA DE COMUNICACIONISSN: 1684-0933 Vol.20 N° 2 2021 págs. 375 - 390ResumenLa presencia de los candidatos en programas de politainment durante las campañas elec- torales se ha convertido en una práctica generalizada en España. Considerando que la gran mayoría de las reacciones en las redes sociales se refieren al contenido o a los invitados de los programas de televisión (D¿heer y Verdegem, 2014), su análisis puede resultar de gran interés para determinar en qué medida estos espectáculos contribuyen a mejorar el conocimiento político de cada candidato a través de los ojos de la audiencia (Boukes y Trillin, 2017). Esta investigación parte de algunos estudios previos que reconocen el impacto de los programas de infoentretenimiento político en la generación de engagement o compromiso político entre la audiencia social (Moy, Xenos y Hess, 2005), y sus beneficios para el acercamiento de nuevos públicos (Teruel, 2016). Sin embargo, pretende dar un paso más, especificando qué tipo de contenidos logran despertar mayor engagement en el público.
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Autores: Rebolledo de la Calle, Marta (Autor de correspondencia); González Luis, Hildegart; Olza Moreno, InésRevista: INTERFACE - COMUNICAÇÃO, SAUDE, EDUCAÇÃOISSN: 1807-5762 Vol.25 2021 págs. e200606ResumenThis study is an analysis on the Spanish media coverage of the Covid-19 crisis and the role of information on health and healthcare professionals within it. We studied the treatment given to healthcare sources and topics in news broadcasts released by Radiotelevisión Española (RTVE) between December 31, 2019, and June 8, 2020. To this end, we conducted a quantitative content analysis on 452 news items from 21 news broadcasts. The results showed that debates on political issues were the main topics and politicians were the main sources, in the broadcasts analyzed, ahead of health issues and healthcare professionals. Our study thus confirms the lack of visibility of healthcare professionals in the television news coverage of the Covid-19 crisis in Spain.
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Autores: Martínez García, Ana BelénRevista: HUMAN ARENASISSN: 2522-5804 Vol.4 N° 3 2021 págs. 366 - 378ResumenSpaniards born in a democracy have no recollection of living through war and what it entails. We can only access those memories via mediation, by listening to our relatives who were there, whose stories we become witnesses to, and which ultimately become our own collective witnessing. The remembrance of the Spanish Civil War passed on to us in this manner is a contested legacy, a complex combination of affects and mediated memories, coming from offlin - as in conversations with our elders - and online - such as archival footage - resources. Experiencing war firsthand left indelible marks in our forebearers¿ minds. Now the elderly must face this violent ¿war¿ and ¿postwar¿ rhetoric with the potential retraumatization it may cause. Not capable to understand why media and government officials alike call for heroes to resist and fight the crisis, a discourse heavily imbued with emotions and battlefront references does little to assuage citizens¿ fears. Perpetual news reels on the number of dead per day worsen the psychological strain of a person in lockdown, akin to that of prison inmates, more so if that person endured an actual war and its aftermath. What might be done to lessen such harmful impacts? How can we change the narrative and make it more humane?
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Autores: Martínez García, Ana BelénRevista: BIOGRAPHY: AN INTERDISCIPLINARY QUARTERLYISSN: 0162-4962 Vol.44 N° 1 2021 págs. 147 - 154
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Autores: Baena, Rosalía (Autor de correspondencia)Revista: PROSE STUDIESISSN: 0144-0357 2021 págs. 1 - 15ResumenWhat does it mean to live with breast cancer, anorexia, chronic pain, dementia, or COVID-19? How does it feel to care for aging parents or to live with people with Alzheimer's? Contemporary illness memoirs foreground these experiences, offering readers insider accounts of lives marked by infirmity. This special issue of Prose Studies presents six critical readings of contemporary experiences of illness, highlighting both the aesthetic and personal experience of reading illness memoirs. These articles address pressing questions regarding how we understand illness and disability today, what popular perspectives get wrong about lived experiences of illness, as well as how reading illness memoirs might help correct widespread or less-thoughtful social and cultural perceptions of the experience of illness.
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Autores: Serrano Puche, Javier (Autor de correspondencia)Revista: INTERNATIONAL REVIEW OF SOCIOLOGYISSN: 0390-6701 Vol.31 N° 2 2021 págs. 231 - 245ResumenConsiderable interest has recently emerged among communication scholars around what has been called the 'information disorder', that is, a constellation of media genres that includes disinformation, misinformation, fake news, propaganda and hyperpartisan news. The rise in this type of information pollution is related to a crisis of public communication where the public sphere in many countries has become divided and challenged by social and political tensions. On the other hand, the digital space emerges as a socio-technological environment configured around platforms that condition emotional expression through their affordances, favoring the appearance of affective publics. Taking the above into account, this paper offers a conceptual framework for understanding the role played by emotions in our present 'information disorder' and the societal risks that arise from it. It examines how fake news strategically relies on emotionally provocative content to induce outrage and other strong feelings among users, which are then viralized on platforms. The paper concludes by presenting some lines of action for minimizing those risks from the point of view of media literacy.
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Autores: Martínez García, Ana BelénRevista: NARRATIVEISSN: 1063-3685 Vol.29 N° 2 2021 págs. 210 - 223ResumenAmong the most pressing matters dominating the public sphere is the refugee crisis, but the news does not present readers/audiences with a story one can easily relate to. The opposite may be said of human rights activists who turn to life narrative as a counterpart to the dehumanizing practices at the heart of much of public discourse. This essay looks at the major role of agencies such as the United Nations High Commissioner for Refugees (UNHCR) in mediating refugees' narratives. It builds on a key interview obtained with that organization's former Chief Communications Officer, Melissa Fleming, whose role epitomizes the humanitarian narrative of today. Social media and their affordances play an important role in distributing the message and allowing for private lives to enter the public sphere. Refugees' mediated narratives offer a significant counternarrative to the mainstream media attempts to erase or flatten out individual stories. However, attention must be paid to the problematics surrounding the ethics of mediation, especially in the case of life narratives of human suffering and vulnerable others. Common challenges to mediated narratives are, among others, appropriation and commoditization, questioning who tells whose story, how, and why. The very idea of empathy is subject to criticism. Though admittedly fraught with pitfalls, testimonial narratives have the potential to shake people's consciences and to effect social change.
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Autores: Berrocal Gonzalo, S.; Zamora Medina, R.; Rebolledo de la Calle, MartaTítulo: Politainment social audience and political engagement: Analysing Twitter conversations in SpainRevista: CATALAN JOURNAL OF COMMUNICATION & CULTURAL STUDIESISSN: 1757-1898 Vol.13 N° 1 2021 págs. 23 - 42ResumenPolitainment is a phenomenon that deals with the political communication of entertainment regarding its production, diffusion and intake in its different formats. It entails consequences regarding the dynamics of communication such as political informative decline, along with the loss of democratic quality giving prominence to a post-truth communication environment and promoting the celebritization of politicians. The academic basis upholds that, in the politainment environment, social networks play an important role acting as instruments that help promote information exchange, both horizontally and vertically, from an active, connected, empowered social audience which evidences participation, contribution, production and collaboration. This research is pioneer in identifying the kind of contents of politainment programmes that promote a greater engagement among the social audience. Therefore, it includes an empirical analysis from a quantitative and qualitative approach of the contents of tweets and comments with the highest level of interaction among prosumers from the profiles of the three most representative politainment programmes in Spain: El Objetivo, El programa de Ana Rosa and El Intermedio. The results achieved from this comparative analysis include significant differences regarding the politainment content promoted by these programmes and also in relation to the level of online engagement. Although the limited interaction from the social audience was a common pattern, the results show that tweets with hashtags, visual elements and the ones using the attribute of responsibility frame achieved a higher engagement level than the rest of them.
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Autores: Olza Moreno, Inés; Koller, V.; Ibarretxe-Antuñano, I.; et al.Revista: METAPHOR AND THE SOCIAL WORLDISSN: 2210-4070 Vol.11 N° 1 2021 págs. 98 - 120ResumenFrom the beginning of the COVID-19 pandemic, governments, health agencies, public institutions and the media around the world have made use of metaphors to talk about the virus, its effects and the measures needed to reduce its spread. Dominant among these metaphors have been war metaphors (e.g. battles, front lines, combat), which present the virus as an enemy that needs to be fought and beaten. These metaphors have attracted an unprecedented amount of criticism from diverse social agents, for a variety of reasons. In reaction, #ReframeCovid was born as an open, collaborative and non-prescriptive initiative to collect alternatives to war metaphors for COVID-19 in any language, and to (critically) reflect on the use of figurative language about the virus, its impact and the measures taken in response. The paper summarises the background, aims, development and main outcomes to date of the initiative, and launches a call for scholars within the metaphor community to feed into and use the #ReframeCovid collection in their own basic and applied research projects
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Autores: León Sanz, PilarRevista: DYNAMISISSN: 0211-9536 Vol.41 N° 1 2021 págs. 135 - 161ResumenLas sociedades de ayuda o apoyo mutuos fueron un conjunto variado de insti-tuciones de carácter social, de naturaleza privada y sin ánimo de lucro, que proporcionaron prestaciones socio-asistenciales también en caso de enfermedad, a buena parte de la población, entre la segunda mitad del siglo XIX y primera del XX. En España, fueron escasos los hospitales promovidos por estas instituciones, quizá porque la mayoría no llegaron a tener suficiente número de socios para hacerlo. Los hospitales de este tipo se encontraban, mayoritariamente, en Cataluña, donde las sociedades obreras de ayuda mutua tuvieron un mayor desarrollo. A través del caso paradigmático de los hospitales de La Alianza, el estudio muestra que estos hospitales estuvieron abiertos a diversos tipos de pacientes (privados o derivados por otras instituciones) y tuvieron una dependencia económica múltiple. También se analizan los cam-bios que más influyeron en los hospitales de las mutuas, en la segunda mitad del siglo XX: el proceso de federación de las mutuas de previsión social y el itinerario de concertación pública. Estos hospitales participaron en el desarrollo de nuevas especialidades médico-quirúrgicas hospitalarias. Se advierte que fueron precisamente los hospitales de La Alianza los que llevaron a un mayor desarrollo de esta entidad.
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Autores: García Martínez, Alberto Nahum (Autor de correspondencia); Nannicelli, T.Revista: AREA ABIERTAISSN: 1578-8393 Vol.21 N° 3 2021 págs. 349 - 365ResumenThis paper explores the particularities of television's temporality or, more specifically, the particular aesthetic capacities it has at its disposal in virtue of its distinctive temporality. Drawing from a methodology that combines studies on seriality that have proliferated both in Television Studies and in the Philosophy of Aesthetics, we argue that the extant notions of "seriality" do not offer a full account of television's particular temporal character and the aesthetic capacities it has. For this reason, we dig deeper into a new term: "temporal prolongation". This includes, unlike the concept of seriality, both the specific way in which the television medium uses temporality, as well as the aesthetic effects that this handling generates in formats and genres as diverse as endless soap-operas, serial dramas, episodic procedurals, sitcoms, television newscasts, sports broadcasts, weekly contests, reality TV, and even documentaries. We attempt a definition of "temporal prolongation," distinguishing it from seriality, and we support our claims by working through some assorted examples -of both specific formats and programs-, which shows the validity of our theory. In the first place, we deal with fiction series, where temporal prolongation can work though recurring gags, the monster-of-the-week structure, and the "special episodes." The second case study is the TV news anchor, where the concept of familiarity establishes unique aesthetic rewards thanks to the passage of time. The last case to be examined is that of reality shows, with Kitchen Nightmares as the paradigm, where variations in expectations are essential to institute a fruitful comparison with previous episodes.
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Autores: Linares Bernabeu, Esther (Autor de correspondencia)Revista: ESTUDIOS DE PSICOLOGIAISSN: 0210-9395 Vol.42 N° 2 2021 págs. 428 - 461ResumenThis paper aims to show that trumping is a cognitive strategy that exploits the salience gap between the literal and figurative meaning of an expression, which is used by female comedians to attack certain targets with different humour markers such as polysemy, metonymy or metaphors. In order to verify this hypothesis, we have analysed the FEMMES-UP corpus, which gathers 15 humorous stand-up comedy acts from 15 female Spanish comedians. The corpus has been transcribed and segmented into 504 sequences. The analysis reveals that trumping is used in 67 of these sequences, that is, in 13.5% of the cases. We have been able to identify five types of trumping: homophonic, syntactic, metonymic, metaphorical and referential. Results showed that the most frequently used types are metonymic, syntactic and metaphorical, although these can also be used simultaneously, e.g., syntactic and metaphorical trumping. Findings also evidence that trumping acts as a rhetorical-pragmatic strategy for the female comedians to disassociate themselves from certain gender-based behavioural norms, to construct alternative identities and to question some heteronormative norms in a creative, humorous fashion.
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Autores: Flamarique Zaratiegui, Lourdes (Autor de correspondencia)Revista: ANUARIO DE HISTORIA DE LA IGLESIAISSN: 1133-0104 Vol.29 2020 págs. 656 - 657
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Autores: Pagan Canovas, Cristobal (Autor de correspondencia); Valenzuela, Javier; Alcaraz Carrión, Daniel; et al.Revista: PLOS ONEISSN: 1932-6203 Vol.15 N° 6 2020ResumenThe development of large-scale corpora has led to a quantum leap in our understanding of speech in recent years. By contrast, the analysis of massive datasets has so far had a limited impact on the study of gesture and other visual communicative behaviors. We utilized the UCLA-Red Hen Lab multi-billion-word repository of video recordings, all of them showing communicative behavior that was not elicited in a lab, to quantify speech-gesture co-occurrence frequency for a subset of linguistic expressions in American English. First, we objectively establish a systematic relationship in the high degree of co-occurrence between gesture and speech in our subset of expressions, which consists of temporal phrases. Second, we show that there is a systematic alignment between the informativity of co-speech gestures and that of the verbal expressions with which they co-occur. By exposing deep, systematic relations between the modalities of gesture and speech, our results pave the way for the data-driven integration of multimodal behavior into our understanding of human communication.
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Autores: Teijeira Álvarez, Rafael (Autor de correspondencia); León Sanz, Pilar; Castro, S.; et al.Revista: REVISTA ESPAÑOLA DE MEDICINA LEGALISSN: 0377-4732 Vol.46 N° 3 2020 págs. 101 - 108ResumenLa certificación de la defunción es un acto médico en el que el profesional debe poner el mismo esfuerzo y dedicación que en el resto de los informes elaborados en vida del paciente. Para su correcta cumplimentación el facultativo debe seguir las instrucciones básicas, poniendo especial cuidado en rellenar adecuadamente la secuencia de causas de muerte. En casos de pandemia, la cumplimentación del certificado de defunción corresponde a la medicina asistencial y para poder hacerlo los organismos oficiales deben publicar instrucciones basadas en recomendaciones internacionales. Debe establecerse, cuanto antes, la posibilidad de comunicación telemática de las defunciones. Mientras eso no sea posible, tienen que establecerse procedimientos que permitan en situación de pandemia, comunicar de forma inmediata la mortalidad a las autoridades sanitarias.
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Autores: Serrano Puche, Javier (Autor de correspondencia)Título: Periodismo constructivo: una respuesta a las razones de los usuarios para evitar las noticiasRevista: CUADERNOS.INFOISSN: 0719-3661 N° 46 2020 págs. 153 - 177ResumenEven though the current media landscape allows to choose between very diverse platforms, sources and means to get information, there are users who decide to avoid the news. This article explores the reasons behind this news avoidance, relating it to the proposals of the so-called constructive journalism. Taking Spain as case study and through a qualitative and quantitative analysis of the Digital News Report -based on a pilot study and a survey to 2,006 users-, the results show that 50% of digital users in Spain actively avoid news, a practice more common among women, young users and low-income people. The reasons allude to two major factors. On the one hand, the users' situation, either due to lack of interest concerning current events or to the perception that exposure to the news flow has negative effects on their mood (the main reason to avoid them, 37% of the cases). On the other hand, the media -both at the corporate level and the journalists who produce the information- are accused of failing to comply with some basic principles of the profession. Specifically, 29% of users do not consult the news because they mistrust their veracity. The media could address these motivations by opting for a more constructive approach to journalism, based on a news coverage aimed at generating a positive social impact.
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Autores: Jørgensen, Annette Myre; Olza Moreno, InésRevista: LANGUAGES IN CONTRAST: INTERNATIONAL JOURNAL FOR CONTRASTIVE LINGUISTICSISSN: 1387-6759 Vol.20 N° 1 2020 págs. 58 - 83
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Autores: Martínez García, Ana BelénRevista: BIOGRAPHY: AN INTERDISCIPLINARY QUARTERLYISSN: 0162-4962 Vol.43 N° 1 2020 págs. 158- 164ResumenA notable trend this year in Spanish life writing has been to give voice to those silenced. Following in the footsteps of a long-standing tradition of testimonial life writing worldwide, multiple lifewriting works in Spain have been turning to issues of "voice" and "silence." It is little surprise that some of these stories feature women after the global impact of the #MeToo movement. However, the trends I identified in my contribution to this feature last year (Martínez García) have persisted. Conflict continues to permeate life narratives in Spain, and as will be seen in what follows, both politics and journalism are among the most prevalent fields of study from which life writing comes.
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Autores: Linares Bernabeu, Esther (Autor de correspondencia)Revista: REVISTA SIGNOS. ESTUDIOS DE LINGÜÍSTICAISSN: 0718-0934 Vol.53 N° 102 2020 págs. 123 - 143ResumenLa presente investigación analiza el papel del discurso humorístico planificado en la construcción de la identidad de género. El objetivo principal es explorar las distintas formas en las que las humoristas españolas hacen uso del estilo de habla femenino y masculino, a través del discurso directo, con el objeto de romper con los roles sexuales y subvertir las nociones heteronormativas de masculinidad y feminidad. Partimos de la hipótesis de que, en el discurso humorístico, el estilo de habla femenino y masculino se usan con independencia del sexo para conseguir unos determinados efectos cómicos y sociales. Con el objetivo de verificar tal conjetura, este estudio recoge un corpus de 10 monólogos humorísticos representados en salas y teatros españoles durante los años 2017 y 2018. La transcripción y segmentación de dichas muestras nos ha permitido examinar la función de los estilos de habla en el discurso directo y su relación con los estilos humorísticos propuestos por Martin et al. (2003). El análisis de los efectos conseguidos en relación con la construcción y deconstrucción de la identidad de género, así como el estudio de los elementos lingüísticos y paralingüísticos empleados para desencadenar el efecto cómico, nos ha permitido comprobar que el uso de un estilo de habla marcado por una determinada identidad de género es un instrumento discursivo que puede implicar tanto la ruptura de determinados roles sexuales como el refuerzo de tópicos y estereotipos de género.
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Autores: García Martínez, Alberto Nahum; Castrillo Maortua, PabloRevista: QUARTERLY REVIEW OF FILM AND VIDEOISSN: 1050-9208 Vol.37 N° 8 2020 págs. 782 - 803ResumenThis article analyzes, from an aesthetic and cultural point of view, two pivotal moments in The Americans, a Cold War spy thriller set in the heart of Ronald Reagan's America. Both samples¿one from the mid-series episode "Stingers" (3.10.), and the other from the series finale, "START" (6.10.) "show how the protagonists, two KGB spies living undercover in the United States as a married couple with two kids, disclose their secret identity to characters with whom they have a special emotional bond: their daughter, who has become a devout Christian; and their best friend and neighbor, who happens to be a counterintelligence officer in the FBI. After exploring how identity and performance play a crucial role in the spy-thriller genre, the article investigates whether it is possible for the audience to interpret the feelings and thoughts of characters with multiple identities who excel in the art of duplicity; and whether the viewer can infer intention from performance. Following this epistemological discussion, the article then sets out to explain the sociocultural relevance and timeliness of The Americans as a text whose thematic and aesthetic concerns ultimately revolve around individual identity vis-a-vis collective allegiances and ideologies.
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Autores: Crespo Sesmero, Mariano JuanRevista: DIALOGO FILOSOFICOISSN: 0213-1196 Vol.36 N° 107 2020 págs. 180 - 201ResumenEste artículo ofrece una visión panorámica del debate acerca de las relaciones entre emociones y política. En primer lugar, me refiero a los principales temas de esta discusión. En un segundo momento, intento mostrar cómo este debate es parte de un debate filosófico más amplio, a saber, el de la discusión en torno al valor epistémico de las emociones. En tercer lugar, ofrezco una serie de consideraciones acerca de lo que he denominado "cultivo político de las emociones". Por último, aludo a tres claves relevantes en la discusión en torno a las relaciones entre emociones y política.
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Autores: Linares Bernabeu, EstherRevista: LANGUAGE DESIGNISSN: 1139-4218 Vol.Special Issue 2020 págs. 131 - 151ResumenEl presente artículo tiene por objetivo demostrar el papel del humor en la deconstrucción de la identidad de género por parte de diversas humoristas españolas. Una de las funciones principales del humor es la social, en este sentido, el humor es visto como un instrumento que sirve de revulsivo para romper con determinados representaciones normativas y estereotipos. Tomando como punto de partida, la concepción del género como constructo social (Butler, 1990) y la idea de monólogo como recurso retórico en el que el humorista es la máxima autoridad, analizaremos diferentes ejemplos en los que el lenguaje del discurso humorístico, esto es, los indicadores y marcas lingüísticas y extralingüísticas, es empleado por las cómicas para revelarse ante lo establecido y romper con el statu quo.
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Autores: Fernández, C. B.; Rodríguez Virgili, Jordi (Autor de correspondencia); Serrano Puche, JavierRevista: JOURNAL OF IBERIAN AND LATIN AMERICAN STUDIESISSN: 1326-0219 Vol.26 N° 3 2020 págs. 389 - 406ResumenThere is a new pattern of consumption of political information that has been generating great challenges for electoral campaigning and democracy. Using the spiral of silence theory, this paper compares the willingness to express political opinions of digital users in four Iberoamerican countries (Argentina, Chile, Spain and Mexico). The paper explores patterns on digital users silencing their political opinions as well as the relationship between unwillingness to express their opinions with ideological self-position. The research shows that the users that place themselves at the ideological extremes are those who are less concerned about expressing their true political opinions openly on the Internet. This was found both in fears of the authorities and in fear of social isolation to the same extent. In the four countries studied, men have less willingness to express their political opinions. Fear is greater among young adults (25-34 years), while younger users and those over 45 feel less social pressure.
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Autores: León Sanz, PilarRevista: L'IDOMENEOISSN: 2038-0313 Vol.43 2020 págs. 351 - 373ResumenPagine d'oro e d'argento. Studi in ricordo di Sergio Torsello, a cura di Manuel De Carli e Paolo Vincenti, Quaderni de L'Idomeneo, Kurumuny, Calimera (Lecce), 2020.
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Autores: Bastidas Tinizaray, María Cristina (Autor de correspondencia)Revista: MEMORIA Y CIVILIZACION. ANUARIO DE HISTORIAISSN: 1139-0107 Vol.23 2020ResumenIn this article we will analyze the man events that shaped the political relationship of Span and Latin America between 1979 and 1982, during the second mandate of Adolfo Suarez and Leopoldo Calvo-Sotelo. The man source of information Is the documents contained In the archive of the minister of External Affairs Jose Pedro Perez Lorca. Additionally, documents from an archive of Marcelino which are of public domain; and press articles of El Pais and ABC will be used. These documents shed light on the politics developed during that time, as well as on the type of relationships maintained and Its specific manifestations, the mediation applied In some Latin American conflicts which arose on that historical period along with the means that were developed to bring external affairs politics to a democratic government.
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Autores: Dias, P. (Autor de correspondencia); Serrano Puche, JavierRevista: PALABRA CLAVEISSN: 0122-8285 Vol.23 N° 1 2020 págs. 1 - 34ResumenMulti-screening is an emergent but fast-growing and fast-changing practice, evolving along with the technologies that mediate it. This article presents a study on multi-screening, i.e., simultaneously or sequentially engaging with more than one screened-media. Based on the uses and gratifications theory, our study focused on the most common multi-screening scenario-engaging with the smartphone while watching TV-in order to explore triggers, motivations, gratifications, and attention distribution. The methodology is qualitative in nature, including ethnographic journals and follow-up interviews to a sample of 30 young adults, and the data was collected in Portugal and Spain. The activities performed on each device are usually disconnected and motivated by the need to enhance the entertainment afforded by the TV or to obtain a sense of efficiency. The attention is distributed in alternated periods, and the smartphone has a greater ability of demanding attention and retaining the engagement.
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Autores: García Martínez, Alberto Nahum (Autor de correspondencia)Revista: HORROR STUDIESISSN: 2040-3275 Vol.11 N° 1 2020 págs. 83 - 100ResumenAesthetics philosopher Noel Carroll affirms that grotesque forms 'are all violations of our standing categories or concepts; they are subversions of our common expectations of the natural and ontological order'. In breaking structural boundaries, consequently, the grotesque appears as deformations, aberrations, exaggerations, metamorphosis or startling portmanteaus. Given both its nightmarish texture and the evil ingenuity of Dr Lecter's murders, Hannibal (NBC, 2013-15) ploughs fertile ground in putting together conceptually distant and even contradictory elements. Hence, this article explores how the aesthetic and philosophical principles of the grotesque are a pervasive presence throughout the entire Hannibal TV series, defining its style, characters' personality and metaphorical themes. Putting art theory in dialogue with the Hannibal televised text, this article demonstrates how the grotesque - one of the key concepts in Gothic horror - permeates every level of the show, from the opening credits to the protagonist's inner transformation, converting the narrative into a comprehensive and cohesive liminal artistic ecosystem.
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Autores: Crespo Sesmero, Mariano Juan (Autor de correspondencia)Revista: ANUARIO FILOSOFICOISSN: 0066-5215 Vol.53 N° 3 2020 págs. 471 - 494ResumenEl propósito de este artículo es arrojar luz sobre el peculiar modo de intencionalidad de la alegría. Para ello me referiré, en primer lugar, a los dos sentidos principales de alegría. En segundo lugar, aludiré al objeto de la alegría y a la cuestión de la corrección o legitimidad de la misma. En tercer lugar, haré referencia a las ¿leyes de la alegría¿. Por último, aludiré a la relación entre alegría y alteridad.
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Autores: González González, Ana Marta (Autor de correspondencia)Revista: METAPHILOSOPHYISSN: 0026-1068 Vol.51 N° 1 2020 págs. 71 - 86ResumenIn Understanding Moral Obligation (2012), Robert Stern sets out to provide a fresh interpretation of the role of autonomy in Kant's moral philosophy and attempts to rectify J. B. Schneewind's standard account in The Invention of Autonomy (1998). While Stern agrees that Kant's resort to autonomy is at the basis of a constructivist account of moral obligation, he claims that autonomy plays no role in Kant's theory of value, such that, in this respect, Kant remains a realist. Accordingly, Stern characterizes Kant's moral philosophy as a "hybrid" view because he sees it as involving a compromise between realism with regard to value and constructivism with regard to obligation. Stern's interpretation relies on a sharp distinction between value and obligation. The purpose of the present article is to question Stern's reliance on that rigid distinction, which involves intermixing theoretical and practical reason and assumes a distorted view of human agency.
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Autores: Ruiz Gurillo, L.; Linares Bernabeu, Esther (Autor de correspondencia)Revista: HUMOR - INTERNATIONAL JOURNAL OF HUMOR RESEARCHISSN: 0933-1719 Vol.33 N° 1 2020 págs. 29 - 54ResumenThis paper aims to explore subversive humor in Spanish stand-up comedy by analyzing the work of two well-known Spanish female comedians, Eva Hache and Patricia Sornosa. In order to reach this goal, a corpus of these comedians¿ performances has been collected, comprising a total of 25 monologues, which have been divided into humorous sequences, which come to a total of 76 in the corpus of Eva Hache and 37 for Patricia Sornosa. The qualitative and quantitative analysis has focused on subversive humorous sequences, which has shown that only 22.38% of the sequences from Eva Hache¿s comic monologues are mainly built around subverting the status quo, whereas Patricia Sornosa challenges the heteronormative discourse in most of her sequences (87.93%). Further, in this case study, we have examined the main linguistic techniques they use when challenging the heteronormative standards, namely the topics, targets, discourse strategies and linguistic cues used to generate a subversive effect. Findings show that both comics use subversive humor but in different ways because of contextual constraints. Whilst Patricia Sornosa offers an overt critique, Eva Hache disparages in a subtler manner even when teasing and undermining male power.
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Autores: Valenzuela, J.; Canovas, C. P.; Olza Moreno, Inés; et al.Revista: REVIEW OF COGNITIVE LINGUISTICSISSN: 1877-9751 Vol.18 N° 2 2020 págs. 289 - 315ResumenPsycholinguistic evidence shows that spatial domains are automatically activated when processing temporal expressions. Speakers conceptualize time as a straight line deployed along different axes (mostly sagittal, though also vertical). The use of the lateral axis, which cannot be lexicalized in any language, has nonetheless been attested in temporal tasks in laboratories using a variety of experiments. This leads to the question of what axes are actually at work when conceptualizating time in oral communication. The present study examines a great number of temporal expressions, taken from television shows, noting their associated co-speech gestures. Our results show that (1) speakers overwhelmingly use the lateral axis; (2) they are not performing simple space-to-time mappings, but are using instead a "timeline", a material anchor which is a far more complex construct and that can explain some of the intricacies and contextual variations shown in the pattern of results.
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Autores: Serrano Puche, JavierRevista: REVISTA DE COMUNICACIONISSN: 1684-0933 Vol.18 N° 1 2019 págs. 300 - 302
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Autores: Rivadulla Durán, Almudena (Autor de correspondencia)Revista: ANUARIO FILOSOFICOISSN: 0066-5215 Vol.52 N° 2 2019 págs. 437 - 440
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Autores: Linares Bernabeu, Esther (Autor de correspondencia)Revista: Studia Lingüística RománicaISSN: 2663-9815 Vol.1 2019 págs. 69 - 72
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Autores: Martínez García, Ana BelénRevista: JOURNAL OF ENGLISH STUDIESISSN: 1576-6357 Vol.17 2019 págs. 253 - 275ResumenThis essay demonstrates the effectiveness of human rights life narratives in garnering global support through their appeal to empathy. I focus on Nobel Peace Prize winner Malala Yousafzai's autobiographical texts and their impact on lives outside the written pages, which is first and foremost of an empathic nature. The essay pays special attention to her childhood blog and her teenage autobiography, looking at the narrative strategies employed in both. Autobiographical texts are never neutral, enabling people to see themselves under a new light, spurring them to act. The delicate balance between witnessing and involvement hangs on the creation of an emotional bond.
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Autores: Crespo Sesmero, Mariano JuanTítulo: Fenomenología y Eudaimonía. La búsqueda racional de la felicidad en la ética de Edmund HusserlRevista: SCIOISSN: 1887-9853 N° 16 2019 págs. 21 - 40ResumenLa reconstrucción sistemática y el análisis crítico de la teoría husserliana acerca de la felicidad y de su búsqueda no es tarea fácil. Ello se debe tanto a dificultades terminológicas como a la dispersión en las distintas obras del fundador del método fenomenológico. Este trabajo pretende presentar los elementos fundamentales de una teoría tal en el contexto de la teleología de la vida moral. La felicidad entendida como vida dichosa en su totalidad (seliges Gesamtleben) en la cual todas las intenciones ¿tanto las teóricas como las éticas¿ son cumplidas, satisfechas, constituye un ideal, inalcanzable de hecho, que guía la vida moral. Sin embargo, según Husserl, es posible acercarse, aunque sea asintóticamente, a dicha felicidad, una felicidad que también tiene una dimensión intersubjetiva que reside en el cumplimiento de los fines de una comunidad ética
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Autores: García Martínez, Alberto NahumRevista: CONTINUUM-JOURNAL OF MEDIA AND CULTURAL STUDIESISSN: 1030-4312 Vol.33 N° 5 2019 págs. 554 - 564
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Autores: Rivadulla Durán, Almudena (Autor de correspondencia)Título: Freedom and Bonds in KantRevista: CON-TEXTOS KANTIANOSISSN: 2386-7655 N° 9 2019 págs. 123 - 136ResumenThe thesis that I intend to address in this article can be summarized with the idea that positive bonds(1) engender not only dependence, but also freedom and autonomy. Accordingly, it is worth asking what positive human bonds are based on. Or, to phrase the question another way, how can dependence and autonomy be blended when we talk about relationships in terms of bonds, that is, relationships with a special quality of union? I will try to answer these questions through a selection of texts that pay special attention to these issues from Kant's Metaphysics of Morals, Religion within the Boundaries of Mere Reason, and his Lectures on Ethics(2). I will thus briefly address the Kantian concept of freedom and introduce the idea of bonds that, as we will see below, is not as alien to Kantian ethics as it may at first seem.
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Autores: León Sanz, PilarRevista: PROCESSESISSN: 2227-9717 Vol.7 N° 8 2019 págs. 493
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Autores: Crespo Sesmero, Mariano JuanRevista: IDEAS Y VALORESISSN: 0120-0062 Vol.68 N° 170 2019 págs. 75 - 97ResumenR. Otto (1869-1937) es conocido por su trabajo en filosofía de la religión. El artículo presenta sus principales contribuciones, centrando la atención en los Aufsätze zur Ethik y en su conexión con Lo santo. Contra la idea de que Otto no puede desarrollar una ética sin renunciar a posiciones fundamentales de Lo santo, se sostiene una consonancia con sus escritos éticos, según la tesis de que no todo lo que sabemos es una forma de saber (wissen), en el sentido de representación intelectual
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Autores: Choperena Armendáriz, Ana (Autor de correspondencia); Oroviogoicoechea Ortega, Cristina; Zaragoza Salcedo, Amparo; et al.Revista: JOURNAL OF ADVANCED NURSINGISSN: 0309-2402 Vol.75 N° 8 2019 págs. 1637 - 1647ResumenAim To explore the literature regarding how nursing narratives have been used to enhance reflective practice. Design Theoretical review. Data sources A literature search from 1990 - 2017 was conducted in PubMed, CINHAL and PsycINFO databases. Review methods After applying the selection criteria, 13 studies were identified. The quality of articles was evaluated. Results Three themes were identified as the main components of an ongoing narrative process based on looking back to past clinical experiences, creating spaces for dialogue and bringing the worlds of theory and practice closer together. Conclusions This review provides a forum for exploring the use of narratives to enhance reflective practice, which may lead to the acquisition of professional competences.
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Autores: León Sanz, PilarLibro: Debates around abortion in the global north: Europe, North America, Russia and AsiaISSN: 978-1-032-01867-6 N° 12 2023 págs. 147 - 160
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Autores: Ruiz Gurillo, L.; de los Heros, S.; Linares Bernabeu, EstherTítulo: Discurso y humor conversacionalLibro: Estudios del discurso: The Routledge Handbook of Spanish Language Discourse StudiesISSN: 978-0-367-40970-8 2023 págs. 316 - 329
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Autores: Flamarique Zaratiegui, LourdesLibro: Palabra y acción: el profetismo en la literatura moderna y contemporáneaISSN: 978-84-1340-483-7 2022 págs. 61 - 80
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Autores: García Martínez, Alberto NahumLibro: Substance/style: moments in televisionISSN: 978-1-5261-4878-0 2022 págs. 64 - 85ResumenLes Revenants (Canal+ France, 2012-15) is one of the most relevant French TV-Series from the last decade, given its high-concept story and its international success. This chapter aims to explore the nature of Les Revenants' significance, focusing on the connection between style and substance, and how they shape and nuance each other in fascinating and thought-provoking ways. To tackle this association, this chapter first outlines an overview of how to understand 'style' and 'substance', the binomial concept around which this volume revolves. Then, it scrutinises the aesthetic strategies at the beginning of the pilot episode, both in its cold open and its opening credits. Through close reading of these two sequences, the analysis details how the interrelation between a noteworthy style and an elusive substance can create a weird, uncanny mood, one of the show's main aesthetic achievements. Finally, this chapter concludes exploring how the narrative offers a double reflection on substance: on a thematic level by exploring spiritual issues, and on a metatextual level by renovating the essence of the zombie sub-genre.
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Autores: León Sanz, PilarLibro: Los hospitales y las pandemias en España e Italia desde una perspectiva históricaISSN: 978-84-1302-166-9 2022 págs. 171 - 199
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Autores: Jiménez-Buñuales, M. T.; González-Menorca, L.; González-Diego, P.; et al.Libro: Ciencia, Medicina y Ley: XVIII Congreso de la Sociedad Española de Historia de la Medicina: (València, 15-17 de junio de 2022)ISSN: 978-84-09-42017-9 2022 págs. 192 - 198
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Autores: Olza Moreno, InésLibro: Formación en igualdad: un enfoque desde La Ley 3/2007, de 22 de marzo, de igualdad efectiva de mujeres y hombresISSN: 978-84-1391-554-8 2022 págs. 35 - 61
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Autores: Crespo Sesmero, Mariano JuanLibro: Phenomenology and the perspectives on the heartISSN: 978-3-030-91927-6 Vol.117 2022 págs. 213 - 227ResumenThe aim of this contribution is to offer an exposition of Husserl¿s various analyses of joy, its intentionality, its rationality as well as its ethical and intersubjective character. The general framework of it is a fourfold distinction made by Husserl. I am referring to (1) feelings or sensible sensations (Empfindungsgefühlen) of joy; (2) what is usually characterized as liking (Gefallen), (3) joy as an affective reaction (Gefühlserregung, Gefühlsreaktion), and (4) joy as mood. I will focus, above all on (2), (3) and (4), although I will also allude to (1). Then, I will refer to the object of joy, in order to, later, allude to the interesting and difficult question of its appropriateness or legitimacy. Thirdly, and within the framework of the relations between joy and its object, I will point out to what could be called the ¿laws of joy.¿ Finally, I will briefly refer to a question that opens a series of ethical considerations, namely the relationship between joy and alterity.
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Autores: Linares Bernabeu, Esther; Timofeeva Timofeev, L.Libro: Perspectivas integradas para el análisis de la oralidadISSN: 978-84-472-2232-2 2022 págs. 183 - 202
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Autores: García Martínez, Alberto Nahum; Nannicelli, T.Libro: Cognition, emotion, and aesthetics in contemporary serial televisionISSN: 978-1-032-03715-8 2022 págs. 27 - 46ResumenIn this chapter, we ask whether there is anything specific about the handling of time in contemporary television series that distinguishes it from seriality in other media such as cinema, literature, and comics. We claim that there is, doing so by elaborating upon a concept proposed in Nannicelli¿s recent monograph ¿ ¿temporal prolongation.¿ This term is borrowed from yet another art medium ¿ music ¿ but it nicely suggests ¿a temporally unfolding, yet organically unified structure.¿ Our suggestion is that we use the term ¿temporal prolongation¿ in the study of television to refer to television¿s medium-specific handling of temporality and the effects it creates. In the monograph, Nannicelli glosses three ways in which temporal prolongation affords television particular qualities that serialization does not afford the cinema: The fostering of a particularly intense form of character engagement, the sustainment of suspense over long periods of time, and a unique, cognitively pleasurable way of eliciting comic amusement. This chapter aims to review and elaborate upon the concept of temporal prolongation, further distinguish it from seriality, illustrate its manifestation in a number of different cases (e.g., documentary series; sitcoms; and ¿reality¿ TV series), and defend it from potential objections (such those relating to ¿binge-viewing¿).
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Autores: Martínez García, Ana BelénLibro: Representing 21st-century migration in Europe: Performing borders, identities and textsISSN: 978-1-80073-380-0 2022 págs. 224-232ResumenABSTRACT: Contemporary migration to Europe has been subject of debate in recent years and across a multiplicity of venues. This chapter provides an overview of the diverse means deployed to represent migration as border-crossing, via aesthetic and figurative language, performative acts, identity and social construction, across different media and for a multiplicity of audiences. It recaps main themes and methodologies, some key research results, and emphasizes the multidisciplinary and transnational dimension of the study. Importantly, it suggests what novel conceptual directions for representing migration in the context of Europe have been forged through this book and where this might lead to. KEYWORDS: migration; borders; construction; othering; crisis; agency.
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Autores: Olza Moreno, InésLibro: Perspectivas integradas para el análisis de la oralidadISSN: 978-84-472-2232-2 2022 págs. 131 - 156
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Autores: Crespo Sesmero, Mariano JuanLibro: Ways of being bound: perspectives from post-Kantian philosophy and relational sociologyISSN: 978-3-031-11468-7 2022 págs. 105 - 116ResumenThis chapter explores the essential features that Husserl assigns to the special type of monadic community that constitutes the telos of the Communalization (Vergemeinschaftung) process, namely the ¿Liebesgemeinschaft¿, a form of ethical community in which each person lives for others and is in turn sustained by them. In this way, the author attempts to show that in order to explain what a ¿Liebesgemeinschaft¿ consists of, Husserl ¿enriches¿ his theory of empathy (Einfühlung) with a theory of sympathy as found in the work Gemeingeist I, a 1932 text that appears in Hua XV as Beilage XXI (¿Personales Leben. Soziale Verbindung als willentlicher Stiftung ¿ Aus Instinkt ¿ Aus Sympathie. Das Teilnehmen (`Sympathie¿)¿) and in some recently published texts in the Reflexionen zur Ethik aus den Freiburger Jahren (Hua XLII). He also connects these considerations with some recent work on so called ¿we-intentionality¿.
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Autores: Martínez García, Ana BelénLibro: Representing 21st-century migration in Europe: Performing borders, identities and textsISSN: 978-1-80073-380-0 2022 págs. 89 - 105ResumenThis chapter addresses testimonial practices as a way to contest mainstream narratives on the often called 'migrant crisis', a label they both resist and deploy to specific activist uses. In reclaiming their right to speak and represent themselves, border-crossers' self-experiential stories reconstruct the phenomenon. In the performative act of a border-crossing 'I' in the making, a newly empowered 'migrant self' emerges. The process is exemplified by Syrian refugee activist Nujeen Mustafa's TED talk and memoir, in which she rejects the b/orders others may seek to impose on her. KEYWORDS: migrant self; performative acts; testimony; border crossing; activism; TED talks; memoir.
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Autores: García Martínez, Alberto NahumLibro: Ecos y variaciones de la ficción televisivaISSN: 978-9972-45-586-5 2022 págs. 107 - 121ResumenEste artículo analiza la cómo la serie británica Catastrophe (Channel 4, 2015-19) actualiza los códigos de la comedia romántica tradicional. Para ello, y acudiendo a escenas concretas que se estudian en detalle, se examinan las estrategias de comicidad que la serie despliega: la contradicción entre intimidad sexual y distanciamiento emocional, la novedosa centralidad de lo obsceno como palanca humorística, el equilibrio narrativo entre tragedia y carcajada, el espejo invertido de los secundarios y el papel de la melodía como intensificador metafórico y humorístico. El artículo concluye explorando cómo la visión humanista y esperanzadora que Catastrophe propone, más allá de su corteza cómica, una suerte de oda al matrimonio.
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Autores: Carbonell, C.; Flamarique Zaratiegui, LourdesLibro: Sentir-con-otros. Análisis de la condición emocional del humanoISSN: 978-958-12-0608-7 2022 págs. 175 - 203
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Autores: Crespo Sesmero, Mariano JuanLibro: The idealism-realism debate among Edmund Husserl's early followers and criticsISSN: 978-3-030-62158-2 2021 págs. 55 - 70ResumenHusserl's conception of ideal objects convinced some of his early disciples that he was presenting a new form of realism. This impression arises, in my view, from a twofold misunderstanding. First, there was a misunderstanding of the limits of the phenomenological claims of Logical Investigations and, second, an erroneous belief that ideal objects are interpreted in a realist fashion therein. The ultimate source of the first phenomenological schism is not, therefore, so much a reaction to an alleged sudden change in Husserl's position, but rather a misunderstanding of the concept of ideality presented in Logical Investigations. Further, an alleged ¿compatibility¿ between the realist conception of ideality and the Husserlian conception is to be found in one of the ways that Husserl addresses the problem of constitution. However, the Spanish philosopher Antonio Millán-Puelles has shown that the use of terms such as constitutive activity or genesis in a realist metaphysics, to designate the arising of ideal objects¿should not be interpreted in a psychologistic way, as though these objects remained absorbed by the reality of the mental processes they are made present by.
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Autores: Sofía Brenes, Carmen; McVeigh, Margaret; Reid, Alejandro C; et al.Libro: Script development Critical Approaches, Creative Practices, International PerspectivesISSN: 978-3-030-48712-6 2021 págs. 99 - 112ResumenThis chapter addresses the ways in which screenwriters create the persona of the anti-hero in the Chilean TV miniseries Heroes (2006¿2007), a six-part historical series about Chilean national heroes, currently used as educational material in Chilean schools. In the writing of this celebratory series, the key challenge was to create engaging characters who could be perceived as national ¿heroes¿ in the context of a contemporary series, when in fact, their historical actions were those of ¿un-heroic¿ real people, people an audience would consider to be ¿anti-heroes¿. To consider this challenge, the chapter traces how the screenwriters of Heroes created the character of the hero/anti-hero as both protagonist and antagonist. In the chapter, firstly we outline the situation the writers were faced with in researching and recreating the real-life characters of Bernardo O¿Higgins, José Miguel Carrera, and Manual Rodríguez. This includes the challenge of delving into the psychology of characters who were by present-day standards prejudiced misogynists who mistreated women, ordered murders and fathered illegitimate children whom they ignored, and presenting them as heroes, particularly when the target audience was school children. We distil these as a means of considering the creation of the anti-hero in the script development of Heroes.
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Autores: Flamarique Zaratiegui, LourdesLibro: Ciencia y filosofía: estudios en homenaje a Juan AranaISSN: 978-84-123136-5-9 Vol.I 2021 págs. 311 - 328
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Autores: Linares Bernabeu, EstherLibro: Las insolentes: desafío e insumisión femenina en las letras y el arte hispanosISSN: 978-3-631-83275-2 2021 págs. 355 - 375
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Autores: González González, Ana MartaLibro: Kant on emotions: Critical essays in the contemporary contextISSN: 978-3-11-072071-6 2021 págs. 25 - 44ResumenIn a brief footnote from ¿What Does it Mean to Orient Oneself in Thinking?¿, Kant says that, ¿Reason does not feel¿, yet he immediately adds that, ¿it has insight into its lack and through the drive for cognition it effects the feeling of a need¿. He then draws an analogy with moral feeling, ¿which does not cause any moral law, for this arises wholly from reason; rather, it is caused or effected by moral laws, hence by reason, because the active yet free will needs determinate grounds¿ (WDO 8: 139-140). This chapter aims to unpack this text, thereby showing the pivotal role of moral feeling in articulating the moral realm.
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Autores: Baena, RosalíaLibro: Literature and character education in universities: theory, method, and text analysisISSN: 9781003162209 2021 págs. 17 - 33ResumenThe belief that reading stories is a good means to promote empathy and to improve character education has led educators to use literature at different educational levels. However, it is often the case that this potential that literature can offer does not reach actual students, primarily because the two functions of literature, `prodesse et delectare¿¿to teach and to delight¿are not sufficiently acknowledged as inseparable: students are frequently forced to choose between reading for pleasure and reading for moral improvement. Thus, focusing more on the reader, and exploring what reading for pleasure actually entails, we could use literature more effectively to educate our students¿ characters. Specifically, this chapter aims to explore how a more phenomenological and experiential approach to literature would help improve contemporary reading and teaching practices. Generally labeled `post-critics,¿ there are a number of scholars who argue for the need to focus more on readers and who propose alternative readings¿reflective (Rita Felski), creative (Derek Attridge), or rhetorical (James Phelan). This chapter ends with a brief reference to my experience in teaching in a Core Curriculum program within this phenomenological framework that focuses on the actual students¿ experience and responses to literature.
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Autores: González González, Ana MartaLibro: The Scottish enlightenment: human nature, social theory and moral philosophy: essays in honour of Christopher BerryISSN: 9781474467315 2021 págs. 199 - 221
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Autores: Crespo Sesmero, Mariano JuanTítulo: PrólogoLibro: Perdonar incondicionalmente. La dialéctica entre amor y justiciaISSN: 978-84-313.3478-9 2020 págs. 11 - 17
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Autores: Martínez García, Ana BelénLibro: New Forms of Self-Narration: Young Women, Life Writing and Human RightsISSN: 978-3-030-46419-6 2020 págs. 19 - 38ResumenBuilding on academic publications that have tried to assess Malala Yousafzai¿s life-writing project in its entirety, this chapter presents each of her life-writing texts as an example of collaborative testimonial narrative. Moving away from an objective, neutral tone, her life writing tends to rely on emotional language and various other discursive strategies aimed at sustaining interest over time. Since Malala Yousafzai started her self-narration when she was 11, technology and traditional media have gone hand in hand. Her appropriation of the hashtag launched under her name proved vital in her reconstruction of an activist self. Yet, the presence of a co-author, either hinted at or made explicit, can be traced throughout all her life-writing texts, from her first blog to her last book on displacement.
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Autores: González González, Ana MartaLibro: Christianity and global law. An introductionISSN: 9780367858162 2020 págs. 287 - 302
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Autores: Martínez García, Ana BelénLibro: New Forms of Self-Narration: Young Women, Life Writing and Human RightsISSN: 978-3-030-46419-6 2020 págs. 93 - 110ResumenThis chapter is the perfect companion to the preceding one, as it features the case of a Syrian girl who also left the country under strenuous circumstances and relocated as refugee elsewhere. Both life-writing projects may be read side by side to gauge the strategies at work by these two activists whose competing title as ¿the girl from Aleppo¿ is at stake. Instead of precluding each other¿s testimony, their voices denounce the situation in Syria and the individual and collective ramifications of leaving their country behind. Born with cerebral palsy, Nujeen Mustafa¿s journey into Europe was featured by mainstream media. Nujeen¿also a household name¿is most famous for her public speeches advocating for the need to move beyond labeling people as numbers, migrants, refugees.
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Autores: Martínez García, Ana BelénLibro: New Forms of Self-Narration: Young Women, Life Writing and Human RightsISSN: 978-3-030-46419-6 2020 págs. 133 - 140ResumenThis book reveals the ways in which young women resort to social media as well as traditional media as part of their ongoing life-writing project. The phenomenon of virality is explored to cast light on the affordances that facilitate synergies among significant social and political actors on the global stage. It does not offer a completely positive view of the digital, but states the possibilities that the combination of online and offline methods offers and opens the door to future explorations in novel forms of narrating the self. New Forms of Self-Narration addresses the strategic use of names, labeling and tagging. Each chapter underscores the multiplicity of approaches to life writing and mediation these young women activists take, showcasing relevant trends in twenty-first-century life writing.
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Autores: Martínez García, Ana BelénLibro: New Forms of Self-Narration: Young Women, Life Writing and Human RightsISSN: 978-3-030-46419-6 2020 págs. 77 - 91ResumenThis chapter examines Bana Alabed¿s harnessing Twitter to construct an activist self. It analyzes the intriguing ways technological and affective affordances made it possible for a 7-year-old Syrian girl to report from a war zone. Alabed has evolved past the trope of innocent suffering child typical of human rights narratives, and on to a discourse of peace and fraternity which has awarded her several prizes. Mediation¿and the role her mother has played¿as well as imagery to convey trauma should be further addressed and problematized. The chapter closes with a reflection on names. Like Malala, Bana is mainly known by just her first name. Getting to know these girls on a first-name basis is crucial for the degree of empathizing that may be reached.
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Autores: Crespo Sesmero, Mariano JuanLibro: La racionalidad ampliada. Nuevos horizontes de la fenomenología y la hermenéuticaISSN: 978-612-317-593-1 2020 págs. 281 - 303ResumenPareciera que la mayor parte de los estudiosos de Pfänder (incluido el propio Husserl) se han centrado más en Motivos y motivación que en Fenomenología de la voluntad en la medida en que en esa obra se encuentra una clara delimitación de la esfera de los actos voluntarios frente a otro tipo de actos tendenciales como, por ejemplo, el desear. Sin embargo, la cuestión que este trabajo pretende plantear es, por un lado, una cuestión más general y, por otro lado, una cuestión más específica a la que, me parece, no se ha ofrecido suficiente atención. Me refiero a la cuestión de si aquello que hace de una tendencia una tendencia ¿y, por tanto, entre ellas al querer¿ es un elemento de naturaleza sentimental o no. Si se tratara de un elemento de naturaleza sentimental, entonces podría pensarse que toda tendencia no es sino un agregado de una vivencia representativa y un sentimiento. Emulando la terminología husserliana, podríamos decir que el ¿carácter de tendencia¿ de una vivencia tendencial sería, pues, de naturaleza sentimental. Si no fuera así, entonces las vivencias tendenciales serían un tipo propio de vivencias, diferentes de las representativas y de las sentimentales. Esta es, a mi juicio, una cuestión temática sumamente interesante. La reconstrucción de estas dos posiciones, defendidas por Pfänder respectivamente en Fenomenología de la voluntad e Introducción a la psicología puede arrojar alguna luz al esclarecimiento de una difícil pregunta, a saber, la referida a la relación existente entre intencionalidad afectiva e intencionalidad volitiva.
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Autores: Crespo Sesmero, Mariano JuanLibro: Edith Stein's an investigation concerning the state: sociality, nationhood, ethicsISSN: 978-3-030-33780-3 2020 págs. 3 - 15ResumenThis chapter presents the preliminary results of a double task: on the one hand, I try to identify the place of the notion of ¿state¿ in the phenomenological thinking of Edmund Husserl and, on the other hand, I reflect on a particular question in the general frame of the connections between state and law, namely, the general problem of the relationships between positive law, as formulated by the state¿s legislative power, and so called a priori law (Adolf Reinach) or pure law (Edith Stein), understood as law that precedes and underlies positive law. Both Reinach and Stein defend the existence of pre-positive elements. Thus, they agree with classical theories of natural law; however, they distance themselves from such theories through a criticism I consider not sufficiently justified. In other words, the similarities between Reinach¿s and Stein¿s theories and classical theories of natural law are closer than usually thought.
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Autores: Martínez García, Ana BelénLibro: New Forms of Self-Narration: Young Women, Life Writing and Human RightsISSN: 978-3-030-46419-6 2020 págs. 1 - 18ResumenThis book is a timely study of young women¿s life writing as a form of human rights activism. It focuses on six young women who suffered human rights violations when they were girls and have gone on to become activists through life writing: Malala Yousafzai, Hyeonseo Lee, Yeonmi Park, Bana Alabed, Nujeen Mustafa, and Nadia Murad. Their ongoing life-writing projects diverge to some extent, but all share several notable features: they claim a testimonial collective voice, they deploy rights discourse, they excite humanitarian emotions, they link up their context-bound plight with bigger social justice causes, and they use English as their vehicle of self-expression and self-construction. This strategic use of English is of vital importance, as it has brought them together as icons in the public sphere within the last six years. New Forms of Self-Narration is the first ever attempt to explore all these activists¿ life-writing texts side by side, encompassing both the written and the audiovisual material, online and offline, and taking all texts as belonging to a unique, single, though multifaceted, project.
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Autores: Martínez García, Ana BelénLibro: New Forms of Self-Narration: Young Women, Life Writing and Human RightsISSN: 978-3-030-46419-6 2020 págs. 59 - 76ResumenThis chapter is a companion to the previous one, since Lee and Park come from the very same village in North Korea and their life-writing projects capitalize on the notion of a North Korean girl who escapes, travels to China and onto a Global North final destination. Girlhood is maximized by both, but their self-narration differs in other ways. Though Park fits the girl trope of humanitarian discourse, she strives to move past the category of victim and redefine herself as a survivor. The remediation/curation of Park¿s self on social media platforms¿but also offline¿is assessed to gauge the impact those may have had in crafting a public persona, a celebrity activist, as she has been enrolled in causes beyond Korean activism, namely feminism.
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Autores: León Sanz, PilarLibro: Genealogías de la reforma sanitaria en EspañaISSN: 978-84-9097-918-1 Vol.279 2020 págs. 192 - 214
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Autores: Linares Bernabeu, Esther; Ruiz Gurillo, L.Libro: El monólogo cómico. Retórica y poética de la comedia de stand-up: transferencias y escenaISSN: 978-84-1320-078-1 2020 págs. 101 - 130
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Autores: Martínez García, Ana BelénLibro: New Forms of Self-Narration: Young Women, Life Writing and Human RightsISSN: 978-3-030-46419-6 2020 págs. 39 - 58ResumenThis chapter looks at how Hyeonseo Lee imbricates personal memory and collective suffering in her life-writing activism. She has become a spokesperson for North Koreans at both national and international levels, giving public talks where she explains hardships she endured and witnessed. In 2013, TED.com released Lee¿s talk. The instability of US-DPRK relations at the time made it an instant sensation, which proves life writing is inseparable from politics. The interplay of offline and online self-construction expands the notion of what used to be separate realms but have become one entangled narrative. Her memoir profited from the viral TED talk and vice versa. Deploying social media for human rights activism, Lee¿s life writing succeeds in raising awareness for a collective via multimodal means of self-expression.
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Autores: García Martínez, Alberto NahumLibro: Cada imagen es un mundoISSN: 978-84-18206-33-7 2020 págs. 39 - 58ResumenEste capítulo aborda las mutaciones del género "noir", apuntando a un cambio en la cosmovisión o imagen del mundo que se ofrece a los espectadores. El noir clásico -y más aún el neo-noir- se caracteriza por la ambigüedad moral y un sentido final de desesperación. Frente a este canon, este artículo propone el término "bright noir" para referirse a un cambio de tendencia: un tono más optimista y un final que proporciona una cierta clausura moral, a menudo veteada de esperanza, redención, perdón u optimismo. Se justifica esta variante del género analizando finales de series como "Broadchurch", "Happy Valley" o la primera temporada de "True Detective", así como la estructura dramática completa de "Terriers", "Daredevil", "Justified" o "Fargo".
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Autores: Rebolledo de la Calle, Marta; Rodríguez Virgili, Jordi; Sierra Iso, AurkenTítulo: Les élections européennes 2019 en Espagne. De nouveaux acteurs pour un agenda à l¿identique?Libro: L'Europe au défi des populismes nationaux: La communication politique centrifuge des élections de 2019ISSN: 978-2-343-20718-6 2020 págs. 165 - 186ResumenLa communication politique des élections européennes de 2019 a été paradoxale. Alors qu'il s'agissait des dernières à inclure la Grande-Bretagne avant son départ de l'Union, le Brexit n'y a pris qu'une part marginale. Alors que pour la première fois en quarante ans la participation a augmenté, ce sont les partis populistes qui en ont bénéficié, remettant en cause la culture de compromis établie de longue date. Alors que l'on pensait les pratiques médiatiques disparates, notamment le Nord et le Sud, les comportements électoraux se sont caractérisés par une grande communauté d'usages synchrones des médias traditionnels et des réseaux sociaux. Cet ouvrage met ainsi en évidence le paradoxe suivant: si l'Europe semble traversée par de puissantes forces centrifuges, un électeur européen prend forme.
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Autores: Martínez García, Ana BelénLibro: New Forms of Self-Narration: Young Women, Life Writing and Human RightsISSN: 978-3-030-46419-6 2020 págs. 111 - 131ResumenThe final chapter closes as a coda to the first chapter in the book. If Malala Yousafzai received the Nobel Peace Prize in 2014, four years later, in 2018, it was Nadia Murad¿s turn. This chapter offers a similar approach to the one taken in the first chapter and elsewhere, which is to read the activist¿s texts side by side, and assess the narrative self-representation and self-construction processes in both written and audiovisual media, in traditional and innovative forms. Though there were prior memoirs by women who escaped ISIS recounting the horror of victimization and sexual exploitation, Murad¿s gained worldwide recognition faster perhaps aided by a multiplicity of other factors, namely the ubiquitous deployment of her life-writing texts¿including a recent documentary¿on and offline.
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Autores: Crespo Sesmero, Mariano JuanLibro: Reflexion, Gefühl, Identität im Anschluss an KantISSN: 978-3-428-15778-5 2019 págs. 119 -130
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Autores: González González, Ana MartaLibro: Proceedings of the 2019 plenary session Nation, State, Nation-StateISSN: 978-88-86726-34-4 N° 22 2019 págs. 399 - 431
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Autores: León Sanz, PilarLibro: Emotional bodies. Studies on the historical performativity of emotionsISSN: 978-0252084713 2019 págs. 53 - 72
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Autores: Linares Bernabeu, EstherLibro: Pragmática del español hablado. Hacia nuevos horizontesISSN: 978-84-9133-243-5 2019 págs. 473 - 488
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Autores: León Sanz, PilarTítulo: Evolución de la red hospitalaria nacional 1939-1975: el caso de los hospitales de la iglesiaLibro: Salud, enfermedad y medicina en el FranquismoISSN: 978-84-9097-889-4 Vol.272 2019 págs. 168 - 184
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Autores: Flamarique Zaratiegui, LourdesTítulo: La exigencia de verdad, expectativa de realidad. Las coordenadas de un debate filosófico renovadoLibro: La posverdad o el dominio de lo trivialISSN: 978-84-1339-006-2 2019 págs. 243 - 271
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Autores: Crespo Sesmero, Mariano JuanTítulo: Las fuentes husserlianas de la conciencia emotiva en la filosofía de Dietrich von HildebrandLibro: La humildad del maestro. Homenaje a Urbano FerrerISSN: 978-84-1339-005-5 2019 págs. 488 - 507
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Autores: Flamarique Zaratiegui, Lourdes; Carbonell Peralbo, MaríaLibro: La posverdad o el dominio de lo trivialISSN: 978-84-1339-006-2 2019 págs. 7 - 10
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Autores: García Martínez, Alberto NahumLibro: TVFicciones: reflexiones críticas sobre televisión estadunidenseISSN: 978-607-30-1709-1 2019 págs. 181 - 204ResumenThe Shield (Fox 2002-2008) y The Wire (HBO 2002-2008) son dos de los programas de tv más aclamados por la crítica en la historia y ambos pueden ser vistos como las más refinadas propuestas de film noir producidas para la televisión. The Wire trasciende el género del show policiaco al ofrecer un retrato de múltiples capas de toda la ciudad de Baltimore: desde el trabajo policial hasta el tráfico de drogas, pasando por la corrupción del sindicato de estibadores, las marrullerías de la política local, los problemas del sistema escolar y algunas prácticas periodísticas sin ética. Por otra parte, The Shield es un programa policiaco que deja sin aliento, que presenta en primer plano la ambigüedad moral que caracteriza al género noir. Ambas series despliegan estrategias realistas complementarias (una estética neorrealista en The Wire; un pastiche cinéma vérité en The Shield) que subrayan la importancia del paisaje urbano en su narrativa. Baltimore y Los Ángeles son retratadas no sólo como lugares físicos peligrosos y arruinados, sino también atravesados por temas morales y políticos presentes en las ciudades contemporáneas tales como la cuestión racial, la clase, la corrupción política, la desintegración social, las disparidades económicas, las limitaciones del sistema de justicia, el fracaso del sueño estadunidense y más.
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Autores: González González, Ana MartaTítulo: A Kantian Avenue Towards Korsgaard's Notion of Practical Identity: Kant on Humanity and CultureLibro: Reflexion, Gefühl, Identität im Anschluß an KantISSN: 978-3-428-15778-5 Vol.96 2019 págs. 41 - 70
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Autores: González González, Ana MartaLibro: Ricostruire il soggetto morale cristiano. Una sfida a 25 anni da Veritatis SplendorISSN: 9788868798406 2019 págs. 87 - 104
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Autores: Sánchez Aranda, José Javier; Novoa Jaso, María FernandaLibro: La gestión de los contenidos en comunicaciónISSN: 9788417513726 2019 págs. 121 - 138
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Autores: Sánchez Aranda, José Javier; Novoa Jaso, María FernandaTítulo: La respuesta emocional de los fans de Juego de Tronos. Discurso y análisis de recepción en EspañaLibro: Contenidos audiovisuales, narrativas y alfabetización mediáticaISSN: 9788448618164 2019 págs. 15 - 25
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Autores: Flamarique Zaratiegui, LourdesTítulo: La escritura: camino del conocimiento. Un apunte desde Platón, Hamann, Rousseau y SchleiermacherLibro: Lengua, cultura, discurso. EstudiosISSN: 978-84-313-3431-4 2019 págs. 923 - 938
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Autores: González González, Ana MartaLibro: La posverdad o el dominio de lo trivialISSN: 978-84-1339-006-2 2019 págs. 110 - 126
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Autores: García Martínez, Alberto Nahum; Ortiz, María J.Título: IntroducciónLibro: Cine y series. La promiscuidad infinitaISSN: 978-84-17600-05-1 2018 págs. 11 - 19ResumenIntroducción al volumen "Cine y series. La promiscuidad infinita". Reflexión sobre la relación entre el cine y la televisión serial y presentación de los contenidos del libro.
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Autores: Rebolledo de la Calle, MartaLibro: Derechos y cambio constitucional. A un siglo de la constituciónISSN: 978-607-8601-02-8 2018 págs. 37 - 55ResumenLa libertad de expresión representa una de las garantías del buen fun- cionamiento de las sociedades democráticas actuales; de hecho libertad de expresión y sistema democrático pueden considerarse dos binomios inseparables. La posibilidad de comunicarse libremente en una sociedad constituye la piedra angular de todo sistema democrático, ya que sin ella, el sistema democrático no sería tal. De ahí la necesidad de preservar la libertad de expresión y permanecer en alerta constante de los riesgos a los que está expuesta de modo permanente.
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Autores: González González, Ana MartaLibro: Towards a participatory society: new roads to social and cultural integrationISSN: 9788886726337 Vol.Proceedings of the 21th Plenary Session 2018 págs. 177 - 200
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Autores: García Martínez, Alberto NahumLibro: La estética televisiva en las series contemporáneasISSN: 9788417203337 2018 págs. 86 - 101ResumenPara analizar la repulsión en la ficción televisiva contemporánea, este capítulo se propone, en primer lugar, acotar el asco en el terreno de las emociones. A continuación, desentrañaremos la ¿paradoja de la aversión¿, esto es, la relación entre el estatus ficcional de lo inmundo y su disfrute estético. Y, por último, abordaremos cómo el propio formato serial, con su longitud y sus cíclicas estrategias empáticas, facilita la superación de las barreras de lo repelente ¿al mismo tiempo que lo emplea como reclamo¿ para alcanzar una ¿estilización de lo repugnante¿.
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Autores: García Martínez, Alberto NahumLibro: European Television Crime Drama and BeyondISSN: 978-3-319-96886-5 2018 págs. 41 - 60ResumenIn Film Noir, the ending is crucial for reaching an understanding of the moral stance of the narrative. TV Series, however, offer a fragmented structure¿episodes, hiatuses, and seasons¿, which prevent the audience from grasping their full meaning until the initial conflict-the one that launches the series and structures the narrative-is definitively resolved. In a television landscape where the story is becoming ever more sophisticated, one of the great advances of ¿complex TV¿ (Mittell, 2015) revolves around the notion of the ¿ars moriendi¿ (Harrington, 2012) of audiovisual fictions: the ending of a TV show increasingly aims for circularity, emotional climax, reasonable surprise, and internal narrative coherence. But, also, a good ending usually provides some kind of moral closure. Following the classic authors who have studied Film Noir (Frank, Borde and Chaumeton, Schrader, Naremore), one can highlight two prominent features of the genre: ethical ambiguity and a final sense of despair. This notion of moral uncertainty, existentialism, and even nihilism that typifies the Noir genre has become a sort of cliché because, as Skoble (2006) has studied, we can find moral clarity and redemption already in several classic Noir examples from the 40s and 50s. Consequently, this article attempts to explore how some recent American and British TV-Noir shows are addressing this issue by undermining one of the main thematic and ideological features that both spectators and critics usuall
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Autores: Crespo Sesmero, Mariano JuanLibro: Opere et veritate. Homenaje al profesor Ángel Luis GonzálezISSN: 978-84-313-3248-8 2018 págs. 171 - 184
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Autores: González González, Ana MartaLibro: Opere et veritate. Homeaje al profesor Ángel Luis GonzálezISSN: 9788431332488 Vol.238 2018 págs. 355 - 368ResumenThe purpose of this piece is to construct a comprehensive view of Aquinas¿s theory of government by considering his account of the angelic hierarchies and orders, from the perspective of participation in God¿s providential plan for creation, and then see how this consideration applies to the particular case of human beings and to the government of human affairs.
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Autores: Linares Bernabeu, EstherLibro: Convergencia y transversalidad en humanidadesISSN: 978-84-948233-2-9 2018 págs. 83 - 89ResumenEl objetivo del presente capítulo es analizar la función de la competencia humorística durante el proceso de adquisición de una segunda lengua. Partiendo de que el humor es un instrumento clave para el desarrollo de las competencias lingüísticas, se ha llevado a cabo una investigación con 71 adolescentes extranjeros escolarizados en colegios de la Comunidad Valenciana y de la Región de Murcia. Los datos obtenidos revelan que el reconocimiento, la comprensión y la apreciación del humor son procesos cognitivos que se ven afectados por variables como el nivel de lengua, la inmersión lingüística, el género o la edad. Asimismo, hemos observado que hay géneros humorísticos que son más aptos que otros para introducir en el aula de E/L2.
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Autores: Martínez García, Ana Belén; Otano Unzué, AliciaLibro: Conference proceedings : the future of education : 8th conference edition, Florence, Italy 28-29 June 2018ISSN: 978-88-3359-020-2 2018 págs. 349 - 352
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Autores: Crespo Sesmero, Mariano JuanLibro: Husserl's Phenomenology of intersubjectivity. Historical interpretations and contemporary applicationsISSN: 9780815372974 2018 págs. 80 - 96
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Autores: Crespo Sesmero, Mariano JuanLibro: El deber gozoso de filosofar. Homenaje a Miguel García-BaróISSN: 978-84-301-2012-3 2018 págs. 25 - 36
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Autores: García Martínez, Alberto NahumLibro: Cine y series. La promiscuidad infinitaISSN: 978-84-17600-05-1 2018 págs. 57 - 76ResumenEste capítulo pretende analizar las características esenciales de la narrativa televisiva contemporánea para compararlas con las del largometraje cinematográfico tradicional. En consecuencia, explicaremos en primer lugar las diferencias que la ficción televisiva y fílmica tienen en cuanto a unidad narrativa y progresión dramática: la duración textual, el tiempo de consumo y la combinación de la ¿anthology plot¿ y la ¿running plot¿. En segundo lugar, examinaremos los conceptos de adaptación y remake, en los que tanto la memoria como la originalidad juegan un papel crucial para el éxito de cualquier derivación diegética. Tras aclarar el marco teórico, aplicaremos la teoría al análisis de dos series de televisión recientes basadas en largometrajes de éxito: la primera temporada de Fargo (FX, 2014-), una suerte de remake-secuela de la película de los hermanos Coen del año 1995; y las tres de Hannibal (NBC, 2013-15), un reboot de la franquicia de El silencio de los corderos (The Silence of the Lambs, Jonathan Demme, 1991) que intenta llenar los huecos previos al nacimiento del personaje en la novela El dragón rojo, de Thomas Harris.
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Autores: Flamarique Zaratiegui, LourdesTítulo: La docta ignorancia. Una clave interpretativa de la filosofía de la religión de SchleiermacherLibro: Opere et veritate: homenaje al Profesor Ángel Luis GonzálezISSN: 978-84-313-3248-8 2018 págs. 297 - 309
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Autores: Martínez-Egido, J. J.; Alvarado Ortega, M. B.; Azorín Fernández, D.; et al.Libro: Memorias del Programa de Redes-ICE de calidad, innovación e investigación en docencia universitaria: Convocatoria 2017-18ISSN: 978-84-09-07041-1 2018 págs. 381 - 398
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Autores: Martínez García, Ana Belén (Coeditor)ISSN: 978-1-80073-380-0 2022ResumenDESCRIPTION The 21st century has witnessed some of the largest human migrations in history. Europe in particular has seen a major influx of refugees, redefining notions of borders and national identity. This interdisciplinary volume brings together leading international scholars of migration from perspectives as varied as literature, linguistics, area and cultural studies, media and communication, visual arts, and film studies. Together, they offer innovative interpretations of migrants and contemporary migration to Europe, enriching today¿s political and media landscape, and engaging with the ongoing debate on forced mobility and rights of both extra-European migrants and European citizens.
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Autores: González González, Ana MartaISSN: 978-84-321-6224-4 2022
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Autores: González González, Ana MartaISSN: 978-84-321-5426-3 2021Resumen¿En qué condiciones históricas el estado-nación llegó a convertirse en la forma normal de estado? La autora ofrece aquí un análisis breve y documentado de la complejidad de los aspectos históricos, culturales y económicos del proceso catalán, y también de los sociales y emocionales, con un apéndice sobre la cronología del conflicto hasta nuestros días.
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Autores: González González, Ana MartaISSN: 978-84-1369-123-7 2021ResumenEsta monografía responde al deseo de esclarecer la relación entre subjetividad, identidad y socialidad, como modo de contribuir a una reflexión más amplia sobre el significado de lo humano en un momento de nuestra cultura en el que la diferencia entre lo humano y lo no humano adquiere renovada actualidad. Profundizar en la dinámica de la subjetividad humana nos adentra en un universo intencional irreductible a procesos simplemente naturales. Por sus emociones, deseos y pretensión de verdad, nuestra subjetividad se nos revela, a un tiempo, condicionada y abierta, capaz de intimidad y proyectada fuera de sí misma; una subjetividad en gran medida lingüística, que no se deja aferrar enteramente con palabras, pero admite ser designada con un nombre, que nos sitúa directamente en un contexto de interpelación. El nombre que, recibido de otros, hemos hecho nuestro, simboliza entonces una identidad en parte recibida y parcialmente en construcción, cuya configuración última representa un enigma para nosotros mismos. El deseo, sea explícito sea encubierto, de descifrar ese enigma y así conocer la propia identidad es inseparable de la existencia humana. Ahora bien, en la medida en que la existencia transcurre en el mundo y en diálogo con otros, la identidad simbolizada por el nombre no puede descifrarse al margen de los contextos prácticos y relacionales en que nos vemos involucrados en el curso de la vida. Por esa razón, las vías del conocimiento propio pasan por un conocimiento del...
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Autores: González González, Ana MartaISSN: 978-3-030-66467-1 2021ResumenThis book joins the contemporary recovery of Kant's empirical works to highlight the relevance of his concept of culture for understanding the sources of various characteristic modern dilemmas, such as the tension between culture and happiness, the morally ambivalent nature of cultural progress, or the existing conflicts between a factual plurality of cultures and the historical forces pressing toward a universal civilization. The book will be of special interest forKantian scholars, moral and political philosophers, as well as philosophers of culture, of history and of the social sciences.
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Autores: González González, Ana MartaISSN: 9788431335892 2021
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Autores: González González, Ana MartaISSN: 6-71-6420-622-978 2021
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Autores: González González, Ana Marta (Editor); Vigo Pacheco, Alejandro (Editor)Título: Reflexion, Gefühl, Identität im Anschluß an Kant = Reflection, emotion, identity : from Kant onwardsISSN: 978-3-428-15778-5 (Print) 2019
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Autores: Flamarique Zaratiegui, Lourdes (Editor); Carbonell, C. (Editor)ISSN: 978-84-1339-006-2 2019
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Autores: González Ruiz, Ramón Domingo (Editor); Olza Moreno, Inés (Editor); Loureda Lamas, Óscar (Editor)ISSN: 978-84-313-3431-4 2019
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Autores: Zurita Andion, José Luis (Coordinador); Serrano Puche, Javier (Coordinador); Gil Ramírez, Marta (Coordinador)ISSN: 978-84-17690-00-7 2018
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Autores: García Martínez, Alberto Nahum (Coeditor); Ortiz, María J (Coeditor)ISSN: 978-84-17600-05-1 2018ResumenCine y Series. La promiscuidad infinita parte de la premisa de que hoy en día el cine es una de las principales influencias en las series de televisión, con un notable impacto tanto en la producción como en la estética. Igualmente, la maduración y exuberancia de la forma narrativa serial va dando lugar a una tendencia inversa, por lo que la influencia de los productos seriales también es reconocible en las narrativas fílmicas y en la industria del cine en general. Esta obra nos ofrece un completo panorama de las relaciones entre cine y series en la contemporaneidad. Sus autores han recogido el análisis crítico de los muchos sentidos en que esa interacción se produce. El resultado es un conjunto de contribuciones, de amplio elenco internacional, en torno a los cuatro ejes siguientes: ¿Procesos de transformación narrativa del cine hacia la serialidad. ¿El modelo visual del cine y sus influencias en la serialidad. ¿Viejas historias del cine, nuevos sentidos para la contemporaneidad: reescribiendo una historia emocionante. ¿La innovación en el estudio de las relaciones entre cine y series: ecosistemas narrativos, world building y metáforas audiovisuales.
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Autores: Crespo Sesmero, Mariano Juan (Editor)ISSN: 978-3-487-15691-0 2018ResumenEl origen de este volumen es un simposio organizado en Mayo de 2015 por el Instituto Cultura y Sociedad (ICS) de la Universidad de Navarra. El enfoque de este simposio era muy amplio, como se refleja en las contribuciones que se presentan en este volumen, las cuales abordan temas tan diversos como las conexiones entre la ética material de los valores de inspiración fenomenológica y la idea de Derecho natural, la distinción esfera de lo jurídico/esfera de lo moral, las críticas a la consideración de los derechos humanos como fundados en la ley natural, los motivos por los que tenemos ciertos hechos y deberes como consecuencia de actos sociales, el sentido y significado del término libertad cuando este es empleado en el marco del Derecho penal, o el examen de ciertas concepciones que pretenden reducir la Filosofía del Derecho a una serie de cuestiones psicológicas, sociales o históricas cuando, en realidad, ésta depende de una discusión sobre cuestiones de principios y no de una mera comprobación de hechos. Sin embargo, a pesar de la diversidad de los trabajos que conforman este volumen, puede decirse que son dos los aspectos fundamentales que éstos comparten: por un lado, la necesidad de fomentar el diálogo entre disciplinas diferentes como la Filosofía y el Derecho en torno a una cuestión central, a saber, la existencia de elementos pre-positivos, anteriores a toda legislación positiva y, por otro lado, la convicción de que estos elementos tienen una inteligibilidad propia.
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Autores: Berty, Katrin (Editor); Olza Moreno, Inés (Editor)ISSN: 9788431333171 2018
Proyectos desde 2018
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Título: Vínculos, emoción e identidad. La dimensión moral de los vínculos socialesCódigo de expediente: FFI2015-67388-PInvestigador principal: ANA MARTA GONZALEZ GONZALEZ, JOSE MARIA TORRALBA LOPEZ.Financiador: MINISTERIO DE CIENCIA E INNOVACIÓNConvocatoria: 2015 MINECO EXCELENCIA. PROYECTOS I+DFecha de inicio: 01-01-2016Fecha fin: 30-06-2019Importe concedido: 34.364,00€Otros fondos: -
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Título: Patrones multimodales de representación del tiempoCódigo de expediente: FFI2015-70876-PInvestigador principal: CRISTOBAL PAGAN CANOVAS, INES OLZA MORENO.Financiador: MINISTERIO DE CIENCIA E INNOVACIÓNConvocatoria: 2015 MINECO EXCELENCIA. PROYECTOS I+DFecha de inicio: 01-01-2016Fecha fin: 31-12-2018Importe concedido: 26.015,00€Otros fondos: Fondos FEDER
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Título: OrforcreaCódigo de expediente:Investigador principal: SARALI GINTSBURGFinanciador: COMISIÓN EUROPEAConvocatoria: H2020-MSCA-IF-2016Fecha de inicio: 01-08-2017Fecha fin: 31-07-2019Importe concedido: 0Otros fondos: -