Grupos Investigadores

Líneas de Investigación

  • Ética, emociones, fenomenología
  • Sociopragmática de la mediación
  • Razón práctica, cultura, identidad
  • Narrativas, autobiografía
  • Lingüística, cognición y emoción
  • Emociones y salud
  • Emociones y cultura popular

Palabras Clave

  • Vínculos
  • Identidad
  • Emociones

Publicaciones Científicas desde 2018

  • Autores: Planes Pedreño, J. A.; García Martínez, Alberto Nahum; Pérez Morán, E.
    Revista: INTERNATIONAL JOURNAL OF COMMUNICATION
    ISSN 1932-8036 Vol.16 2022 págs. 3443 - 3469
    Resumen
    This article presents a quantitative and qualitative analysis of formal and semantic trends of the flashback in Netflix original drama series between 2013 and 2017. The purpose is to determine whether such temporal digressions are commonplace to develop a better understanding of the evolution of television storytelling in the streaming era. The method applied involves a scene-by-scene quantitative analysis of temporality in 33 pilot episodes, an original methodology in television narratology. This is followed by a theoretical definition of the five categories of flashback: delimited, expository, undefined, independent, and oneiric. Tables displaying the data support the results of the study. The subsequent discussion combines the data with a qualitative analysis to identify patterns in how Netflix dramas juxtapose the five categories of flashbacks. Three conclusions are offered: the prevalence of temporal disruptions; the wide variety of flashback categories appearing in Netflix drama series; and the formal simplicity using these tropes.
  • Autores: González González, Ana Marta
    Revista: REVISTA DE ESTUDIOS KANTIANOS
    ISSN 2445-0669 Vol.7 N° 1 2022 págs. 105 - 124
  • Autores: León Sanz, Pilar
    Revista: EUROPEAN JOURNAL FOR THE HISTORY OF MEDICINE AND HEALTH
    ISSN 2666-7711 N° 79 2022 págs. 94 - 119
    Resumen
    This paper analyses the contribution of the Catholic Church to Spanish hospitals for more than a century, from the last three decades of the nineteenth century to the 1980s, when the health system model changed and when the transfer of healthcare to Spain¿s Autonomous Communities was initiated. The refoundation of Catholic Church hospitals can be observed in the last thirty years of the nineteenth century, as the result of the confiscation of Church property that took place during this century. The new hospitals incorporated contemporary scientific innovations and medical specialisation. Over time, the Catholic Church ran a substantial number of hospitals (surgical, maternity, children¿s, psychiatric, shelters, etc.). This work of healthcare provision still continued into the early 1940s, when the Church hospitals were integrated into the national hospital system. Catholic Church hospitals accounted for 15 to 17 per cent of the total number of beds in the Spanish health system. The most common were surgical hospitals ¿ each with around 100 beds ¿ located in urban areas. The contribution of Catholic Church hospitals to psychiatric care was notable (30 per cent of all beds for this purpose in Spain). This study also analyses the ten-percentage point reduction in the number of beds and hospitals dependent on the Church that occurred in the 1980s.
  • Autores: Baena, Rosalía (Autor de correspondencia)
    Revista: PROSE STUDIES
    ISSN 0144-0357 2022 págs. 1 - 15
    Resumen
    What does it mean to live with breast cancer, anorexia, chronic pain, dementia, or COVID-19? How does it feel to care for aging parents or to live with people with Alzheimer's? Contemporary illness memoirs foreground these experiences, offering readers insider accounts of lives marked by infirmity. This special issue of Prose Studies presents six critical readings of contemporary experiences of illness, highlighting both the aesthetic and personal experience of reading illness memoirs. These articles address pressing questions regarding how we understand illness and disability today, what popular perspectives get wrong about lived experiences of illness, as well as how reading illness memoirs might help correct widespread or less-thoughtful social and cultural perceptions of the experience of illness.
  • Autores: Baena, Rosalía (Traductor); Alegría, Judith (Traductor)
    Revista: CUADERNOS DE BIOETICA
    ISSN 1132-1989 Vol.32 N° 105 2021 págs. 271 - 278
  • Autores: Rebolledo de la Calle, Marta (Autor de correspondencia); González Luis, Hildegart; Olza Moreno, Inés
    Revista: INTERFACE - COMUNICAÇÃO, SAUDE, EDUCAÇÃO
    ISSN 1807-5762 Vol.25 2021 págs. e200606
    Resumen
    This study is an analysis on the Spanish media coverage of the Covid-19 crisis and the role of information on health and healthcare professionals within it. We studied the treatment given to healthcare sources and topics in news broadcasts released by Radiotelevisión Española (RTVE) between December 31, 2019, and June 8, 2020. To this end, we conducted a quantitative content analysis on 452 news items from 21 news broadcasts. The results showed that debates on political issues were the main topics and politicians were the main sources, in the broadcasts analyzed, ahead of health issues and healthcare professionals. Our study thus confirms the lack of visibility of healthcare professionals in the television news coverage of the Covid-19 crisis in Spain.
  • Autores: Zamora-Medina, R.; Rebolledo de la Calle, Marta
    Revista: REVISTA DE COMUNICACION
    ISSN 1684-0933 Vol.20 N° 2 2021 págs. 375 - 390
    Resumen
    La presencia de los candidatos en programas de politainment durante las campañas elec- torales se ha convertido en una práctica generalizada en España. Considerando que la gran mayoría de las reacciones en las redes sociales se refieren al contenido o a los invitados de los programas de televisión (D¿heer y Verdegem, 2014), su análisis puede resultar de gran interés para determinar en qué medida estos espectáculos contribuyen a mejorar el conocimiento político de cada candidato a través de los ojos de la audiencia (Boukes y Trillin, 2017). Esta investigación parte de algunos estudios previos que reconocen el impacto de los programas de infoentretenimiento político en la generación de engagement o compromiso político entre la audiencia social (Moy, Xenos y Hess, 2005), y sus beneficios para el acercamiento de nuevos públicos (Teruel, 2016). Sin embargo, pretende dar un paso más, especificando qué tipo de contenidos logran despertar mayor engagement en el público.
  • Autores: Berrocal Gonzalo, S.; Zamora Medina, R.; Rebolledo de la Calle, Marta
    Revista: CATALAN JOURNAL OF COMMUNICATION & CULTURAL STUDIES
    ISSN 1757-1898 Vol.13 N° 1 2021 págs. 23 - 42
    Resumen
    Politainment is a phenomenon that deals with the political communication of entertainment regarding its production, diffusion and intake in its different formats. It entails consequences regarding the dynamics of communication such as political informative decline, along with the loss of democratic quality giving prominence to a post-truth communication environment and promoting the celebritization of politicians. The academic basis upholds that, in the politainment environment, social networks play an important role acting as instruments that help promote information exchange, both horizontally and vertically, from an active, connected, empowered social audience which evidences participation, contribution, production and collaboration. This research is pioneer in identifying the kind of contents of politainment programmes that promote a greater engagement among the social audience. Therefore, it includes an empirical analysis from a quantitative and qualitative approach of the contents of tweets and comments with the highest level of interaction among prosumers from the profiles of the three most representative politainment programmes in Spain: El Objetivo, El programa de Ana Rosa and El Intermedio. The results achieved from this comparative analysis include significant differences regarding the politainment content promoted by these programmes and also in relation to the level of online engagement. Although the limited interaction from the social audience was a common pattern, the results show that tweets with hashtags, visual elements and the ones using the attribute of responsibility frame achieved a higher engagement level than the rest of them.
  • Autores: Martínez García, Ana Belén
    Revista: HUMAN ARENAS
    ISSN 2522-5804 Vol.4 N° 3 2021 págs. 366 - 378
    Resumen
    Spaniards born in a democracy have no recollection of living through war and what it entails. We can only access those memories via mediation, by listening to our relatives who were there, whose stories we become witnesses to, and which ultimately become our own collective witnessing. The remembrance of the Spanish Civil War passed on to us in this manner is a contested legacy, a complex combination of affects and mediated memories, coming from offlin - as in conversations with our elders - and online - such as archival footage - resources. Experiencing war firsthand left indelible marks in our forebearers¿ minds. Now the elderly must face this violent ¿war¿ and ¿postwar¿ rhetoric with the potential retraumatization it may cause. Not capable to understand why media and government officials alike call for heroes to resist and fight the crisis, a discourse heavily imbued with emotions and battlefront references does little to assuage citizens¿ fears. Perpetual news reels on the number of dead per day worsen the psychological strain of a person in lockdown, akin to that of prison inmates, more so if that person endured an actual war and its aftermath. What might be done to lessen such harmful impacts? How can we change the narrative and make it more humane?
  • Autores: Acedo, Nieves (Autor de correspondencia)
    Revista: DAIMON. REVISTA DE FILOSOFIA
    ISSN 1130-0507 N° 84 2021 págs. 131 - 145
    Resumen
    Considering Aesthetics as linked to the appreciative nature of sensorial experience, this article uses the concept of intentionality of sensation to rescue Aesthetics from being confined into the scope of mere opinions. After introducing and defining the problem, the text focuses on the so- called secondary qualities, immediate object of the sensation. The hypothesis is that the weak epistemic content attributed to secondary qualities throughout history is responsible for the difficult assessment of aesthetic judgment. A reformulation of the kind of news we receive from these qualities is proposed reviewing John McDowell and Crispin Wright review of Lockean's secondary qualities, in dialogue with the Aristotelian theory of the proper sensible. The result of this review should influence the role we attribute, within the spectrum of disciplines, to Aesthetics and, secondarily, to Art.
  • Autores: García Martínez, Alberto Nahum (Autor de correspondencia); Nannicelli, T.
    Revista: AREA ABIERTA
    ISSN 1578-8393 Vol.21 N° 3 2021 págs. 349 - 365
    Resumen
    This paper explores the particularities of television's temporality or, more specifically, the particular aesthetic capacities it has at its disposal in virtue of its distinctive temporality. Drawing from a methodology that combines studies on seriality that have proliferated both in Television Studies and in the Philosophy of Aesthetics, we argue that the extant notions of "seriality" do not offer a full account of television's particular temporal character and the aesthetic capacities it has. For this reason, we dig deeper into a new term: "temporal prolongation". This includes, unlike the concept of seriality, both the specific way in which the television medium uses temporality, as well as the aesthetic effects that this handling generates in formats and genres as diverse as endless soap-operas, serial dramas, episodic procedurals, sitcoms, television newscasts, sports broadcasts, weekly contests, reality TV, and even documentaries. We attempt a definition of "temporal prolongation," distinguishing it from seriality, and we support our claims by working through some assorted examples -of both specific formats and programs-, which shows the validity of our theory. In the first place, we deal with fiction series, where temporal prolongation can work though recurring gags, the monster-of-the-week structure, and the "special episodes." The second case study is the TV news anchor, where the concept of familiarity establishes unique aesthetic rewards thanks to the passage of time. The last case to be examined is that of reality shows, with Kitchen Nightmares as the paradigm, where variations in expectations are essential to institute a fruitful comparison with previous episodes.
  • Autores: Serrano Puche, Javier (Autor de correspondencia)
    Revista: INTERNATIONAL REVIEW OF SOCIOLOGY
    ISSN 0390-6701 Vol.31 N° 2 2021 págs. 231 - 245
    Resumen
    Considerable interest has recently emerged among communication scholars around what has been called the 'information disorder', that is, a constellation of media genres that includes disinformation, misinformation, fake news, propaganda and hyperpartisan news. The rise in this type of information pollution is related to a crisis of public communication where the public sphere in many countries has become divided and challenged by social and political tensions. On the other hand, the digital space emerges as a socio-technological environment configured around platforms that condition emotional expression through their affordances, favoring the appearance of affective publics. Taking the above into account, this paper offers a conceptual framework for understanding the role played by emotions in our present 'information disorder' and the societal risks that arise from it. It examines how fake news strategically relies on emotionally provocative content to induce outrage and other strong feelings among users, which are then viralized on platforms. The paper concludes by presenting some lines of action for minimizing those risks from the point of view of media literacy.
  • Autores: Olza Moreno, Inés; Koller, V.; Ibarretxe-Antuñano, I.; et al.
    Revista: METAPHOR AND THE SOCIAL WORLD
    ISSN 2210-4070 Vol.11 N° 1 2021 págs. 98 - 120
    Resumen
    From the beginning of the COVID-19 pandemic, governments, health agencies, public institutions and the media around the world have made use of metaphors to talk about the virus, its effects and the measures needed to reduce its spread. Dominant among these metaphors have been war metaphors (e.g. battles, front lines, combat), which present the virus as an enemy that needs to be fought and beaten. These metaphors have attracted an unprecedented amount of criticism from diverse social agents, for a variety of reasons. In reaction, #ReframeCovid was born as an open, collaborative and non-prescriptive initiative to collect alternatives to war metaphors for COVID-19 in any language, and to (critically) reflect on the use of figurative language about the virus, its impact and the measures taken in response. The paper summarises the background, aims, development and main outcomes to date of the initiative, and launches a call for scholars within the metaphor community to feed into and use the #ReframeCovid collection in their own basic and applied research projects
  • Autores: Linares Bernabeu, Esther (Autor de correspondencia)
    Revista: ESTUDIOS DE PSICOLOGIA
    ISSN 0210-9395 Vol.42 N° 2 2021 págs. 428 - 461
    Resumen
    This paper aims to show that trumping is a cognitive strategy that exploits the salience gap between the literal and figurative meaning of an expression, which is used by female comedians to attack certain targets with different humour markers such as polysemy, metonymy or metaphors. In order to verify this hypothesis, we have analysed the FEMMES-UP corpus, which gathers 15 humorous stand-up comedy acts from 15 female Spanish comedians. The corpus has been transcribed and segmented into 504 sequences. The analysis reveals that trumping is used in 67 of these sequences, that is, in 13.5% of the cases. We have been able to identify five types of trumping: homophonic, syntactic, metonymic, metaphorical and referential. Results showed that the most frequently used types are metonymic, syntactic and metaphorical, although these can also be used simultaneously, e.g., syntactic and metaphorical trumping. Findings also evidence that trumping acts as a rhetorical-pragmatic strategy for the female comedians to disassociate themselves from certain gender-based behavioural norms, to construct alternative identities and to question some heteronormative norms in a creative, humorous fashion.
  • Autores: Martínez García, Ana Belén
    Revista: NARRATIVE
    ISSN 1063-3685 Vol.29 N° 2 2021 págs. 210 - 223
    Resumen
    Among the most pressing matters dominating the public sphere is the refugee crisis, but the news does not present readers/audiences with a story one can easily relate to. The opposite may be said of human rights activists who turn to life narrative as a counterpart to the dehumanizing practices at the heart of much of public discourse. This essay looks at the major role of agencies such as the United Nations High Commissioner for Refugees (UNHCR) in mediating refugees' narratives. It builds on a key interview obtained with that organization's former Chief Communications Officer, Melissa Fleming, whose role epitomizes the humanitarian narrative of today. Social media and their affordances play an important role in distributing the message and allowing for private lives to enter the public sphere. Refugees' mediated narratives offer a significant counternarrative to the mainstream media attempts to erase or flatten out individual stories. However, attention must be paid to the problematics surrounding the ethics of mediation, especially in the case of life narratives of human suffering and vulnerable others. Common challenges to mediated narratives are, among others, appropriation and commoditization, questioning who tells whose story, how, and why. The very idea of empathy is subject to criticism. Though admittedly fraught with pitfalls, testimonial narratives have the potential to shake people's consciences and to effect social change.
  • Autores: Martínez García, Ana Belén
    Revista: BIOGRAPHY: AN INTERDISCIPLINARY QUARTERLY
    ISSN 0162-4962 Vol.44 N° 1 2021 págs. 147 - 154
  • Autores: León Sanz, Pilar
    Revista: DYNAMIS
    ISSN 0211-9536 Vol.41 N° 1 2021 págs. 135 - 161
    Resumen
    Las sociedades de ayuda o apoyo mutuos fueron un conjunto variado de insti-tuciones de carácter social, de naturaleza privada y sin ánimo de lucro, que proporcionaron prestaciones socio-asistenciales también en caso de enfermedad, a buena parte de la población, entre la segunda mitad del siglo XIX y primera del XX. En España, fueron escasos los hospitales promovidos por estas instituciones, quizá porque la mayoría no llegaron a tener suficiente número de socios para hacerlo. Los hospitales de este tipo se encontraban, mayoritariamente, en Cataluña, donde las sociedades obreras de ayuda mutua tuvieron un mayor desarrollo. A través del caso paradigmático de los hospitales de La Alianza, el estudio muestra que estos hospitales estuvieron abiertos a diversos tipos de pacientes (privados o derivados por otras instituciones) y tuvieron una dependencia económica múltiple. También se analizan los cam-bios que más influyeron en los hospitales de las mutuas, en la segunda mitad del siglo XX: el proceso de federación de las mutuas de previsión social y el itinerario de concertación pública. Estos hospitales participaron en el desarrollo de nuevas especialidades médico-quirúrgicas hospitalarias. Se advierte que fueron precisamente los hospitales de La Alianza los que llevaron a un mayor desarrollo de esta entidad.
  • Autores: Flamarique Zaratiegui, Lourdes (Autor de correspondencia)
    Revista: ANUARIO DE HISTORIA DE LA IGLESIA
    ISSN 1133-0104 Vol.29 2020 págs. 656 - 657
  • Autores: González González, Ana Marta (Autor de correspondencia)
    Revista: METAPHILOSOPHY
    ISSN 0026-1068 Vol.51 N° 1 2020 págs. 71 - 86
    Resumen
    In Understanding Moral Obligation (2012), Robert Stern sets out to provide a fresh interpretation of the role of autonomy in Kant's moral philosophy and attempts to rectify J. B. Schneewind's standard account in The Invention of Autonomy (1998). While Stern agrees that Kant's resort to autonomy is at the basis of a constructivist account of moral obligation, he claims that autonomy plays no role in Kant's theory of value, such that, in this respect, Kant remains a realist. Accordingly, Stern characterizes Kant's moral philosophy as a "hybrid" view because he sees it as involving a compromise between realism with regard to value and constructivism with regard to obligation. Stern's interpretation relies on a sharp distinction between value and obligation. The purpose of the present article is to question Stern's reliance on that rigid distinction, which involves intermixing theoretical and practical reason and assumes a distorted view of human agency.
  • Autores: Linares Bernabeu, Esther (Autor de correspondencia)
    Revista: REVISTA SIGNOS. ESTUDIOS DE LINGÜÍSTICA
    ISSN 0718-0934 Vol.53 N° 102 2020 págs. 123 - 143
    Resumen
    La presente investigación analiza el papel del discurso humorístico planificado en la construcción de la identidad de género. El objetivo principal es explorar las distintas formas en las que las humoristas españolas hacen uso del estilo de habla femenino y masculino, a través del discurso directo, con el objeto de romper con los roles sexuales y subvertir las nociones heteronormativas de masculinidad y feminidad. Partimos de la hipótesis de que, en el discurso humorístico, el estilo de habla femenino y masculino se usan con independencia del sexo para conseguir unos determinados efectos cómicos y sociales. Con el objetivo de verificar tal conjetura, este estudio recoge un corpus de 10 monólogos humorísticos representados en salas y teatros españoles durante los años 2017 y 2018. La transcripción y segmentación de dichas muestras nos ha permitido examinar la función de los estilos de habla en el discurso directo y su relación con los estilos humorísticos propuestos por Martin et al. (2003). El análisis de los efectos conseguidos en relación con la construcción y deconstrucción de la identidad de género, así como el estudio de los elementos lingüísticos y paralingüísticos empleados para desencadenar el efecto cómico, nos ha permitido comprobar que el uso de un estilo de habla marcado por una determinada identidad de género es un instrumento discursivo que puede implicar tanto la ruptura de determinados roles sexuales como el refuerzo de tópicos y estereotipos de género.
  • Autores: Teijeira Álvarez, Rafael (Autor de correspondencia); León Sanz, Pilar; Castro, S.; et al.
    Revista: REVISTA ESPAÑOLA DE MEDICINA LEGAL
    ISSN 0377-4732 Vol.46 N° 3 2020 págs. 101 - 108
    Resumen
    La certificación de la defunción es un acto médico en el que el profesional debe poner el mismo esfuerzo y dedicación que en el resto de los informes elaborados en vida del paciente. Para su correcta cumplimentación el facultativo debe seguir las instrucciones básicas, poniendo especial cuidado en rellenar adecuadamente la secuencia de causas de muerte. En casos de pandemia, la cumplimentación del certificado de defunción corresponde a la medicina asistencial y para poder hacerlo los organismos oficiales deben publicar instrucciones basadas en recomendaciones internacionales. Debe establecerse, cuanto antes, la posibilidad de comunicación telemática de las defunciones. Mientras eso no sea posible, tienen que establecerse procedimientos que permitan en situación de pandemia, comunicar de forma inmediata la mortalidad a las autoridades sanitarias.
  • Autores: Valenzuela, J.; Canovas, C. P.; Olza Moreno, Inés; et al.
    Revista: REVIEW OF COGNITIVE LINGUISTICS
    ISSN 1877-9751 Vol.18 N° 2 2020 págs. 289 - 315
    Resumen
    Psycholinguistic evidence shows that spatial domains are automatically activated when processing temporal expressions. Speakers conceptualize time as a straight line deployed along different axes (mostly sagittal, though also vertical). The use of the lateral axis, which cannot be lexicalized in any language, has nonetheless been attested in temporal tasks in laboratories using a variety of experiments. This leads to the question of what axes are actually at work when conceptualizating time in oral communication. The present study examines a great number of temporal expressions, taken from television shows, noting their associated co-speech gestures. Our results show that (1) speakers overwhelmingly use the lateral axis; (2) they are not performing simple space-to-time mappings, but are using instead a "timeline", a material anchor which is a far more complex construct and that can explain some of the intricacies and contextual variations shown in the pattern of results.
  • Autores: Dias, P. (Autor de correspondencia); Serrano Puche, Javier
    Revista: PALABRA CLAVE
    ISSN 0122-8285 Vol.23 N° 1 2020 págs. 1 - 34
    Resumen
    Multi-screening is an emergent but fast-growing and fast-changing practice, evolving along with the technologies that mediate it. This article presents a study on multi-screening, i.e., simultaneously or sequentially engaging with more than one screened-media. Based on the uses and gratifications theory, our study focused on the most common multi-screening scenario-engaging with the smartphone while watching TV-in order to explore triggers, motivations, gratifications, and attention distribution. The methodology is qualitative in nature, including ethnographic journals and follow-up interviews to a sample of 30 young adults, and the data was collected in Portugal and Spain. The activities performed on each device are usually disconnected and motivated by the need to enhance the entertainment afforded by the TV or to obtain a sense of efficiency. The attention is distributed in alternated periods, and the smartphone has a greater ability of demanding attention and retaining the engagement.
  • Autores: García Martínez, Alberto Nahum (Autor de correspondencia)
    Revista: HORROR STUDIES
    ISSN 2040-3275 Vol.11 N° 1 2020 págs. 83 - 100
    Resumen
    Aesthetics philosopher Noel Carroll affirms that grotesque forms 'are all violations of our standing categories or concepts; they are subversions of our common expectations of the natural and ontological order'. In breaking structural boundaries, consequently, the grotesque appears as deformations, aberrations, exaggerations, metamorphosis or startling portmanteaus. Given both its nightmarish texture and the evil ingenuity of Dr Lecter's murders, Hannibal (NBC, 2013-15) ploughs fertile ground in putting together conceptually distant and even contradictory elements. Hence, this article explores how the aesthetic and philosophical principles of the grotesque are a pervasive presence throughout the entire Hannibal TV series, defining its style, characters' personality and metaphorical themes. Putting art theory in dialogue with the Hannibal televised text, this article demonstrates how the grotesque - one of the key concepts in Gothic horror - permeates every level of the show, from the opening credits to the protagonist's inner transformation, converting the narrative into a comprehensive and cohesive liminal artistic ecosystem.
  • Autores: Serrano Puche, Javier (Autor de correspondencia)
    Revista: CUADERNOS.INFO
    ISSN 0719-3661 N° 46 2020 págs. 153 - 177
    Resumen
    Even though the current media landscape allows to choose between very diverse platforms, sources and means to get information, there are users who decide to avoid the news. This article explores the reasons behind this news avoidance, relating it to the proposals of the so-called constructive journalism. Taking Spain as case study and through a qualitative and quantitative analysis of the Digital News Report -based on a pilot study and a survey to 2,006 users-, the results show that 50% of digital users in Spain actively avoid news, a practice more common among women, young users and low-income people. The reasons allude to two major factors. On the one hand, the users' situation, either due to lack of interest concerning current events or to the perception that exposure to the news flow has negative effects on their mood (the main reason to avoid them, 37% of the cases). On the other hand, the media -both at the corporate level and the journalists who produce the information- are accused of failing to comply with some basic principles of the profession. Specifically, 29% of users do not consult the news because they mistrust their veracity. The media could address these motivations by opting for a more constructive approach to journalism, based on a news coverage aimed at generating a positive social impact.
  • Autores: Fernández, C. B.; Rodríguez Virgili, Jordi (Autor de correspondencia); Serrano Puche, Javier
    Revista: JOURNAL OF IBERIAN AND LATIN AMERICAN STUDIES
    ISSN 1326-0219 Vol.26 N° 3 2020 págs. 389 - 406
    Resumen
    There is a new pattern of consumption of political information that has been generating great challenges for electoral campaigning and democracy. Using the spiral of silence theory, this paper compares the willingness to express political opinions of digital users in four Iberoamerican countries (Argentina, Chile, Spain and Mexico). The paper explores patterns on digital users silencing their political opinions as well as the relationship between unwillingness to express their opinions with ideological self-position. The research shows that the users that place themselves at the ideological extremes are those who are less concerned about expressing their true political opinions openly on the Internet. This was found both in fears of the authorities and in fear of social isolation to the same extent. In the four countries studied, men have less willingness to express their political opinions. Fear is greater among young adults (25-34 years), while younger users and those over 45 feel less social pressure.
  • Autores: Martínez García, Ana Belén
    Revista: BIOGRAPHY: AN INTERDISCIPLINARY QUARTERLY
    ISSN 0162-4962 Vol.43 N° 1 2020 págs. 158- 164
    Resumen
    A notable trend this year in Spanish life writing has been to give voice to those silenced. Following in the footsteps of a long-standing tradition of testimonial life writing worldwide, multiple lifewriting works in Spain have been turning to issues of "voice" and "silence." It is little surprise that some of these stories feature women after the global impact of the #MeToo movement. However, the trends I identified in my contribution to this feature last year (Martínez García) have persisted. Conflict continues to permeate life narratives in Spain, and as will be seen in what follows, both politics and journalism are among the most prevalent fields of study from which life writing comes.
  • Autores: Linares Bernabeu, Esther
    Revista: LANGUAGE DESIGN
    ISSN 1139-4218 Vol.Special Issue 2020 págs. 131 - 151
    Resumen
    El presente artículo tiene por objetivo demostrar el papel del humor en la deconstrucción de la identidad de género por parte de diversas humoristas españolas. Una de las funciones principales del humor es la social, en este sentido, el humor es visto como un instrumento que sirve de revulsivo para romper con determinados representaciones normativas y estereotipos. Tomando como punto de partida, la concepción del género como constructo social (Butler, 1990) y la idea de monólogo como recurso retórico en el que el humorista es la máxima autoridad, analizaremos diferentes ejemplos en los que el lenguaje del discurso humorístico, esto es, los indicadores y marcas lingüísticas y extralingüísticas, es empleado por las cómicas para revelarse ante lo establecido y romper con el statu quo.
  • Autores: Ruiz Gurillo, L.; Linares Bernabeu, Esther (Autor de correspondencia)
    Revista: HUMOR - INTERNATIONAL JOURNAL OF HUMOR RESEARCH
    ISSN 0933-1719 Vol.33 N° 1 2020 págs. 29 - 54
    Resumen
    This paper aims to explore subversive humor in Spanish stand-up comedy by analyzing the work of two well-known Spanish female comedians, Eva Hache and Patricia Sornosa. In order to reach this goal, a corpus of these comedians¿ performances has been collected, comprising a total of 25 monologues, which have been divided into humorous sequences, which come to a total of 76 in the corpus of Eva Hache and 37 for Patricia Sornosa. The qualitative and quantitative analysis has focused on subversive humorous sequences, which has shown that only 22.38% of the sequences from Eva Hache¿s comic monologues are mainly built around subverting the status quo, whereas Patricia Sornosa challenges the heteronormative discourse in most of her sequences (87.93%). Further, in this case study, we have examined the main linguistic techniques they use when challenging the heteronormative standards, namely the topics, targets, discourse strategies and linguistic cues used to generate a subversive effect. Findings show that both comics use subversive humor but in different ways because of contextual constraints. Whilst Patricia Sornosa offers an overt critique, Eva Hache disparages in a subtler manner even when teasing and undermining male power.
  • Autores: García Martínez, Alberto Nahum; Castrillo Maortua, Pablo
    Revista: QUARTERLY REVIEW OF FILM AND VIDEO
    ISSN 1050-9208 Vol.37 N° 8 2020 págs. 782 - 803
    Resumen
    This article analyzes, from an aesthetic and cultural point of view, two pivotal moments in The Americans, a Cold War spy thriller set in the heart of Ronald Reagan's America. Both samples¿one from the mid-series episode "Stingers" (3.10.), and the other from the series finale, "START" (6.10.) "show how the protagonists, two KGB spies living undercover in the United States as a married couple with two kids, disclose their secret identity to characters with whom they have a special emotional bond: their daughter, who has become a devout Christian; and their best friend and neighbor, who happens to be a counterintelligence officer in the FBI. After exploring how identity and performance play a crucial role in the spy-thriller genre, the article investigates whether it is possible for the audience to interpret the feelings and thoughts of characters with multiple identities who excel in the art of duplicity; and whether the viewer can infer intention from performance. Following this epistemological discussion, the article then sets out to explain the sociocultural relevance and timeliness of The Americans as a text whose thematic and aesthetic concerns ultimately revolve around individual identity vis-a-vis collective allegiances and ideologies.
  • Autores: Jørgensen, Annette Myre; Olza Moreno, Inés
    Revista: LANGUAGES IN CONTRAST: INTERNATIONAL JOURNAL FOR CONTRASTIVE LINGUISTICS
    ISSN 1387-6759 Vol.20 N° 1 2020 págs. 58 - 83
  • Autores: Crespo Sesmero, Mariano Juan (Autor de correspondencia)
    Revista: ANUARIO FILOSOFICO
    ISSN 0066-5215 Vol.53 N° 3 2020 págs. 471 - 494
    Resumen
    El propósito de este artículo es arrojar luz sobre el peculiar modo de intencionalidad de la alegría. Para ello me referiré, en primer lugar, a los dos sentidos principales de alegría. En segundo lugar, aludiré al objeto de la alegría y a la cuestión de la corrección o legitimidad de la misma. En tercer lugar, haré referencia a las ¿leyes de la alegría¿. Por último, aludiré a la relación entre alegría y alteridad.
  • Autores: Bastidas Tinizaray, María Cristina (Autor de correspondencia)
    Revista: MEMORIA Y CIVILIZACION. ANUARIO DE HISTORIA
    ISSN 1139-0107 Vol.23 2020
    Resumen
    In this article we will analyze the man events that shaped the political relationship of Span and Latin America between 1979 and 1982, during the second mandate of Adolfo Suarez and Leopoldo Calvo-Sotelo. The man source of information Is the documents contained In the archive of the minister of External Affairs Jose Pedro Perez Lorca. Additionally, documents from an archive of Marcelino which are of public domain; and press articles of El Pais and ABC will be used. These documents shed light on the politics developed during that time, as well as on the type of relationships maintained and Its specific manifestations, the mediation applied In some Latin American conflicts which arose on that historical period along with the means that were developed to bring external affairs politics to a democratic government.
  • Autores: Crespo Sesmero, Mariano Juan
    Revista: DIALOGO FILOSOFICO
    ISSN 0213-1196 Vol.36 N° 107 2020 págs. 180 - 201
    Resumen
    Este artículo ofrece una visión panorámica del debate acerca de las relaciones entre emociones y política. En primer lugar, me refiero a los principales temas de esta discusión. En un segundo momento, intento mostrar cómo este debate es parte de un debate filosófico más amplio, a saber, el de la discusión en torno al valor epistémico de las emociones. En tercer lugar, ofrezco una serie de consideraciones acerca de lo que he denominado "cultivo político de las emociones". Por último, aludo a tres claves relevantes en la discusión en torno a las relaciones entre emociones y política.
  • Autores: Pagan Canovas, Cristobal (Autor de correspondencia); Valenzuela, Javier; Alcaraz Carrión, Daniel; et al.
    Revista: PLOS ONE
    ISSN 1932-6203 Vol.15 N° 6 2020
    Resumen
    The development of large-scale corpora has led to a quantum leap in our understanding of speech in recent years. By contrast, the analysis of massive datasets has so far had a limited impact on the study of gesture and other visual communicative behaviors. We utilized the UCLA-Red Hen Lab multi-billion-word repository of video recordings, all of them showing communicative behavior that was not elicited in a lab, to quantify speech-gesture co-occurrence frequency for a subset of linguistic expressions in American English. First, we objectively establish a systematic relationship in the high degree of co-occurrence between gesture and speech in our subset of expressions, which consists of temporal phrases. Second, we show that there is a systematic alignment between the informativity of co-speech gestures and that of the verbal expressions with which they co-occur. By exposing deep, systematic relations between the modalities of gesture and speech, our results pave the way for the data-driven integration of multimodal behavior into our understanding of human communication.
  • Autores: León Sanz, Pilar
    Revista: L'IDOMENEO
    ISSN 2038-0313 Vol.43 2020 págs. 351 - 373
    Resumen
    Pagine d'oro e d'argento. Studi in ricordo di Sergio Torsello, a cura di Manuel De Carli e Paolo Vincenti, Quaderni de L'Idomeneo, Kurumuny, Calimera (Lecce), 2020.
  • Autores: Serrano Puche, Javier
    Revista: REVISTA DE COMUNICACION
    ISSN 1684-0933 Vol.18 N° 1 2019 págs. 300 - 302
  • Autores: Rivadulla Durán, Almudena (Autor de correspondencia)
    Revista: ANUARIO FILOSOFICO
    ISSN 0066-5215 Vol.52 N° 2 2019 págs. 437 - 440
  • Autores: Linares Bernabeu, Esther (Autor de correspondencia)
    Revista: Studia Lingüística Románica
    ISSN 2663-9815 Vol.1 2019 págs. 69 - 72
  • Autores: Choperena Armendáriz, Ana (Autor de correspondencia); Oroviogoicoechea Ortega, Cristina; Zaragoza Salcedo, Amparo; et al.
    Revista: JOURNAL OF ADVANCED NURSING
    ISSN 0309-2402 Vol.75 N° 8 2019 págs. 1637 - 1647
    Resumen
    Aim To explore the literature regarding how nursing narratives have been used to enhance reflective practice. Design Theoretical review. Data sources A literature search from 1990 - 2017 was conducted in PubMed, CINHAL and PsycINFO databases. Review methods After applying the selection criteria, 13 studies were identified. The quality of articles was evaluated. Results Three themes were identified as the main components of an ongoing narrative process based on looking back to past clinical experiences, creating spaces for dialogue and bringing the worlds of theory and practice closer together. Conclusions This review provides a forum for exploring the use of narratives to enhance reflective practice, which may lead to the acquisition of professional competences.
  • Autores: Linares Bernabeu, Esther (Autor de correspondencia)
    Revista: PRAGMALINGÜÍSTICA
    ISSN 1133-682X Vol.27 2019 págs. 112 - 132
    Resumen
    This article aims to explore some of the interesting ways in which female stand-up comedians use humor discourse to deconstruct their imposed gender roles and, hence, reconstruct their identity as a sort of resilient process. In this sense, our purpose is to verify the hypothesis that planned humor discourse is the means comediennes use to perform unconventional gender identities and subvert the normative standards. We provide an in-depth discourse and conversational analysis of a corpus which comprised 15 monologues by seven famous north-American and British stand-ups. This study focuses on the instances in which comedians noticeably make gender to be a relevant feature in their planned discourse. Findings prove humor discourse to be a sociopragmatic device not for breaking with sex roles stereotypes, but also for reinforcing and perpetuating some gender clichés.
  • Autores: García Martínez, Alberto Nahum
    Revista: CONTINUUM-JOURNAL OF MEDIA AND CULTURAL STUDIES
    ISSN 1030-4312 Vol.33 N° 5 2019 págs. 554 - 564
  • Autores: Zamora, R.; Rebolledo de la Calle, Marta
    Revista: ESTUDIOS SOBRE EL MENSAJE PERIODISTICO
    ISSN 1134-1629 Vol.25 N° 3 2019 págs. 1649 - 1662
    Resumen
    Este artículo analiza empíricamente la construcción comunicativa del discurso de los candidatos a la presidencia de España participantes en los debates electorales de 2015 y 2016 a partir del uso de la personalización como estrategia política. Desde un enfoque evolutivo, el estudio revela que la personalización del discurso se está generalizando en los debates electorales de España, especialmente entre los candidatos de partidos nuevos frente a los de partidos tradicionales. Sin embargo, a partir del nivel de análisis observado, se aprecia cómo la personalización, a pesar de suponer una mayor visibilidad del líder político respecto a su partido así como el uso de los rasgos más personales de su personalidad, no alcanza aspectos de la vida privada de los candidatos.
  • Autores: Crespo Sesmero, Mariano Juan
    Revista: IDEAS Y VALORES
    ISSN 0120-0062 Vol.68 N° 170 2019 págs. 75 - 97
    Resumen
    R. Otto (1869-1937) es conocido por su trabajo en filosofía de la religión. El artículo presenta sus principales contribuciones, centrando la atención en los Aufsätze zur Ethik y en su conexión con Lo santo. Contra la idea de que Otto no puede desarrollar una ética sin renunciar a posiciones fundamentales de Lo santo, se sostiene una consonancia con sus escritos éticos, según la tesis de que no todo lo que sabemos es una forma de saber (wissen), en el sentido de representación intelectual
  • Autores: León Sanz, Pilar
    Revista: PROCESSES
    ISSN 2227-9717 Vol.7 N° 8 2019 págs. 493
  • Autores: Martínez García, Ana Belén (Autor de correspondencia)
    Revista: BIOGRAPHY: AN INTERDISCIPLINARY QUARTERLY
    ISSN 0162-4962 Vol.42 N° 1 2019 págs. 147 - 153
  • Autores: Crespo Sesmero, Mariano Juan
    Revista: QUIÉN
    ISSN 2443-972X N° 10 2019 págs. 137 - 152
    Resumen
    Las emociones morales muestran o revelan de algún modo la identidad personal de su sujeto. La alegría ante el mal ajeno, el arrepentimiento sincero por haber infligido un mal objetivo a otra persona, la esperanza ante una situación difícil, la humildad al afrontar el propio fracaso, etc., dicen mucho acerca de la persona que es sujeto de estas vivencias. ¿Cómo estas vivencias afectivas que llamamos ¿emociones morales¿ nos dicen o ¿dan¿ la identidad personal? En este orden de cosas, quisiera presentar las líneas centrales del tratamiento de esta cuestión por parte del filósofo norteamericano Anthony Steinbock. La perspectiva que este autor adopta es la fenomenológica. Con ello quiero decir que no se trata tanto de la cuestión de la construcción de la identidad personal por parte del sujeto y del ¿sedimento¿ que las emociones morales dejan en él, sino en el cómo se da esta identidad personal en las emociones morales. Al final de mi contribución ofreceré alguna consideración crítica de los análisis de Steinbock y sugeriré nuevas líneas de investigación.
  • Autores: Crespo Sesmero, Mariano Juan
    Revista: SCIO
    ISSN 1887-9853 N° 16 2019 págs. 21 - 40
    Resumen
    La reconstrucción sistemática y el análisis crítico de la teoría husserliana acerca de la felicidad y de su búsqueda no es tarea fácil. Ello se debe tanto a dificultades terminológicas como a la dispersión en las distintas obras del fundador del método fenomenológico. Este trabajo pretende presentar los elementos fundamentales de una teoría tal en el contexto de la teleología de la vida moral. La felicidad entendida como vida dichosa en su totalidad (seliges Gesamtleben) en la cual todas las intenciones ¿tanto las teóricas como las éticas¿ son cumplidas, satisfechas, constituye un ideal, inalcanzable de hecho, que guía la vida moral. Sin embargo, según Husserl, es posible acercarse, aunque sea asintóticamente, a dicha felicidad, una felicidad que también tiene una dimensión intersubjetiva que reside en el cumplimiento de los fines de una comunidad ética
  • Autores: Gómez de Soria, I.; León Sanz, Pilar
    Revista: JOURNAL OF MEDICAL SAFETY
    ISSN 1349-5232 Vol.Junio 2019 págs. 56 - 59
  • Autores: González González, Ana Marta
    Revista: QUIÉN
    ISSN 2443-972X Vol.10 N° 2 2019 págs. 113 - 136
    Resumen
    En este trabajo se persigue aclarar qué clase de realidad tienen los vínculos, cómo se originan y por qué tienen efectos de orden moral. Sin dejar de advertir el carácter metafórico de la palabra ¿vínculo¿, adoptamos una perspectiva analítica, que toma pie de la experiencia social y moral recogida en esa palabra; profundizamos conceptualmente en su significado sirviéndonos de la caracterización que Aristóteles, Hume, Kant y Hegel han hecho de los vínculos amistosos, sociales o políticos. Advertimos así que, aunque los vínculos apuntan genéricamente a la dimensión relacional del ser humano, lo hacen proporcionando un marco estructural al ejercicio de esa relacionalidad, en el que se inscriben formas comunitarias específicas. Por otro lado, sin dejar de destacar la dimensión moral de los vínculos humanos, llamamos la atención sobre las condiciones ontológicas y psicológicas que hacen posible dicha dimensión moral, y que apuntan en la dirección de lo que podríamos llamar una ¿vinculatividad primordial¿: una predisposición ontológica, de parte del sujeto humano, a dejarse vincular por la realidad tal y como comparece ante la conciencia.
  • Autores: Linares Bernabeu, Esther (Autor de correspondencia)
    Revista: PRAGMÁTICA SOCIOCULTURAL / SOCIOCULTURAL PRAGMATICS
    ISSN 2194-8313 Vol.7 N° 2 2019 págs. 183 - 204
    Resumen
    El presente trabajo tiene por objeto el análisis de partículas intensificadoras en el discurso humorístico planificado. Partimos de la hipótesis de que el uso de expresiones que intensifican la verdad de lo dicho, como en serio, de verdad o lo juro, es una de las estrategias argumentativas que emplean las cómicas españolas para que su discurso resulte más verosímil. En aras de verificar dicha conjetura, esta investigación recoge un corpus de 15 monólogos humorísticos en español, representados por cómicas de la actualidad, en diversas salas y teatros del territorio español durante los años 2017 y 2018. La transcripción y segmentación de dichas muestras nos ha permitido extraer la frecuencia de uso de los distintos procedimientos de intensificación empleados en este tipo de discurso, así como analizar qué funciones cumple la intensificación como estrategia argumentativa y pragmática. Los resultados obtenidos certifican que las humoristas españolas analizadas recurren a la intensificación durante sus actuaciones para fomentar el efecto humorístico, hacer que su discurso sea más creíble y, por tanto, lograr la adhesión del público.
  • Autores: Martínez García, Ana Belén
    Revista: JOURNAL OF ENGLISH STUDIES
    ISSN 1576-6357 Vol.17 2019 págs. 253 - 275
    Resumen
    This essay demonstrates the effectiveness of human rights life narratives in garnering global support through their appeal to empathy. I focus on Nobel Peace Prize winner Malala Yousafzai's autobiographical texts and their impact on lives outside the written pages, which is first and foremost of an empathic nature. The essay pays special attention to her childhood blog and her teenage autobiography, looking at the narrative strategies employed in both. Autobiographical texts are never neutral, enabling people to see themselves under a new light, spurring them to act. The delicate balance between witnessing and involvement hangs on the creation of an emotional bond.
  • Autores: Rivadulla Durán, Almudena (Autor de correspondencia)
    Revista: CON-TEXTOS KANTIANOS
    ISSN 2386-7655 N° 9 2019 págs. 123 - 136
    Resumen
    The thesis that I intend to address in this article can be summarized with the idea that positive bonds(1) engender not only dependence, but also freedom and autonomy. Accordingly, it is worth asking what positive human bonds are based on. Or, to phrase the question another way, how can dependence and autonomy be blended when we talk about relationships in terms of bonds, that is, relationships with a special quality of union? I will try to answer these questions through a selection of texts that pay special attention to these issues from Kant's Metaphysics of Morals, Religion within the Boundaries of Mere Reason, and his Lectures on Ethics(2). I will thus briefly address the Kantian concept of freedom and introduce the idea of bonds that, as we will see below, is not as alien to Kantian ethics as it may at first seem.
  • Autores: García Martínez, Alberto Nahum (Autor de correspondencia); Castrillo Maortua, Pablo; Echart Orús, Pablo
    Revista: REVISTA LATINA DE COMUNICACION SOCIAL
    ISSN 1138-5820 N° 74 2019 págs. 383 - 402
  • Autores: Linares Bernabeu, Esther
    Revista: E-SCRIPTA ROMÁNICA
    ISSN 2392-0718 Vol.7 2019 págs. 79 - 96
    Resumen
    En la presente investigación, analizamos el papel del tabú como un elemento clave en el discurso humorístico subversivo para la transgresión de lo establecido (Mintz, 1985). En este sentido, partimos de la hipótesis general de que las cómicas analizadas conceptualizan tabúes relacionados con su identidad de género, por medio de eufemismos, disfemismos y ortofemismos, para romper con ciertos roles asociados a la mujer. Además, como segunda hipótesis de partida, creemos que el porcentaje de temas tabú está estrechamente relacionado con el estilo humorístico individual de cada cómica y que, por tanto, nos encontraremos con cifras muy dispares. Así pues, el presente trabajo examina la expresión del tabú por medio de la comunicación ortofemística, disfemística y eufemística en un corpus de análisis que recoge 15 monólogos segmentados en 504 secuencias humorísticas y que han sido representados por 15 monologuistas españolas. Los resultados de este estudio confirman que la comedia en vivo aporta el espacio público y social ideal para transgredir tabúes y, en el caso de la comedia femenina subversiva, sirve también para romper con algunos estigmas relacionados con la identidad de género.
  • Autores: García Martínez, Alberto Nahum
    Revista: CUADERNOS.INFO
    ISSN 0719-3661 Vol.44 2019 págs. 209 - 224
    Resumen
    El artículo explora cómo la serie de televisión Hannibal (NBC, 2013-2015) provoca una honda delectación estética, a pesar de presentar numerosos contenidos repulsivos o incómodos. Se analiza cómo la naturaleza serial de la narración televisiva habilita una manera particular de negociar la paradoja de la aversión mediante tres estrategias textuales: un dilatado character engagement, un suspense que exprime las posibilidades estéticas de la prolongación temporal y una bella puesta en escena de motivos visuales y acciones horripilantes. Son estrategias que generan una robusta fascinación en el espectador, lo que permite subvertir las características de lo repugnante.
  • Autores: Rivadulla Durán, Almudena (Autor de correspondencia)
    Revista: ISEGORIA
    ISSN 1130-2097 N° 61 2019 págs. 463 - 481
    Resumen
    The kantian concept of friendship has been recently but yet scarcely studied. However, it has its place as the conclusion of the Doctrine of virtue, which gives it some prominence. This article argues that the kantian approach to friendship, as it emerges from the analysis of the texts of the Metaphysics of Morals and the Lectures on Ethics, involves elements that connect with our contemporary sensibility and, far from being a marginal concept in his ethical philosophy, represents one of its crucial moments.
  • Autores: Novoa Jaso, María Fernanda; Sánchez Aranda, José Javier; Serrano Puche, Javier
    Revista: ICONO 14
    ISSN 1697-8293 Vol.17 N° 2 2019 págs. 32 - 58
    Resumen
    Desde los inicios del cine mudo, la figura del periodista ha destacado en diversos largometrajes. De forma paralela a la evolución de la industria audiovisual, este personaje se ha adaptado progresivamente a la variedad de géneros que, en la pequeña y en la gran pantalla, retratan su función social. En este sentido, los productos audiovisuales ofrecen la posibilidad de aproximar al espectador como un testigo privilegiado a los escenarios propios de la labor del periodista. Sin embargo, existe una divergencia entre la representación del periodismo en la ficción y la investigación sobre roles profesionales desarrollada en el ámbito científico de la comunicación. Este trabajo tiene como objetivo poner en diálogo las distintas tipologías del personaje periodístico representadas en la ficción audiovisual con la bibliografía académica sobre los roles profesionales. Mediante un análisis comparativo, se definen cuáles son las actitudes profesionales que predominan en cine y televisión. La investigación identifica las ocupaciones laborales más recurrentes en la ficción y el rol profesional que predomina en la representación del periodista.
  • Autores: Serrano Puche, Javier
    Revista: REVISTA LATINA DE COMUNICACION SOCIAL
    ISSN 1138-5820 N° 73 2018
  • Autores: Serrano Puche, Javier
    Revista: ESTUDIOS SOBRE EL MENSAJE PERIODISTICO
    ISSN 1134-1629 Vol.24 N° 2 2018 págs. 1879-1881
  • Autores: Rosas, O. V. (Autor de correspondencia); Serrano Puche, Javier
    Revista: INTERNATIONAL JOURNAL OF COMMUNICATION
    ISSN 1932-8036 Vol.12 2018 págs. 2031 - 2039
    Resumen
    This introduction provides the conceptual and theoretical context that informs a multidisciplinary approach to the relationships between news media and emotions and their influence on the dynamics of the public sphere. It also highlights the importance of the emotional dimension of the public sphere to understand why rationalistic perspectives on both the media and the public sphere do not suffice to capture the complexities of social and political life in contemporary democracies. This Special Section of the International Journal of Communication presents theoretical frameworks, methodological approaches, and empirical research that contribute to our understanding of the relationships and mutual implications of news media, emotions, and the public sphere.
  • Autores: Rebolledo de la Calle, Marta (Autor de correspondencia); Luengo, O. G.; Bebic, D.
    Revista: COMUNICACION Y SOCIEDAD (UNIVERSIDAD DE NAVARRA)
    ISSN 0214-0039 Vol.31 N° 3 2018 págs. 1 - 5
  • Autores: Baena, Rosalía (Traductor)
    Revista: CUADERNOS DE BIOETICA
    ISSN 1132-1989 Vol.29 N° 1 2018 págs. 83 - 92
  • Autores: González González, Ana Marta (Autor de correspondencia)
    Revista: CONVIVIUM
    ISSN 0010-8235 N° 31 2018 págs. 176 - 200
    Resumen
    In Sources of Normativity (1996), Christine Korsgaard introduced the notion of "practical identity" as part of her peculiar reconstruction of the Kantian foundation of morality; she defined "practical identity" as "the description under which you value yourself and find your life to be worth living and your actions to be worth undertaking" (SN 102). Later, in Self-Constitution (2009) she made this notion a cornerstone of an argument designed to show the relevance of morality to the constitution of human subjectivity. The aim of this article is to explain the way in which "practical identity" serves to the twofold purpose of making the Kantian argument about moral obligation plausible; as well as showing its articulation with different aspects of personal identity.
  • Autores: Steen, Francis F.; Hougaard, Anders; Joo, Jungseock; et al.
    Revista: LINGUISTICS VANGUARD
    ISSN 2199-174X Vol.4 N° 1 2018
    Resumen
    Research into the multimodal dimensions of human communication faces a set of distinctive methodological challenges. Collecting the datasets is resource-intensive, analysis often lacks peer validation, and the absence of shared datasets makes it difficult to develop standards. External validity is hampered by small datasets, yet large datasets are intractable. Red Hen Lab spearheads an international infrastructure for data-driven multimodal communication research, facilitating an integrated cross-disciplinary workflow. Linguists, communication scholars, statisticians, and computer scientists work together to develop research questions, annotate training sets, and develop pattern discovery and machine learning tools that handle vast collections of multimodal data, beyond the dreams of previous researchers. This infrastructure makes it possible for researchers at multiple sites to work in real-time in transdisciplinary teams. We review the vision, progress, and prospects of this research consortium.
  • Autores: Sánchez-Tabernero Sánchez, Alfonso (Autor de correspondencia); Torralba López, José María
    Revista: INTERNATIONAL STUDIES IN CATHOLIC EDUCATION
    ISSN 1942-2539 Vol.10 N° 1 2018 págs. 15 - 29
    Resumen
    This article describes the way in which the Catholic faith shapes education at the University of Navarra. The two aspects of the institution's identity, i.e. the Catholic dimension and the university dimension, are not juxtaposed and one is not favoured over the other. Rather, they work together and mutually reinforce each other. The article will present the basic principles of the University's Statement of Core Values, i.e. service, truth, freedom and faithfulness to the Church, and some of the initiatives that are undertaken to put them into practice. What is special about these initiatives is that they aim to promote a reflective institutional culture, since this appears to be the best way to ensure that theoretical identity is consistent with real identity.
  • Autores: Castano-Garcia, A. (Autor de correspondencia); Guillén Grima, Francisco; León Sanz, Pilar
    Revista: GACETA MEDICA DE MEXICO
    ISSN 0016-3813 Vol.154 N° 1 2018 págs. 92 - 104
    Resumen
    Objective: To evaluate some methodological and ethical quality variables of clinical trials (CTs) published in 10 family medicine journals. Methods: Quality descriptive study of 10 family medicine journals including CTs in humans published since 2010 to 2013. We obtained 141 CT and 2447 were excluded. Results: CTs parallels controlled in 92.9% (95% confidence interval [95% CI]: 92.0-93.9). Masked randomization in 72.3% (95% CI: 71.7-73.1), decentralized in 51.8% (95% CI: 51.4-52.4) and using as control an active treatment in 82.2% (95% CI: 81.5-83.1). Wrote informed consent in 48.9% (95% CI; 48.5-49.5) and it was not withdrawn in 56.0% of cases (95% CI: 55.5-56.7). Approval by clinical research ethics committee (CREC) in 134, and there was no conflict of interest in 117 CTs. Average K was 0.96 (95% CI: 0.93-0.99). Conclusions: We observe an increase in some quality variables like masked randomization (19.6%) and approval by CREC (75%) post CONSORT, in CTs published in 10 family medicine journals (2010-2013).
  • Autores: Martín Algarra, Manuel; Serrano Puche, Javier; Rebolledo de la Calle, Marta
    Revista: ADCOMUNICA
    ISSN 2174-0992 N° 15 2018 págs. 65 - 87
  • Autores: González González, Ana Marta
    Revista: SCRIPTA THEOLOGICA
    ISSN 0036-9764 Vol.50 N° 3 2018 págs. 533 - 559
    Resumen
    Frente a la interpretación principalmente alegórica de la parábola del Buen Samaritano, predominante en comentaristas antiguos, las aproximaciones modernas prefieren una lectura directamente ética. En este trabajo se presenta la parábola abriendo perspectivas novedosas sobre la relación entre ética y religión, como pórtico para cuestiones filosóficas de gran envergadura, que cobran protagonismo en la edad contemporánea. En este marco, atendemos a dos lecturas ¿de san Juan Pablo II y del Beato Álvaro del Portillo¿ cuyo enfoque cristocéntrico permite integrar el punto de vista ético y el religioso de forma original, en diálogo con inquietudes y retos contemporáneos.
  • Autores: Flamarique Zaratiegui, Lourdes (Autor de correspondencia)
    Revista: ANUARIO DE HISTORIA DE LA IGLESIA
    ISSN 1133-0104 Vol.27 2018 págs. 121 - 141
    Resumen
    This paper examines some factors underlying the current predominance of emotional culture and outlines the resulting social scenario. Some contradictions and challenges are noted that result from the centrality of the emotional paradigm.
  • Autores: Crespo Sesmero, Mariano Juan
    Revista: STEINIANA
    ISSN 0719-8728 Vol.2 N° 2 2018 págs. 9 - 31
    Resumen
    Es de todos conocida la existencia de una cierta tradición en la historia de la filosofía occidental según la cual la esfera de los sentimientos, es excluida del ámbito de estudio de la investigación filosófica. Las esferas dignas del análisis filosófico serían la del entendimiento y la de la voluntad. Por su parte, Edith Stein pertenece a una generación de pensadores que intentan recuperar al mundo de los sentimientos del descrédito en el que había caído señalando incluso la relevancia axiológica que estos presentan la voluntad. En este orden de cosas, el sentimiento de valor aparece en esta autora como la vivencia específica en la que este tipo de cualidades se manifiestan al ser humano. Este trabajo está articulado en dos partes desiguales. La primera ¿ y más extensa ¿está destinada a encuadrar los sentimientos de valor dentro de los tres tipos de vivencias emotivas que distingue Edith Stein y a esclarecer sus principales características. En la segunda parte se alude a la constitución de las personas en las vivencias del sentimiento fijándose especialmente en las percepciones sentimentales de valor.
  • Autores: Crespo Sesmero, Mariano Juan
    Revista: ACTA MEXICANA DE FENOMENOLOGÍA. REVISTA DE INVESTIGACIÓN FILOSÓFICA Y CIENTÍFICA
    ISSN 2448-8941 N° 3 2018 págs. 127 - 139
    Resumen
    Los temas que se abordan en este diálogo son algunos de los que Anthony J. Steinbock se ha ocupado en los últimos años dentro de su proyecto general de una fenomenología generativa. Mención especial merecen cuestiones centrales en torno a su libro Moral Emotions. Reclaiming the Evidence of Heart, algunas de las cuales habían sido anunciadas en trabajos previos: la llamada ¿evidencia vertical¿, la revelación como modo de darse propio de las personas, el carácter interpersonal de las emociones morales, la relación entre éstas y el imaginario social, etc. Asimismo se abordan algunas preguntas sobre la relación entre perdón y arrepentimiento.
  • Autores: Linares Bernabeu, Esther (Autor de correspondencia)
    Revista: NUEVA REVISTA DEL PACÍFICO
    ISSN 0716-6346 Vol.69 2018 págs. 90 - 115
    Resumen
    El presente trabajo de investigación nace de la voluntad de examinar las posibilidades de uso de géneros humorísticos como la parodia en el aula de español segunda lengua. Considerando el humor verbal como un instrumento de mejora en el desarrollo de la competencia lingüística y sociocultural de los estudiantes de español como L2/LE, se llevará a cabo un análisis cuantitativo y cualitativo de los datos obtenidos con 71 estudiantes extranjeros que residen en España, a fin de comprobar la viabilidad de uso de este tipo de texto humorístico. Además, examinaremos qué factores influyen en el reconocimiento, comprensión y apreciación del discurso humorístico, poniendo nuestro foco de atención en variables como el grado de inmersión lingüística, el tiempo de estancia en España, el nivel de lengua, y el género y la edad del alumno.
  • Autores: Canet, F. (Autor de correspondencia); García Martínez, Alberto Nahum
    Revista: PALABRA CLAVE
    ISSN 0122-8285 Vol.21 N° 2 2018 págs. 364 - 386
    Resumen
    The popularization of the antihero is linked to the dramatic and narrative need of seriality: the constant dichotomy between the family and professional spheres, between noble and petty actions, between duty and want, moves the story forward, generates suspense and renews conflicts, prolonging the story for dozens of hours. Vic Mackey (The Shield), Dexter Morgan (Dexter) or Nucky Thompson (Boardwalk Empire) could serve as an antihero example. However, the two most radical and complex cases are undoubtedly the protagonists of The Sopranos (Tony Soprano) and Breaking Bad (Walter White). The emotional affinity with the antihero has recently become the object of study. This paper proposes a new angle of study: the antihero's relationship with the rest of the characters in the series. For that purpose, we will select the characters - main or secondary - that the writers use as narrative strategy to guide the emotional and moral responses of the spectator the emotional and moral responses of the viewer in their particular relationship with the anti-hero. We will mainly focus on the reactions of these characters to the amoral behaviors of the antiheroes. We propose a methodology of textual analysis that, based on cognitivist theorists, will serve as a mechanism to better understand the construction of the anti-hero and to investigate the effects of authorial decisions on viewers.
  • Autores: Rosas, Omar; Serrano Puche, Javier
    Revista: INTERNATIONAL JOURNAL OF COMMUNICATION
    ISSN 1932-8036 Vol.12 2018 págs. 2031 - 2039
    Resumen
    This introduction provides the conceptual and theoretical context that informs a multidisciplinary approach to the relationships between news media and emotions and their influence on the dynamics of the public sphere. It also highlights the importance of the emotional dimension of the public sphere to understand why rationalistic perspectives on both the media and the public sphere do not suffice to capture the complexities of social and political life in contemporary democracies. This Special Section of the International Journal of Communication presents theoretical frameworks, methodological approaches, and empirical research that contribute to our understanding of the relationships and mutual implications of news media, emotions, and the public sphere
  • Autores: González González, Ana Marta (Autor de correspondencia)
    Revista: JOURNAL OF SOCIAL PHILOSOPHY
    ISSN 0047-2786 Vol.49 N° 4 2018 págs. 610 - 625
  • Autores: Canet Centelles, Fernando; García Martínez, Alberto Nahum
    Revista: PALABRA CLAVE (ONLINE)
    ISSN 1853-9912 Vol.21 N° 2 2018 págs. 364 - 386
    Resumen
    La popularización del antihéroe va anudada a la necesidad dramática y narrativa de la serialidad: la constante dicotomía entre esfera familiar y profesional, entre acciones nobles y mezquinas, entre deber y querer permite hacer avanzar la trama, generar suspenso y renovar los conflictos, dilatando el relato durante decenas de horas. Vic Mackey ( e Shield), Dexter Mor- gan (Dexter) o Nucky ompson (Boardwalk Empire) podrían servir de ejemplo antiheroico. Pero, sin duda, los dos casos más radicales y complejos son los protagonistas de Los Soprano (Tony Soprano) y Breaking Bad (Walter White). La identificación emocional con el antihéroe ha empezado a estudiarse recientemente. Este artículo propone un nuevo ángulo de estudio: la relación del antihéroe con el resto de personajes de la serie. Para ello, seleccionaremos los caracteres ¿principales o secundarios¿ que los guionistas emplean como estrategia narrativa para guiar las respuestas emocionales y morales del espectador en su particular relación con el anti- héroe. Principalmente, nos centraremos en las reacciones que estos personajes exhiben hacia las conductas amorales de los antihéroes. Proponemos una metodología de análisis textual que, partiendo de teóricos cognitivistas, nos servirá como mecanismo para entender mejor la construcción del antihéroe e indagar sobre los efectos que las decisiones autorales provocan en los espectadores.
  • Autores: Bravo, M. C. M. (Autor de correspondencia); Sádaba Chalezquer, Charo; Serrano Puche, Javier
    Revista: PRISMA SOCIAL
    ISSN 1989-3469 N° 20 2018 págs. 129 - 159
    Resumen
    Digital literacy involves a safe and critical use of ICTs for employment, learning, personal development and participation in society. Online communities as ecosystems based on the exchange of experiences, information, knowledge and collaborative learning through their interactions, have the potential to empower its members making Internet a tool for personal and social progress. This research analyzes the development of digital skills in the virtual community ScolarTIC through a network analysis and a survey among its users. The study reveals that on a dynamic and decentralized structure of knowledge sharing can help to develop various areas of digital competence. In the case of ScolarTIC, the areas of digital competence most developed among users are security and information (how to navigate, search, evaluate, store and retrieve information, both in smartphones and tablets and other devices).
  • Autores: Crespo Sesmero, Mariano Juan
    Revista: THE NEW YEARBOOK FOR PHENOMENOLOGY AND PHENOMENOLOGICAL PHILOSOPHY
    ISSN 2157-0752 Vol.16 2018 págs. 109 - 120
    Resumen
    The majority of Pfänder scholars (including Husserl himself) have focused their commentary more on Motives and Motivation than on the Phenomenology of Willing. In the former work, there is a clear delimitation of the sphere of voluntary acts as opposed to other acts of striving, such as desiring. The question that I ask in this chapter is both more general and more specific and is one which scholars have not paid sufficient attention to: whether that which makes a striving into a striving is an element that has the nature of a feeling. If it is such an element, one might get the idea that strivings are nothing more than an aggregate of a representative livedexperience and a feeling. Emulating Husserlian terminology, we might say that the ¿character of striving¿ of a lived-experience of striving would then have the nature of a feeling. If, however, that is not how things are, then lived-experiences of striving would be a specific type of lived-experience, different from experiences of representation and feeling. The reconstruction of these two positions, defended by Pfänder in the Phenomenology of Willing and Introduction to Psychology, respectively, casts light on a difficult question, i.e., that of the relationship between affective intentionality and the intentionality of the will. Keywords: feeling, will, striving, phenomenology, ethics Alexander Pfänder¿s Phenomenology of Willing (1900) and Motives and Motivation (1911)2 offer a detailed phenomenological analysis of the lived-experience of striving and, in particular, of one such experience: willing. This is a true phenomenological analysis, in the sense that Adolf Reinach describes it at the beginning of Die Überlegung. It is not a question of employing the usual concepts, but rather to ¿enter into the phenomenon itself in order to faithfully reproduce what we can find alive in it¿ (Reinach 1989, pp. 279-80). Anyone who has approached this and other works by Pfänder will agree with Moritz Geiger¿s opinion about the latter¿s style of philosophizing: his principal interest is to give a voice to what is given insofar as it is given (Geiger 1930, p. 3). The methodological principle of Selbstgegebenheit (Geiger 1930, p. 5) seeks, on the one hand, to offer a complete and non-reductive explanation of the phenomenon itself and, on the other, to show how to pass from the contemplation of the given to its scientifi c-conceptual description. 3 This brings with it a rejection of any and all attempts to explain what is given as truly being something else. Hence, Pfänder criticizes all attempts to dissolve the phenomenon of striving into other, different facts. The goal, in the end, is to identify the essential moments of the phenomenon. 4 It is from this methodological point of view that Pfänder deals with the question of the principal types of psychic experiences. In this domain, Pfänder (1904) distinguishes between three types of lived-experiences [ Erlebnisse ]: the representative (which he calls, in general, ¿consciousness of objects¿ ( Gegenstandsbewusstsein ), feelings ( Gefühle ) and experiences of striving ( Streben ). The principal issue here is whether (1) striving experiences are really constituted by the sum of a representational experience ( Gegenstandsbewusstsein ) and a feeling ( Gefühl ) or whether (2) lived-experiences of striving constitute a distinct type of experiences, different from both the consciousness of objects (representational experiences) and from the Gefühle .
  • Autores: Linares Bernabeu, Esther (Autor de correspondencia)
    Revista: NORMAS
    ISSN 2174-7245 Vol.8 N° 1 2018 págs. 215 - 228
    Resumen
    La presente investigación analiza la función de la atenuación en el monólogo humorístico representado por las cómicas españolas de la actualidad. Partimos de la hipótesis de que la atenuación es una de las estrategias discursivas empleadas por las cómicas que emplean un humor subversivo, ya que el uso de la atenuación en un contexto humorístico permite que el hablante pueda tratar, con mayor facilidad, temas o asuntos que en principio podrían resultar controvertidos o problemáticos. Con el objetivo de verificar tal conjetura, este estudio recoge un corpus de 15 monólogos humorísticos representados en salas y teatros españoles durante los años 2017 y 2018. La transcripción y segmentación de dichas muestras nos ha permitido extraer la frecuencia de uso de las distintas tácticas y procedimientos lingüísticos de atenuación empleados en el discurso humorístico subversivo, así como examinar las funciones que cumple la atenuación como estrategia pragmática. Los resultados obtenidos certifican que las humoristas españolas analizadas recurren a la atenuación y, por tanto, se distancian lingüísticamente del mensaje, para poder acercarse ¿o no alejarse demasiado¿ de su público.
  • Autores: Novoa Jaso, María Fernanda; Serrano Puche, Javier
    Revista: SPHERA PÚBLICA
    ISSN 1576-4192 Vol.18 N° 2 2018 págs. 43 - 67
    Resumen
    Este artículo proporciona un análisis temático de la primera temporada de la serie de ficción surcoreana Argon (Netflix, 2017), que está centrada en el trabajo desarrollado por un programa informativo de una cadena de televisión. El objetivo principal de esta investigación es describir la imagen que se traslada a la audiencia del periodista televisivo en su afán por desvelar la verdad y ser honesto. La investigación concluye que la serie traslada un mensaje realista de la profesión, resaltando los principales problemas a los que se enfrenta el periodista actual y aportando una propuesta ética en el modo de hacer periodismo de investigación.
  • Autores: García Martínez, Alberto Nahum
    Libro: Ecos y variaciones de la ficción televisiva
    ISSN 978-9972-45-586-5 2022 págs. 107 - 121
    Resumen
    Este artículo analiza la cómo la serie británica Catastrophe (Channel 4, 2015-19) actualiza los códigos de la comedia romántica tradicional. Para ello, y acudiendo a escenas concretas que se estudian en detalle, se examinan las estrategias de comicidad que la serie despliega: la contradicción entre intimidad sexual y distanciamiento emocional, la novedosa centralidad de lo obsceno como palanca humorística, el equilibrio narrativo entre tragedia y carcajada, el espejo invertido de los secundarios y el papel de la melodía como intensificador metafórico y humorístico. El artículo concluye explorando cómo la visión humanista y esperanzadora que Catastrophe propone, más allá de su corteza cómica, una suerte de oda al matrimonio.
  • Autores: García Martínez, Alberto Nahum
    Libro: Substance/style: moments in television
    ISSN 978-1-5261-4878-0 2022 págs. 64 - 85
    Resumen
    Les Revenants (Canal+ France, 2012-15) is one of the most relevant French TV-Series from the last decade, given its high-concept story and its international success. This chapter aims to explore the nature of Les Revenants' significance, focusing on the connection between style and substance, and how they shape and nuance each other in fascinating and thought-provoking ways. To tackle this association, this chapter first outlines an overview of how to understand 'style' and 'substance', the binomial concept around which this volume revolves. Then, it scrutinises the aesthetic strategies at the beginning of the pilot episode, both in its cold open and its opening credits. Through close reading of these two sequences, the analysis details how the interrelation between a noteworthy style and an elusive substance can create a weird, uncanny mood, one of the show's main aesthetic achievements. Finally, this chapter concludes exploring how the narrative offers a double reflection on substance: on a thematic level by exploring spiritual issues, and on a metatextual level by renovating the essence of the zombie sub-genre.
  • Autores: Martínez García, Ana Belén
    Libro: Representing 21st-century migration in Europe: Performing borders, identities and texts
    ISSN 978-1-80073-380-0 2022 págs. 224-232
    Resumen
    ABSTRACT: Contemporary migration to Europe has been subject of debate in recent years and across a multiplicity of venues. This chapter provides an overview of the diverse means deployed to represent migration as border-crossing, via aesthetic and figurative language, performative acts, identity and social construction, across different media and for a multiplicity of audiences. It recaps main themes and methodologies, some key research results, and emphasizes the multidisciplinary and transnational dimension of the study. Importantly, it suggests what novel conceptual directions for representing migration in the context of Europe have been forged through this book and where this might lead to. KEYWORDS: migration; borders; construction; othering; crisis; agency.
  • Autores: León Sanz, Pilar
    Libro: Los hospitales y las pandemias en España e Italia desde una perspectiva histórica
    ISSN 978-84-1302-166-9 2022 págs. 171 - 199
  • Autores: Crespo Sesmero, Mariano Juan
    Libro: Phenomenology and the perspectives on the heart
    ISSN 978-3-030-91927-6 Vol.117 2022 págs. 213 - 227
    Resumen
    The aim of this contribution is to offer an exposition of Husserl¿s various analyses of joy, its intentionality, its rationality as well as its ethical and intersubjective character. The general framework of it is a fourfold distinction made by Husserl. I am referring to (1) feelings or sensible sensations (Empfindungsgefühlen) of joy; (2) what is usually characterized as liking (Gefallen), (3) joy as an affective reaction (Gefühlserregung, Gefühlsreaktion), and (4) joy as mood. I will focus, above all on (2), (3) and (4), although I will also allude to (1). Then, I will refer to the object of joy, in order to, later, allude to the interesting and difficult question of its appropriateness or legitimacy. Thirdly, and within the framework of the relations between joy and its object, I will point out to what could be called the ¿laws of joy.¿ Finally, I will briefly refer to a question that opens a series of ethical considerations, namely the relationship between joy and alterity.
  • Autores: Martínez García, Ana Belén
    Libro: Representing 21st-century migration in Europe: Performing borders, identities and texts
    ISSN 978-1-80073-380-0 2022 págs. 89 - 105
    Resumen
    This chapter addresses testimonial practices as a way to contest mainstream narratives on the often called 'migrant crisis', a label they both resist and deploy to specific activist uses. In reclaiming their right to speak and represent themselves, border-crossers' self-experiential stories reconstruct the phenomenon. In the performative act of a border-crossing 'I' in the making, a newly empowered 'migrant self' emerges. The process is exemplified by Syrian refugee activist Nujeen Mustafa's TED talk and memoir, in which she rejects the b/orders others may seek to impose on her. KEYWORDS: migrant self; performative acts; testimony; border crossing; activism; TED talks; memoir.
  • Autores: Baena, Rosalía
    Libro: Literature and character education in universities: theory, method, and text analysis
    ISSN 9781003162209 2021 págs. 17 - 33
    Resumen
    The belief that reading stories is a good means to promote empathy and to improve character education has led educators to use literature at different educational levels. However, it is often the case that this potential that literature can offer does not reach actual students, primarily because the two functions of literature, `prodesse et delectare¿¿to teach and to delight¿are not sufficiently acknowledged as inseparable: students are frequently forced to choose between reading for pleasure and reading for moral improvement. Thus, focusing more on the reader, and exploring what reading for pleasure actually entails, we could use literature more effectively to educate our students¿ characters. Specifically, this chapter aims to explore how a more phenomenological and experiential approach to literature would help improve contemporary reading and teaching practices. Generally labeled `post-critics,¿ there are a number of scholars who argue for the need to focus more on readers and who propose alternative readings¿reflective (Rita Felski), creative (Derek Attridge), or rhetorical (James Phelan). This chapter ends with a brief reference to my experience in teaching in a Core Curriculum program within this phenomenological framework that focuses on the actual students¿ experience and responses to literature.
  • Autores: Sofía Brenes, Carmen; McVeigh, Margaret; Reid, Alejandro C; et al.
    Libro: Script development Critical Approaches, Creative Practices, International Perspectives
    ISSN 978-3-030-48712-6 2021 págs. 99 - 112
    Resumen
    This chapter addresses the ways in which screenwriters create the persona of the anti-hero in the Chilean TV miniseries Heroes (2006¿2007), a six-part historical series about Chilean national heroes, currently used as educational material in Chilean schools. In the writing of this celebratory series, the key challenge was to create engaging characters who could be perceived as national ¿heroes¿ in the context of a contemporary series, when in fact, their historical actions were those of ¿un-heroic¿ real people, people an audience would consider to be ¿anti-heroes¿. To consider this challenge, the chapter traces how the screenwriters of Heroes created the character of the hero/anti-hero as both protagonist and antagonist. In the chapter, firstly we outline the situation the writers were faced with in researching and recreating the real-life characters of Bernardo O¿Higgins, José Miguel Carrera, and Manual Rodríguez. This includes the challenge of delving into the psychology of characters who were by present-day standards prejudiced misogynists who mistreated women, ordered murders and fathered illegitimate children whom they ignored, and presenting them as heroes, particularly when the target audience was school children. We distil these as a means of considering the creation of the anti-hero in the script development of Heroes.
  • Autores: González González, Ana Marta
    Libro: Kant on emotions: Critical essays in the contemporary context
    ISSN 978-3-11-072071-6 2021 págs. 25 - 44
    Resumen
    In a brief footnote from ¿What Does it Mean to Orient Oneself in Thinking?¿, Kant says that, ¿Reason does not feel¿, yet he immediately adds that, ¿it has insight into its lack and through the drive for cognition it effects the feeling of a need¿. He then draws an analogy with moral feeling, ¿which does not cause any moral law, for this arises wholly from reason; rather, it is caused or effected by moral laws, hence by reason, because the active yet free will needs determinate grounds¿ (WDO 8: 139-140). This chapter aims to unpack this text, thereby showing the pivotal role of moral feeling in articulating the moral realm.
  • Autores: Linares Bernabeu, Esther
    Libro: Las insolentes: desafío e insumisión femenina en las letras y el arte hispanos
    ISSN 978-3-631-83275-2 2021 págs. 355 - 375
  • Autores: Crespo Sesmero, Mariano Juan
    Libro: The idealism-realism debate among Edmund Husserl's early followers and critics
    ISSN 978-3-030-62158-2 2021 págs. 55 - 70
    Resumen
    Husserl's conception of ideal objects convinced some of his early disciples that he was presenting a new form of realism. This impression arises, in my view, from a twofold misunderstanding. First, there was a misunderstanding of the limits of the phenomenological claims of Logical Investigations and, second, an erroneous belief that ideal objects are interpreted in a realist fashion therein. The ultimate source of the first phenomenological schism is not, therefore, so much a reaction to an alleged sudden change in Husserl's position, but rather a misunderstanding of the concept of ideality presented in Logical Investigations. Further, an alleged ¿compatibility¿ between the realist conception of ideality and the Husserlian conception is to be found in one of the ways that Husserl addresses the problem of constitution. However, the Spanish philosopher Antonio Millán-Puelles has shown that the use of terms such as constitutive activity or genesis in a realist metaphysics, to designate the arising of ideal objects¿should not be interpreted in a psychologistic way, as though these objects remained absorbed by the reality of the mental processes they are made present by.
  • Autores: González González, Ana Marta
    Libro: The Scottish enlightenment: human nature, social theory and moral philosophy: essays in honour of Christopher Berry
    ISSN 9781474467315 2021 págs. 199 - 221
  • Autores: Flamarique Zaratiegui, Lourdes
    Libro: Ciencia y filosofía: estudios en homenaje a Juan Arana
    ISSN 978-84-123136-5-9 Vol.I 2021 págs. 311 - 328
  • Autores: Martínez García, Ana Belén
    Libro: New Forms of Self-Narration: Young Women, Life Writing and Human Rights
    ISSN 978-3-030-46419-6 2020 págs. 111 - 131
    Resumen
    The final chapter closes as a coda to the first chapter in the book. If Malala Yousafzai received the Nobel Peace Prize in 2014, four years later, in 2018, it was Nadia Murad¿s turn. This chapter offers a similar approach to the one taken in the first chapter and elsewhere, which is to read the activist¿s texts side by side, and assess the narrative self-representation and self-construction processes in both written and audiovisual media, in traditional and innovative forms. Though there were prior memoirs by women who escaped ISIS recounting the horror of victimization and sexual exploitation, Murad¿s gained worldwide recognition faster perhaps aided by a multiplicity of other factors, namely the ubiquitous deployment of her life-writing texts¿including a recent documentary¿on and offline.
  • Autores: Crespo Sesmero, Mariano Juan
    Libro: La racionalidad ampliada. Nuevos horizontes de la fenomenología y la hermenéutica
    ISSN 978-612-317-593-1 2020 págs. 281 - 303
    Resumen
    Pareciera que la mayor parte de los estudiosos de Pfänder (incluido el propio Husserl) se han centrado más en Motivos y motivación que en Fenomenología de la voluntad en la medida en que en esa obra se encuentra una clara delimitación de la esfera de los actos voluntarios frente a otro tipo de actos tendenciales como, por ejemplo, el desear. Sin embargo, la cuestión que este trabajo pretende plantear es, por un lado, una cuestión más general y, por otro lado, una cuestión más específica a la que, me parece, no se ha ofrecido suficiente atención. Me refiero a la cuestión de si aquello que hace de una tendencia una tendencia ¿y, por tanto, entre ellas al querer¿ es un elemento de naturaleza sentimental o no. Si se tratara de un elemento de naturaleza sentimental, entonces podría pensarse que toda tendencia no es sino un agregado de una vivencia representativa y un sentimiento. Emulando la terminología husserliana, podríamos decir que el ¿carácter de tendencia¿ de una vivencia tendencial sería, pues, de naturaleza sentimental. Si no fuera así, entonces las vivencias tendenciales serían un tipo propio de vivencias, diferentes de las representativas y de las sentimentales. Esta es, a mi juicio, una cuestión temática sumamente interesante. La reconstrucción de estas dos posiciones, defendidas por Pfänder respectivamente en Fenomenología de la voluntad e Introducción a la psicología puede arrojar alguna luz al esclarecimiento de una difícil pregunta, a saber, la referida a la relación existente entre intencionalidad afectiva e intencionalidad volitiva.
  • Autores: Crespo Sesmero, Mariano Juan
    Título: Prólogo
    Libro: Perdonar incondicionalmente. La dialéctica entre amor y justicia
    ISSN 978-84-313.3478-9 2020 págs. 11 - 17
  • Autores: Linares Bernabeu, Esther; Ruiz Gurillo, L.
    Libro: El monólogo cómico. Retórica y poética de la comedia de stand-up: transferencias y escena
    ISSN 978-84-1320-078-1 2020 págs. 101 - 130
  • Autores: Martínez García, Ana Belén
    Libro: New Forms of Self-Narration: Young Women, Life Writing and Human Rights
    ISSN 978-3-030-46419-6 2020 págs. 39 - 58
    Resumen
    This chapter looks at how Hyeonseo Lee imbricates personal memory and collective suffering in her life-writing activism. She has become a spokesperson for North Koreans at both national and international levels, giving public talks where she explains hardships she endured and witnessed. In 2013, TED.com released Lee¿s talk. The instability of US-DPRK relations at the time made it an instant sensation, which proves life writing is inseparable from politics. The interplay of offline and online self-construction expands the notion of what used to be separate realms but have become one entangled narrative. Her memoir profited from the viral TED talk and vice versa. Deploying social media for human rights activism, Lee¿s life writing succeeds in raising awareness for a collective via multimodal means of self-expression.
  • Autores: Martínez García, Ana Belén
    Libro: New Forms of Self-Narration: Young Women, Life Writing and Human Rights
    ISSN 978-3-030-46419-6 2020 págs. 93 - 110
    Resumen
    This chapter is the perfect companion to the preceding one, as it features the case of a Syrian girl who also left the country under strenuous circumstances and relocated as refugee elsewhere. Both life-writing projects may be read side by side to gauge the strategies at work by these two activists whose competing title as ¿the girl from Aleppo¿ is at stake. Instead of precluding each other¿s testimony, their voices denounce the situation in Syria and the individual and collective ramifications of leaving their country behind. Born with cerebral palsy, Nujeen Mustafa¿s journey into Europe was featured by mainstream media. Nujeen¿also a household name¿is most famous for her public speeches advocating for the need to move beyond labeling people as numbers, migrants, refugees.
  • Autores: Rebolledo de la Calle, Marta; Rodríguez Virgili, Jordi; Sierra Iso, Aurken
    Libro: L'Europe au défi des populismes nationaux: La communication politique centrifuge des élections de 2019
    ISSN 978-2-343-20718-6 2020 págs. 165 - 186
    Resumen
    La communication politique des élections européennes de 2019 a été paradoxale. Alors qu'il s'agissait des dernières à inclure la Grande-Bretagne avant son départ de l'Union, le Brexit n'y a pris qu'une part marginale. Alors que pour la première fois en quarante ans la participation a augmenté, ce sont les partis populistes qui en ont bénéficié, remettant en cause la culture de compromis établie de longue date. Alors que l'on pensait les pratiques médiatiques disparates, notamment le Nord et le Sud, les comportements électoraux se sont caractérisés par une grande communauté d'usages synchrones des médias traditionnels et des réseaux sociaux. Cet ouvrage met ainsi en évidence le paradoxe suivant: si l'Europe semble traversée par de puissantes forces centrifuges, un électeur européen prend forme.
  • Autores: González González, Ana Marta
    Libro: Christianity and global law. An introduction
    ISSN 9780367858162 2020 págs. 287 - 302
  • Autores: Martínez García, Ana Belén
    Libro: New Forms of Self-Narration: Young Women, Life Writing and Human Rights
    ISSN 978-3-030-46419-6 2020 págs. 1 - 18
    Resumen
    This book is a timely study of young women¿s life writing as a form of human rights activism. It focuses on six young women who suffered human rights violations when they were girls and have gone on to become activists through life writing: Malala Yousafzai, Hyeonseo Lee, Yeonmi Park, Bana Alabed, Nujeen Mustafa, and Nadia Murad. Their ongoing life-writing projects diverge to some extent, but all share several notable features: they claim a testimonial collective voice, they deploy rights discourse, they excite humanitarian emotions, they link up their context-bound plight with bigger social justice causes, and they use English as their vehicle of self-expression and self-construction. This strategic use of English is of vital importance, as it has brought them together as icons in the public sphere within the last six years. New Forms of Self-Narration is the first ever attempt to explore all these activists¿ life-writing texts side by side, encompassing both the written and the audiovisual material, online and offline, and taking all texts as belonging to a unique, single, though multifaceted, project.
  • Autores: Martínez García, Ana Belén
    Libro: New Forms of Self-Narration: Young Women, Life Writing and Human Rights
    ISSN 978-3-030-46419-6 2020 págs. 133 - 140
    Resumen
    This book reveals the ways in which young women resort to social media as well as traditional media as part of their ongoing life-writing project. The phenomenon of virality is explored to cast light on the affordances that facilitate synergies among significant social and political actors on the global stage. It does not offer a completely positive view of the digital, but states the possibilities that the combination of online and offline methods offers and opens the door to future explorations in novel forms of narrating the self. New Forms of Self-Narration addresses the strategic use of names, labeling and tagging. Each chapter underscores the multiplicity of approaches to life writing and mediation these young women activists take, showcasing relevant trends in twenty-first-century life writing.
  • Autores: Martínez García, Ana Belén
    Libro: New Forms of Self-Narration: Young Women, Life Writing and Human Rights
    ISSN 978-3-030-46419-6 2020 págs. 59 - 76
    Resumen
    This chapter is a companion to the previous one, since Lee and Park come from the very same village in North Korea and their life-writing projects capitalize on the notion of a North Korean girl who escapes, travels to China and onto a Global North final destination. Girlhood is maximized by both, but their self-narration differs in other ways. Though Park fits the girl trope of humanitarian discourse, she strives to move past the category of victim and redefine herself as a survivor. The remediation/curation of Park¿s self on social media platforms¿but also offline¿is assessed to gauge the impact those may have had in crafting a public persona, a celebrity activist, as she has been enrolled in causes beyond Korean activism, namely feminism.
  • Autores: Crespo Sesmero, Mariano Juan
    Libro: Edith Stein's an investigation concerning the state: sociality, nationhood, ethics
    ISSN 978-3-030-33780-3 2020 págs. 3 - 15
    Resumen
    This chapter presents the preliminary results of a double task: on the one hand, I try to identify the place of the notion of ¿state¿ in the phenomenological thinking of Edmund Husserl and, on the other hand, I reflect on a particular question in the general frame of the connections between state and law, namely, the general problem of the relationships between positive law, as formulated by the state¿s legislative power, and so called a priori law (Adolf Reinach) or pure law (Edith Stein), understood as law that precedes and underlies positive law. Both Reinach and Stein defend the existence of pre-positive elements. Thus, they agree with classical theories of natural law; however, they distance themselves from such theories through a criticism I consider not sufficiently justified. In other words, the similarities between Reinach¿s and Stein¿s theories and classical theories of natural law are closer than usually thought.
  • Autores: Martínez García, Ana Belén
    Libro: New Forms of Self-Narration: Young Women, Life Writing and Human Rights
    ISSN 978-3-030-46419-6 2020 págs. 19 - 38
    Resumen
    Building on academic publications that have tried to assess Malala Yousafzai¿s life-writing project in its entirety, this chapter presents each of her life-writing texts as an example of collaborative testimonial narrative. Moving away from an objective, neutral tone, her life writing tends to rely on emotional language and various other discursive strategies aimed at sustaining interest over time. Since Malala Yousafzai started her self-narration when she was 11, technology and traditional media have gone hand in hand. Her appropriation of the hashtag launched under her name proved vital in her reconstruction of an activist self. Yet, the presence of a co-author, either hinted at or made explicit, can be traced throughout all her life-writing texts, from her first blog to her last book on displacement.
  • Autores: García Martínez, Alberto Nahum
    Libro: Cada imagen es un mundo
    ISSN 978-84-18206-33-7 2020 págs. 39 - 58
    Resumen
    Este capítulo aborda las mutaciones del género "noir", apuntando a un cambio en la cosmovisión o imagen del mundo que se ofrece a los espectadores. El noir clásico -y más aún el neo-noir- se caracteriza por la ambigüedad moral y un sentido final de desesperación. Frente a este canon, este artículo propone el término "bright noir" para referirse a un cambio de tendencia: un tono más optimista y un final que proporciona una cierta clausura moral, a menudo veteada de esperanza, redención, perdón u optimismo. Se justifica esta variante del género analizando finales de series como "Broadchurch", "Happy Valley" o la primera temporada de "True Detective", así como la estructura dramática completa de "Terriers", "Daredevil", "Justified" o "Fargo".
  • Autores: León Sanz, Pilar
    Libro: Genealogías de la reforma sanitaria en España
    ISSN 978-84-9097-918-1 Vol.279 2020 págs. 192 - 214
  • Autores: Martínez García, Ana Belén
    Libro: New Forms of Self-Narration: Young Women, Life Writing and Human Rights
    ISSN 978-3-030-46419-6 2020 págs. 77 - 91
    Resumen
    This chapter examines Bana Alabed¿s harnessing Twitter to construct an activist self. It analyzes the intriguing ways technological and affective affordances made it possible for a 7-year-old Syrian girl to report from a war zone. Alabed has evolved past the trope of innocent suffering child typical of human rights narratives, and on to a discourse of peace and fraternity which has awarded her several prizes. Mediation¿and the role her mother has played¿as well as imagery to convey trauma should be further addressed and problematized. The chapter closes with a reflection on names. Like Malala, Bana is mainly known by just her first name. Getting to know these girls on a first-name basis is crucial for the degree of empathizing that may be reached.
  • Autores: Sánchez Aranda, José Javier; Novoa Jaso, María Fernanda
    Libro: La gestión de los contenidos en comunicación
    ISSN 9788417513726 2019 págs. 121 - 138
  • Autores: Crespo Sesmero, Mariano Juan
    Libro: Reflexion, Gefühl, Identität im Anschluss an Kant
    ISSN 978-3-428-15778-5 2019 págs. 119 -130
  • Autores: García Martínez, Alberto Nahum
    Libro: TVFicciones: reflexiones críticas sobre televisión estadunidense
    ISSN 978-607-30-1709-1 2019 págs. 181 - 204
    Resumen
    The Shield (Fox 2002-2008) y The Wire (HBO 2002-2008) son dos de los programas de tv más aclamados por la crítica en la historia y ambos pueden ser vistos como las más refinadas propuestas de film noir producidas para la televisión. The Wire trasciende el género del show policiaco al ofrecer un retrato de múltiples capas de toda la ciudad de Baltimore: desde el trabajo policial hasta el tráfico de drogas, pasando por la corrupción del sindicato de estibadores, las marrullerías de la política local, los problemas del sistema escolar y algunas prácticas periodísticas sin ética. Por otra parte, The Shield es un programa policiaco que deja sin aliento, que presenta en primer plano la ambigüedad moral que caracteriza al género noir. Ambas series despliegan estrategias realistas complementarias (una estética neorrealista en The Wire; un pastiche cinéma vérité en The Shield) que subrayan la importancia del paisaje urbano en su narrativa. Baltimore y Los Ángeles son retratadas no sólo como lugares físicos peligrosos y arruinados, sino también atravesados por temas morales y políticos presentes en las ciudades contemporáneas tales como la cuestión racial, la clase, la corrupción política, la desintegración social, las disparidades económicas, las limitaciones del sistema de justicia, el fracaso del sueño estadunidense y más.
  • Autores: González González, Ana Marta
    Libro: Proceedings of the 2019 plenary session Nation, State, Nation-State
    ISSN 978-88-86726-34-4 N° 22 2019 págs. 399 - 431
  • Autores: Crespo Sesmero, Mariano Juan
    Libro: La humildad del maestro. Homenaje a Urbano Ferrer
    ISSN 978-84-1339-005-5 2019 págs. 488 - 507
  • Autores: González González, Ana Marta
    Libro: La posverdad o el dominio de lo trivial
    ISSN 978-84-1339-006-2 2019 págs. 110 - 126
  • Autores: Flamarique Zaratiegui, Lourdes; Carbonell Peralbo, María
    Libro: La posverdad o el dominio de lo trivial
    ISSN 978-84-1339-006-2 2019 págs. 7 - 10
  • Autores: Linares Bernabeu, Esther
    Libro: Pragmática del español hablado. Hacia nuevos horizontes
    ISSN 978-84-9133-243-5 2019 págs. 473 - 488
  • Autores: González González, Ana Marta
    Libro: Ricostruire il soggetto morale cristiano. Una sfida a 25 anni da Veritatis Splendor
    ISSN 9788868798406 2019 págs. 87 - 104
  • Autores: Sánchez Aranda, José Javier; Novoa Jaso, María Fernanda
    Libro: Contenidos audiovisuales, narrativas y alfabetización mediática
    ISSN 9788448618164 2019 págs. 15 - 25
  • Autores: Flamarique Zaratiegui, Lourdes
    Libro: Lengua, cultura, discurso. Estudios
    ISSN 978-84-313-3431-4 2019 págs. 923 - 938
  • Autores: Flamarique Zaratiegui, Lourdes
    Libro: La posverdad o el dominio de lo trivial
    ISSN 978-84-1339-006-2 2019 págs. 243 - 271
  • Autores: León Sanz, Pilar
    Libro: Emotional bodies. Studies on the historical performativity of emotions
    ISSN 978-0252084713 2019 págs. 53 - 72
  • Autores: León Sanz, Pilar
    Libro: Salud, enfermedad y medicina en el Franquismo
    ISSN 978-84-9097-889-4 Vol.272 2019 págs. 168 - 184
  • Autores: González González, Ana Marta
    Libro: Reflexion, Gefühl, Identität im Anschluß an Kant
    ISSN 978-3-428-15778-5 Vol.96 2019 págs. 41 - 70
  • Autores: González González, Ana Marta
    Libro: Opere et veritate. Homeaje al profesor Ángel Luis González
    ISSN 9788431332488 Vol.238 2018 págs. 355 - 368
    Resumen
    The purpose of this piece is to construct a comprehensive view of Aquinas¿s theory of government by considering his account of the angelic hierarchies and orders, from the perspective of participation in God¿s providential plan for creation, and then see how this consideration applies to the particular case of human beings and to the government of human affairs.
  • Autores: Rebolledo de la Calle, Marta
    Libro: Derechos y cambio constitucional. A un siglo de la constitución
    ISSN 978-607-8601-02-8 2018 págs. 37 - 55
    Resumen
    La libertad de expresión representa una de las garantías del buen fun- cionamiento de las sociedades democráticas actuales; de hecho libertad de expresión y sistema democrático pueden considerarse dos binomios inseparables. La posibilidad de comunicarse libremente en una sociedad constituye la piedra angular de todo sistema democrático, ya que sin ella, el sistema democrático no sería tal. De ahí la necesidad de preservar la libertad de expresión y permanecer en alerta constante de los riesgos a los que está expuesta de modo permanente.
  • Autores: García Martínez, Alberto Nahum
    Libro: European Television Crime Drama and Beyond
    ISSN 978-3-319-96886-5 2018 págs. 41 - 60
    Resumen
    In Film Noir, the ending is crucial for reaching an understanding of the moral stance of the narrative. TV Series, however, offer a fragmented structure¿episodes, hiatuses, and seasons¿, which prevent the audience from grasping their full meaning until the initial conflict-the one that launches the series and structures the narrative-is definitively resolved. In a television landscape where the story is becoming ever more sophisticated, one of the great advances of ¿complex TV¿ (Mittell, 2015) revolves around the notion of the ¿ars moriendi¿ (Harrington, 2012) of audiovisual fictions: the ending of a TV show increasingly aims for circularity, emotional climax, reasonable surprise, and internal narrative coherence. But, also, a good ending usually provides some kind of moral closure. Following the classic authors who have studied Film Noir (Frank, Borde and Chaumeton, Schrader, Naremore), one can highlight two prominent features of the genre: ethical ambiguity and a final sense of despair. This notion of moral uncertainty, existentialism, and even nihilism that typifies the Noir genre has become a sort of cliché because, as Skoble (2006) has studied, we can find moral clarity and redemption already in several classic Noir examples from the 40s and 50s. Consequently, this article attempts to explore how some recent American and British TV-Noir shows are addressing this issue by undermining one of the main thematic and ideological features that both spectators and critics usuall
  • Autores: Martínez-Egido, J. J.; Alvarado Ortega, M. B.; Azorín Fernández, D.; et al.
    Libro: Memorias del Programa de Redes-ICE de calidad, innovación e investigación en docencia universitaria: Convocatoria 2017-18
    ISSN 978-84-09-07041-1 2018 págs. 381 - 398
  • Autores: Crespo Sesmero, Mariano Juan
    Libro: Husserl's Phenomenology of intersubjectivity. Historical interpretations and contemporary applications
    ISSN 9780815372974 2018 págs. 80 - 96
  • Autores: Flamarique Zaratiegui, Lourdes
    Libro: Opere et veritate: homenaje al Profesor Ángel Luis González
    ISSN 978-84-313-3248-8 2018 págs. 297 - 309
  • Autores: García Martínez, Alberto Nahum
    Libro: Cine y series. La promiscuidad infinita
    ISSN 978-84-17600-05-1 2018 págs. 57 - 76
    Resumen
    Este capítulo pretende analizar las características esenciales de la narrativa televisiva contemporánea para compararlas con las del largometraje cinematográfico tradicional. En consecuencia, explicaremos en primer lugar las diferencias que la ficción televisiva y fílmica tienen en cuanto a unidad narrativa y progresión dramática: la duración textual, el tiempo de consumo y la combinación de la ¿anthology plot¿ y la ¿running plot¿. En segundo lugar, examinaremos los conceptos de adaptación y remake, en los que tanto la memoria como la originalidad juegan un papel crucial para el éxito de cualquier derivación diegética. Tras aclarar el marco teórico, aplicaremos la teoría al análisis de dos series de televisión recientes basadas en largometrajes de éxito: la primera temporada de Fargo (FX, 2014-), una suerte de remake-secuela de la película de los hermanos Coen del año 1995; y las tres de Hannibal (NBC, 2013-15), un reboot de la franquicia de El silencio de los corderos (The Silence of the Lambs, Jonathan Demme, 1991) que intenta llenar los huecos previos al nacimiento del personaje en la novela El dragón rojo, de Thomas Harris.
  • Autores: Linares Bernabeu, Esther
    Libro: Convergencia y transversalidad en humanidades
    ISSN 978-84-948233-2-9 2018 págs. 83 - 89
    Resumen
    El objetivo del presente capítulo es analizar la función de la competencia humorística durante el proceso de adquisición de una segunda lengua. Partiendo de que el humor es un instrumento clave para el desarrollo de las competencias lingüísticas, se ha llevado a cabo una investigación con 71 adolescentes extranjeros escolarizados en colegios de la Comunidad Valenciana y de la Región de Murcia. Los datos obtenidos revelan que el reconocimiento, la comprensión y la apreciación del humor son procesos cognitivos que se ven afectados por variables como el nivel de lengua, la inmersión lingüística, el género o la edad. Asimismo, hemos observado que hay géneros humorísticos que son más aptos que otros para introducir en el aula de E/L2.
  • Autores: Martínez García, Ana Belén; Otano Unzué, Alicia
    Libro: Conference proceedings : the future of education : 8th conference edition, Florence, Italy 28-29 June 2018
    ISSN 978-88-3359-020-2 2018 págs. 349 - 352
  • Autores: García Martínez, Alberto Nahum; Ortiz, María J.
    Libro: Cine y series. La promiscuidad infinita
    ISSN 978-84-17600-05-1 2018 págs. 11 - 19
    Resumen
    Introducción al volumen "Cine y series. La promiscuidad infinita". Reflexión sobre la relación entre el cine y la televisión serial y presentación de los contenidos del libro.
  • Autores: Crespo Sesmero, Mariano Juan
    Libro: Opere et veritate. Homenaje al profesor Ángel Luis González
    ISSN 978-84-313-3248-8 2018 págs. 171 - 184
  • Autores: Crespo Sesmero, Mariano Juan
    Libro: El deber gozoso de filosofar. Homenaje a Miguel García-Baró
    ISSN 978-84-301-2012-3 2018 págs. 25 - 36
  • Autores: García Martínez, Alberto Nahum
    Libro: La estética televisiva en las series contemporáneas
    ISSN 9788417203337 2018 págs. 86 - 101
    Resumen
    Para analizar la repulsión en la ficción televisiva contemporánea, este capítulo se propone, en primer lugar, acotar el asco en el terreno de las emociones. A continuación, desentrañaremos la ¿paradoja de la aversión¿, esto es, la relación entre el estatus ficcional de lo inmundo y su disfrute estético. Y, por último, abordaremos cómo el propio formato serial, con su longitud y sus cíclicas estrategias empáticas, facilita la superación de las barreras de lo repelente ¿al mismo tiempo que lo emplea como reclamo¿ para alcanzar una ¿estilización de lo repugnante¿.
  • Autores: González González, Ana Marta
    Libro: Towards a participatory society: new roads to social and cultural integration
    ISSN 9788886726337 Vol.Proceedings of the 21th Plenary Session 2018 págs. 177 - 200
  • Autores: Martínez García, Ana Belén (Coeditor)
    ISSN 978-1-80073-380-0 2022
    Resumen
    DESCRIPTION The 21st century has witnessed some of the largest human migrations in history. Europe in particular has seen a major influx of refugees, redefining notions of borders and national identity. This interdisciplinary volume brings together leading international scholars of migration from perspectives as varied as literature, linguistics, area and cultural studies, media and communication, visual arts, and film studies. Together, they offer innovative interpretations of migrants and contemporary migration to Europe, enriching today¿s political and media landscape, and engaging with the ongoing debate on forced mobility and rights of both extra-European migrants and European citizens.
  • Autores: González González, Ana Marta
    ISSN 978-84-321-5426-3 2021
    Resumen
    ¿En qué condiciones históricas el estado-nación llegó a convertirse en la forma normal de estado? La autora ofrece aquí un análisis breve y documentado de la complejidad de los aspectos históricos, culturales y económicos del proceso catalán, y también de los sociales y emocionales, con un apéndice sobre la cronología del conflicto hasta nuestros días.
  • Autores: González González, Ana Marta
    ISSN 978-84-1369-123-7 2021
    Resumen
    Esta monografía responde al deseo de esclarecer la relación entre subjetividad, identidad y socialidad, como modo de contribuir a una reflexión más amplia sobre el significado de lo humano en un momento de nuestra cultura en el que la diferencia entre lo humano y lo no humano adquiere renovada actualidad. Profundizar en la dinámica de la subjetividad humana nos adentra en un universo intencional irreductible a procesos simplemente naturales. Por sus emociones, deseos y pretensión de verdad, nuestra subjetividad se nos revela, a un tiempo, condicionada y abierta, capaz de intimidad y proyectada fuera de sí misma; una subjetividad en gran medida lingüística, que no se deja aferrar enteramente con palabras, pero admite ser designada con un nombre, que nos sitúa directamente en un contexto de interpelación. El nombre que, recibido de otros, hemos hecho nuestro, simboliza entonces una identidad en parte recibida y parcialmente en construcción, cuya configuración última representa un enigma para nosotros mismos. El deseo, sea explícito sea encubierto, de descifrar ese enigma y así conocer la propia identidad es inseparable de la existencia humana. Ahora bien, en la medida en que la existencia transcurre en el mundo y en diálogo con otros, la identidad simbolizada por el nombre no puede descifrarse al margen de los contextos prácticos y relacionales en que nos vemos involucrados en el curso de la vida. Por esa razón, las vías del conocimiento propio pasan por un conocimiento del...
  • Autores: González González, Ana Marta
    ISSN 9788431335892 2021
  • Autores: González González, Ana Marta
    ISSN 6-71-6420-622-978 2021
  • Autores: González González, Ana Marta
    ISSN 978-3-030-66467-1 2021
    Resumen
    This book joins the contemporary recovery of Kant's empirical works to highlight the relevance of his concept of culture for understanding the sources of various characteristic modern dilemmas, such as the tension between culture and happiness, the morally ambivalent nature of cultural progress, or the existing conflicts between a factual plurality of cultures and the historical forces pressing toward a universal civilization. The book will be of special interest forKantian scholars, moral and political philosophers, as well as philosophers of culture, of history and of the social sciences.
  • Autores: González Ruiz, Ramón Domingo (Editor); Olza Moreno, Inés (Editor); Loureda Lamas, Óscar (Editor)
    ISSN 978-84-313-3431-4 2019
  • Autores: Flamarique Zaratiegui, Lourdes (Editor); Carbonell, C. (Editor)
    ISSN 978-84-1339-006-2 2019
  • Autores: González González, Ana Marta (Editor); Vigo Pacheco, Alejandro (Editor)
    ISSN 978-3-428-15778-5 (Print) 2019
  • Autores: Zurita Andion, José Luis (Coordinador); Serrano Puche, Javier (Coordinador); Gil Ramírez, Marta (Coordinador)
    ISSN 978-84-17690-00-7 2018
  • Autores: Berty, Katrin (Editor); Olza Moreno, Inés (Editor)
    ISSN 9788431333171 2018
  • Autores: García Martínez, Alberto Nahum (Coeditor); Ortiz, María J (Coeditor)
    ISSN 978-84-17600-05-1 2018
    Resumen
    Cine y Series. La promiscuidad infinita parte de la premisa de que hoy en día el cine es una de las principales influencias en las series de televisión, con un notable impacto tanto en la producción como en la estética. Igualmente, la maduración y exuberancia de la forma narrativa serial va dando lugar a una tendencia inversa, por lo que la influencia de los productos seriales también es reconocible en las narrativas fílmicas y en la industria del cine en general. Esta obra nos ofrece un completo panorama de las relaciones entre cine y series en la contemporaneidad. Sus autores han recogido el análisis crítico de los muchos sentidos en que esa interacción se produce. El resultado es un conjunto de contribuciones, de amplio elenco internacional, en torno a los cuatro ejes siguientes: ¿Procesos de transformación narrativa del cine hacia la serialidad. ¿El modelo visual del cine y sus influencias en la serialidad. ¿Viejas historias del cine, nuevos sentidos para la contemporaneidad: reescribiendo una historia emocionante. ¿La innovación en el estudio de las relaciones entre cine y series: ecosistemas narrativos, world building y metáforas audiovisuales.
  • Autores: Crespo Sesmero, Mariano Juan (Editor)
    ISSN 978-3-487-15691-0 2018
    Resumen
    El origen de este volumen es un simposio organizado en Mayo de 2015 por el Instituto Cultura y Sociedad (ICS) de la Universidad de Navarra. El enfoque de este simposio era muy amplio, como se refleja en las contribuciones que se presentan en este volumen, las cuales abordan temas tan diversos como las conexiones entre la ética material de los valores de inspiración fenomenológica y la idea de Derecho natural, la distinción esfera de lo jurídico/esfera de lo moral, las críticas a la consideración de los derechos humanos como fundados en la ley natural, los motivos por los que tenemos ciertos hechos y deberes como consecuencia de actos sociales, el sentido y significado del término libertad cuando este es empleado en el marco del Derecho penal, o el examen de ciertas concepciones que pretenden reducir la Filosofía del Derecho a una serie de cuestiones psicológicas, sociales o históricas cuando, en realidad, ésta depende de una discusión sobre cuestiones de principios y no de una mera comprobación de hechos. Sin embargo, a pesar de la diversidad de los trabajos que conforman este volumen, puede decirse que son dos los aspectos fundamentales que éstos comparten: por un lado, la necesidad de fomentar el diálogo entre disciplinas diferentes como la Filosofía y el Derecho en torno a una cuestión central, a saber, la existencia de elementos pre-positivos, anteriores a toda legislación positiva y, por otro lado, la convicción de que estos elementos tienen una inteligibilidad propia.

Proyectos desde 2018

  • Título: Ayuda Movilidad Jose Castillejo 2019
    Código de expediente: CAS19/00269
    Investigador principal: MARTA REBOLLEDO DE LA CALLE.
    Financiador: MINISTERIO DE EDUCACION , CULTURA Y DEPORTE
    Convocatoria: 2019 MECD Movilidad José Castillejo
    Fecha de inicio: 01-07-2019
    Fecha fin: 31-12-2019
    Importe concedido: 17.046,00 €
    Fondos FEDER: NO
  • Título: Ayuda de movilidad José Castillejo
    Código de expediente: CAS18/00158
    Investigador principal: ANA BELEN MARTINEZ GARCIA.
    Financiador: MINISTERIO DE EDUCACION , CULTURA Y DEPORTE
    Convocatoria: 2018 MECD CASTILLEJO
    Fecha de inicio: 01-01-2019
    Fecha fin: 30-06-2019
    Importe concedido: 19.620,00 €
    Fondos FEDER: NO
  • Título: De la negación al desacuerdo: detección y análisis de patrones multimodales en corpus audiovisuales y de interacción en laboratorio
    Código de expediente: PGC2018-095703-B-I00
    Investigador principal: INES OLZA MORENO.
    Financiador: MINISTERIO DE CIENCIA E INNOVACIÓN
    Convocatoria: 2018 AEI - MCIU - Proyectos de Generación del Conocimiento
    Fecha de inicio: 01-01-2019
    Fecha fin: 31-12-2022
    Importe concedido: 30.250,00 €
    Fondos FEDER: SI
  • Título: Nuevas avenidas de comunicación del cambio climático
    Código de expediente: RTI2018-098190-B-I00
    Investigador principal: BIENVENIDO LEON ANGUIANO, MARIA DEL CARMEN ERVITI ILUNDAIN.
    Financiador: MINISTERIO DE CIENCIA E INNOVACIÓN
    Convocatoria: 2018 AEI - MCIU - Retos Investigación
    Fecha de inicio: 01-01-2019
    Fecha fin: 31-08-2022
    Importe concedido: 29.645,00 €
    Fondos FEDER: SI
  • Título: Ayuda Movilidad Senior 2018
    Código de expediente: PRX18/00338
    Investigador principal: ROSALIA BAENA MOLINA.
    Financiador: MINISTERIO DE EDUCACION , CULTURA Y DEPORTE
    Convocatoria: 2018 MECD SENIOR
    Fecha de inicio: 01-07-2018
    Fecha fin: 31-12-2018
    Importe concedido: 19.309,00 €
    Fondos FEDER: NO
  • Título: Vínculos, emoción e identidad. La dimensión moral de los vínculos sociales
    Código de expediente: FFI2015-67388-P
    Investigador principal: ANA MARTA GONZALEZ GONZALEZ, JOSE MARIA TORRALBA LOPEZ.
    Financiador: MINISTERIO DE CIENCIA E INNOVACIÓN
    Convocatoria: 2015 MINECO EXCELENCIA. PROYECTOS I+D
    Fecha de inicio: 01-01-2016
    Fecha fin: 30-06-2019
    Importe concedido: 34.364,00 €
    Fondos FEDER: NO
  • Título: Patrones multimodales de representación del tiempo
    Código de expediente: FFI2015-70876-P
    Investigador principal: CRISTOBAL PAGAN CANOVAS, INES OLZA MORENO.
    Financiador: MINISTERIO DE CIENCIA E INNOVACIÓN
    Convocatoria: 2015 MINECO EXCELENCIA. PROYECTOS I+D
    Fecha de inicio: 01-01-2016
    Fecha fin: 31-12-2018
    Importe concedido: 26.015,00 €
    Fondos FEDER: SI
  • Título: Locked between formulas: creativity in oral and transitional poetic texts
    Código de expediente:
    Investigador principal: INES OLZA MORENO
    Financiador: COMISIÓN EUROPEA
    Convocatoria: H2020-MSCA-IF-2016
    Fecha de inicio: 01-08-2017
    Fecha fin: 31-07-2019
    Importe concedido: 0
    Fondos FEDER: NO