Revistas
Revista:
REVISTA MEDITERRANEA DE COMUNICACION
ISSN:
1989-872X
Año:
2023
Vol.:
14
N°:
1
Págs.:
307 - 324
El objetivo de este artículo es evaluar críticamente el método empleado para elaborar un Sello de Calidad que permita distinguir los medios
por la confianza que generan en sus audiencias. Tras una revisión de la literatura, se han identificado las dimensiones e indicadores que hacen que un informativo de televisión pueda ser percibido como de calidad. Para confirmar que las categorías e indicadores eran pertinentes para la industria europea, se aplicó el método Delphi y se consultó a más de 200 expertos en España, Italia y Alemania, pertenecientes a diferentes grupos de interés del sector (académicos, anunciantes, representantes de la audiencia, reguladores, periodistas, ONGs y ejecutivos de medios). De las tres categorías asociadas a la calidad de los productos informativos (relativos a los editores, a los profesionales y a la elaboración de los contenidos), los entrevistados consideran que la existencia de procedimientos adecuados para elaborar las noticias, profesionales cualificados y con recursos son los más importantes. Aunque existen algunas diferencias en las percepciones sobre la calidad informativa entre los diversos `stakeholders¿ y según su nacionalidad, la necesidad de una acreditación externa que reconozca el buen trabajo periodístico y asegure que el producto informativo reúne los cánones de calidad exigibles de las buenas prácticas profesionales permanece como un requisito para unos medios de comunicación al servicio de la sociedad democrática.
Revista:
JOURNAL OF MEDIA BUSINESS STUDIES
ISSN:
1652-2354
Año:
2023
Vol.:
20
N°:
1
Págs.:
1 - 26
This article examines the evolution of the attitudes of Spanish viewers to television from 2008 to 2016. This has been a period of time characterised by a substantial increase in the number of television channels. More specifically, the analysis is focused on audience satisfaction, perceptions of content quality and moral and pragmatic concerns. The data used in the empirical analysis come from three rounds of a survey conducted in 2008, 2012 and 2016. The size of the sample is 1,000 respondents for each year. The findings suggest that the attitudes to television have remained very stable in spite of the changes in the growth of the offer and technological upgrading.
Revista:
COMMUNICATION & SOCIETY
ISSN:
2386-7876
Año:
2022
Vol.:
35
N°:
4
Págs.:
19 - 36
The right to be forgotten is one of the hallmarks of privacy regulation on the Internet. The article explores the arguments advocating for a right to be forgotten specifically in cases regarding children, and examines whether minors see the need for such a right. In doing so, it addresses criticism that children's rights studies often fail to consider the views of minors. The methodology adopted consists firstly of a literary review on children's right to be forgotten. This work was complemented by a survey of 652 children and teenagers between the ages of 13 and 18, from all Spanish regions, which offered evidence of their views on the right to be forgotten.
Revista:
PROFESIONAL DE LA INFORMACION
ISSN:
1386-6710
Año:
2021
Vol.:
30
N°:
4
Págs.:
e300407
Sharenting -dissemination on social networks of images and comments about children, minors, by their parents-, is a growing phenomenon (Kopecky et al., 2020; Bessant, 2018). The Covid-19 pandemic has increased the use of social networks, especially during the months of confinement. Social networks have helped to alleviate the separation, and to the extent that communication with family and friends has been frequent, they have also contributed to an increase in sharenting (Saud; Mashud; Ida, 2020). It is still unknown if this phenomenon is specific or if, on the contrary, confinement has contributed to changing social attitudes towards this parental activity (Bessant; Nottingham; Oswald, 2020). In any case, the need to reflect on the consequences and on the rights that come into play in sharenting has become evident. The research presented studies sharenting from the right to freedom of expression of parents, and the rights to private life of children under their guardianship and their digital identity; also from the perspective of the minor's vision of this parental activity. A review of the bibliography shows the variety of arguments that have expressed the modalities of balance between these rights present in sharenting. The research is completed with a survey of children and adolescents between 13 and 18 years old, carried out in March 2020. This is how we respond to the criticism of the studies on the rights of minors for not including their own vision (Cowden, 2016).
Revista:
PALABRA CLAVE
ISSN:
0122-8285
Año:
2019
Vol.:
22
N°:
1
Págs.:
67 - 91
The aim of this paper has been to inquire into what viewers' beliefs are towards television shows and the affective reactions they elicit. The beliefs considered refer to aspects such as dialogs, plots, actors, characters, originality and variety, complexity, morality and quality. Regarding affective reactions towards TV series, they include cultural closeness, personal resonance, cognitive elaboration and general attitude. The method used consisted in the exhaustive analysis of ten television shows, five Spanish (Aida, Cuentame, El internado, Aguila Roja and Fisica o Quimica) and five North American (CSI, Friends, House, Desperate Housewives and Lost) using information from a telephone survey of 1,000 people. Results indicate that beliefs influence perceived quality. The most relevant aspects are dialogs, plots, actors and characters. In relation to affective reactions, the three elements considered (cultural closeness, personal resonance and cognitive elaboration) are hardly related to the general attitude towards or preference for the TV series. Conclusions show that perceived quality is determined by the combination of the various factors considered and that there is no single configuration that gives rise to a positive perception of quality. The article's original contribution to the literature lies in the presentation and application of a theoretical model that allows to determine in detail the beliefs and attitudes of viewers towards fictional television shows.
Revista:
JMM INTERNATIONAL JOURNAL ON MEDIA MANAGEMENT
ISSN:
1424-1277
Año:
2018
Vol.:
20
N°:
3
Págs.:
193-215
Revista:
ESTUDIOS SOBRE EL MENSAJE PERIODISTICO
ISSN:
1134-1629
Año:
2017
Vol.:
23
N°:
2
Págs.:
1005 - 1022
orreo, La República y El Comercio, brindan cuando emiten información relacionada con
menores de edad que se ven involucrados en actos delictivos. El estudio se centró en analizar los
artículos difundidos en sus plataformas web durante tres meses, con el objetivo de determinar si los
medios protegen la identidad de los menores de edad tomando en consideración aspectos legislativos
y deontológicos.
Revista:
CREATIVE INDUSTRIES JOURNAL
ISSN:
1751-0694
Año:
2016
Vol.:
9
N°:
2
Págs.:
107 - 115
This paper aims at providing new insights about audiences¿ opinions concerning the role of advertising and its relation with the perceived quality of TV channels. It analyses Spanish audience's perception of quality of public service broadcasters TVE1 and La 2 before and after the advertising withdrawal in 2010. The goal is identifying if the advertising removal is perceived as an improvement of the quality of TVE. The first conclusion is that a vast majority of the viewers find the channels more attractive now without any advertising than before having it. In addition, gender and age are not significant variables in order to affect this opinion. But the audience educational level does impact their perception: those less educated have a significantly better opinion about the advertising withdrawal than others who are more educated. Both national public service channels (TVE1 and La 2) have improved significantly their quality perception when comparing 2008 and 2012 surveys. They are the only two channels within the Spanish market to obtain a better quality assessment. In fact, all channels tend to maintain or reduce their quality perception in the 2008¿2012 time period.
Revista:
INTERNATIONAL JOURNAL OF DIGITAL TELEVISION
ISSN:
2040-4182
Año:
2016
Vol.:
7
N°:
1
Págs.:
83 - 98
Revista:
AMBITOS. REVISTA INTERNACIONAL DE COMUNICACION
ISSN:
1139-1979
Año:
2015
N°:
28
Págs.:
63 - 72
Revista:
DOXA COMUNICACION
ISSN:
1696-019X
Año:
2015
Vol.:
20
Págs.:
89 - 118
Revista:
ANALISI. QUADERNS DE COMUNICACIO I CULTURA
ISSN:
0211-2175
Año:
2015
Vol.:
51
Págs.:
1 - 15
Revista:
REVISTA LATINA DE COMUNICACION SOCIAL
ISSN:
1138-5820
Año:
2015
N°:
70
Págs.:
252 - 269
Revista:
PROFESIONAL DE LA INFORMACION
ISSN:
1386-6710
Año:
2015
Vol.:
24
N°:
3
Págs.:
256 - 264
Se analiza qué valores de producción tienen mayor impacto en la percepción de calidad que la audiencia tiene respecto a
los diferentes géneros de entretenimiento televisivos. Para ello se han seleccionado los siguientes valores de producción:
contenido, presentador/a, decorado y calidad creativa y técnica. La principal fuente de información ha sido una encuesta
telefónica propia dirigida a una muestra representativa de la población española. Los resultados confirman que, a pesar de
los cambios radicales vividos por el sector y el boom de la televisión conectada (como resultado de la convergencia entre
televisión e internet), la clave del negocio es la misma de siempre: la calidad del contenido.
Revista:
JOURNAL OF SERVICE THEORY AND PRACTICE
ISSN:
2055-6225
Año:
2015
Vol.:
25
N°:
6
Págs.:
813 - 835
Purpose ¿ The purpose of this paper is to elucidate the relationship between the political orientation of television viewers and their perception of television programming quality. Design/methodology/approach ¿ Information from a sample of 2,843 viewers is used. Ordinary least square models are estimated to test the theoretical hypotheses. Findings ¿ The results suggest that the ideological position of viewers has a significant bearing on their evaluation of the quality of television channels. They also point to the key role played by news programming in the audience¿s general assessment of channels quality. Research limitations/implications ¿ There are a number of limitations to this research, which are largely related to the data analyzed, since they are cross-sectional and measures based on a single item are used. Future research in this field ought to take the multidimensional nature of the concepts discussed here into greater consideration. Practical implications ¿ If political orientation colors viewer perception of quality television, it seems worthwhile for television schedulers to have more information about the political-ideological profile of their audience, so as to design a more appealing programming range for their target viewers. Regarding the impact of the perceived quality of news programs on the perceived quality of the whole channel, it would make sense for television managers to invest in news programs not only on the basis of the size of the audience ...
Revista:
ZER. REVISTA DE ESTUDIOS DE COMUNICACION
ISSN:
1137-1102
Año:
2015
Vol.:
20
N°:
39
Págs.:
195-218
Revista:
JOURNAL OF MEDIA BUSINESS STUDIES
ISSN:
1652-2354
Año:
2015
Vol.:
12
N°:
4
Págs.:
205 - 223
This article examines perceived television quality by considering the role played by viewers concerns about television content. These concerns are classified into two categories: pragmatic and moral. The research question is analysed empirically for Spain. Results show that pragmatic concerns are more important for the audience than moral concerns both in 2008 and 2012. Both types of factors are considered to have worsened their development in this period. However, general perception of television quality in Spain has improved between 2008 and 2012. This is associated to a more positive opinion regarding national public service television, but to a more negative perception of the quality of television channels.
Revista:
REVISTA LATINA DE COMUNICACION SOCIAL
ISSN:
1138-5820
Año:
2015
N°:
70
Págs.:
252 - 269
Introduction. The landscape of the audiovisual market has dramatically changed over the last thirty years, and even more so since the implementation of digital terrestrial television throughout Europe. New suppliers of audiovisual content have appeared and a range of pay-per-view and free-to-air services now compete against one another. Methodology. After all the changes, we wonder if there is still space for pay TV and how the strategy of pay TV operators might be developed. To do so, we will analyse current offerings according to three key factors: business models based on revenue and offering, clients, and competitors. Conclusions. After data analysis, we conclude that in spite of the threats to pay television operators, pay TV will be the engine of change, and the willingness to pay will increase. Most of the popular free-to-air contents, will become premium content.
Revista:
QUESTIONES PUBLICITARIAS. REVISTA INTERNACIONAL DE COMUNICACION Y PUBLICIDAD
ISSN:
1133-6870
Año:
2014
Vol.:
19
N°:
1
Págs.:
64 - 81
Revista:
PALABRA CLAVE
ISSN:
0122-8285
Año:
2014
Vol.:
17
N°:
2
Págs.:
412 - 455
Este artículo parte del presupuesto de que la manera como se dirige una organización entraña una forma específica de comunicar, por lo que al identificar el tipo de dirección que se despliega pueden preverse los comportamientos de comunicación de un directivo. Para ello se formula un modelo de relaciones entre estilo directivo y comunicación interna. A partir de un análisis teórico se identifican cinco estilos prototípicos: laissez-faire, orientado a la tarea, orientado a las relaciones, liderazgo y liderazgo carismático, y se definen los modos de comunicación propios de cada uno de ellos. En la segunda parte del artículo, el modelo se contrasta en una muestra de agencias de publicidad españolas.
Revista:
COMMUNICATION & SOCIETY
ISSN:
2386-7876
Año:
2014
Vol.:
27
N°:
4
Págs.:
131 - 145
Consumer habits in relation to audiovisual products are changing due to the greater range and unlimited access to contents available. This article explores the screens viewers favor in watching films, as well as the screens they actually use. The data are taken from a survey of a sample comprising 1,000 Spanish people aged over 14. The results show that there are differences with regard to preferences for screen-type and frequency of use, which correlate with socio-demographic variables (sex, age and educational background).
Revista:
REVISTA MEDITERRANEA DE COMUNICACION
ISSN:
1989-872X
Año:
2014
Vol.:
5
N°:
I
Págs.:
179-199
Los hábitos de consumo audiovisual en España han
cambiado significativamente durante los últimos
años, sobre todo entre el público joven, debido entre
otros factores a la proliferación de pantallas
conectadas a Internet. Los objetivos de este artículo
son analizar qué pantallas prefiere la audiencia para
ver diferentes tipos de contenidos televisivos ¿series
de ficción, programas de entretenimiento, películas,
noticias y deportes¿, estudiar si esos dispositivos son
complementarios, y por último qué usos interactivos
relacionados con estos contenidos son los más
habituales. Para ello, hemos tenido en cuenta los
siguientes soportes: televisor inteligente, teléfono
móvil, tableta, ordenador y videoconsola. Los
resultados están basados en una encuesta online
original dirigida a una muestra representativa de la
población internauta española, principal herramienta
metodológica empleada. Entre las principales
conclusiones destaca que casi la mitad de los
internautas españoles ve contenidos televisivos a
través de pantallas conectadas, principalmente el
ordenador, donde se visionan series de ficción
extranjeras y películas. Las redes sociales destacan
como el canal interactivo preferido por los usuarios.
Revista:
TRIPODOS
ISSN:
1138-3305
Año:
2014
N°:
35
Págs.:
157 - 177
Abstract
In recent years, the number and range of screens used to watch audiovisual contents has risen, from the traditional television set to Internet-enabled devices. This fact has profoundly changed audiovisual consumption habits in Spain. Firstly, viewing-times have increased across every platform. For example, in the case of conventional television, the average Spanish person watches four hours per day. Secondly, at the same time, younger audiences in particular are increasingly likely to use Internet-enabled screens.
The aim of this article is to analyze which screens are preferred by Spanish Internet users, as well as their reasons for doing so when watching different types of TV contents online, such as fiction series, entertainment shows, films, news and sports. In order to carry out this research, the following screens have been taken into account: smart TV, mobile phones, tablets, computers and video consoles.
Of the main findings, two in particular may be highlighted in advance: almost half of Internet users watch TV online, and the most frequently used device to do so is the computer ¿including laptops and netbooks. A further clear conclusion is that users choose different program genres depending on the screen.
The results of this study, based on an original survey carried out online, may prove especially significant in order to discover new consumption habits of the Spanish population on the Internet.
Resumen
En los ultimos años, se ha multiplicado el númer
Revista:
JOURNAL OF APPLIED JOURNALISM & MEDIA STUDIES
ISSN:
2001-0818
Año:
2013
Vol.:
2
N°:
3
Págs.:
489 - 504
This article analyses perceived television quality in a sample of Spanish consumers by considering the role played by viewers' concerns about television contents. It applies to all kinds of terrestrial television channels in Spain. These concerns are found to be classiffied in two categories: pragmatic and moral. The intensity of these concerns is related to the socio-demographic characteristics of the viewers. Male, older and educated viewers are found to show stronger pragmatic concerns on TV content whereas women and older viewers show stronger moral concerns. Pragmatic concerns have a negative influence on perceived TV quality, but no effect is detected for moral concerns.
Revista:
COMMUNICATION & SOCIETY
ISSN:
2386-7876
Año:
2013
Vol.:
26
N°:
1
Págs.:
149 - 169
Fiction series broadcasted by TV channels can be domestically-produced or foreign-made. The former may contribute to the definition of a TV channel's corporate identity. The latter, usually US-made, series tend to have widely recognized quality standards and offer a reasonable guarantee of high audience ratings in the countries to which they are exported. The definition of viewer preferences for home-produced or American-made fiction series is a key issue in this regard. The purpose of this paper is to explore the effect that certain viewer factors may have on preferences for domestically-produced or American-made fiction series in Spain; in specific terms, the variables taken into consideration here are gender, age, educational level, nationality, preferences for TV genres and the perceived quality of television series. © 2013 Communication&Society.
Revista:
Zer
ISSN:
1137-1102
Año:
2011
Vol.:
16
N°:
31
Págs.:
69 - 88
Revista:
ESIC-MARKET
ISSN:
0212-1867
Año:
2010
N°:
135
Págs.:
63 - 90
En este trabajo se analiza la relación existente entre las inversiones publicitarias y la evolución del PIB. Por una parte se estudia si los distintos soportes publicitarios se ven afectados de la misma manera por la situación económica y por otra parte se analiza la relación que las inversiones publicitarias tienen con las distintas ramas de la actividad productiva. El análisis se hace para el caso de España y para el periodo temporal de 1978 a 2003.
Nacionales y Regionales
Título:
De la arquitectura de la escucha a la huella social: buenas prácticas en la producción de contenidos
Código de expediente:
RTI2018-101124-B-I00
Investigador principal:
Patricia Diego González, María de las Mercedes Medina Laverón
Financiador:
MINISTERIO DE CIENCIA E INNOVACIÓN
Convocatoria:
2018 AEI - MCIU - Retos Investigación
Fecha de inicio:
01/01/2019
Fecha fin:
30/09/2022
Importe concedido:
30.250,00€
Otros fondos:
Fondos FEDER
Título:
Identificación de los motivos de consumo de los contenidos audiovisuales de ficción y entretenimiento en el mercado español
Código de expediente:
CSO2015-64615-R
Investigador principal:
María de las Mercedes Medina Laverón
Financiador:
MINISTERIO DE CIENCIA E INNOVACIÓN
Convocatoria:
2015 MINECO RETOS INVESTIGACION. PROYECTOS I+D+i
Fecha de inicio:
01/01/2016
Fecha fin:
31/12/2018
Importe concedido:
36.300,00€
Otros fondos:
Fondos FEDER
